In her first collection of short fiction, Damien Angelica Walters weaves her lyrical voice through suffering and sorrow, teasing out the truth and discovering hope.
Sometimes a thread pulled through the flesh is all that holds you together. Sometimes the blade of a knife or the point of a nail is the only way you know you're real. When pain becomes art and a quarter is buried deep within you, all you want is to be seen, to have value, to be loved. But love can be fragile, folded into an origami elephant while you disappear, carried on the musical notes that build a bridge, or woven into an illusion so real, so perfect that you can fool yourself for a little while. Paper crumples, bridges fall, and illusions come to an end. Then you must pick up the pieces, stitch yourself back together, and shed your fear, because that is when you find out what you are truly made of and lift your voice, that is when you Sing Me Your Scars.
"Sing Me Your Scars revolves in the mind's eye in a kaleidoscope of darkness and wonder."
--Laird Barron, author of The Croning and The Beautiful Thing That Awaits Us All
"Damien Angelica Walters writes prose as sharp as a scalpel. With surgical precision, she slices through her characters' veneers to lay bare the secret scars underneath, the knots of fear and desire twisting them. The women and men in these stories struggle against their own, oddly-beautiful damage, and even when they succumb to it, the narrative is never less than compelling. Anatomist of dreams and nightmares, Walters is a writer to watch."
--John Langan, author of The Wide, Carnivorous Sky and Other Monstrous Geographies
"From a pure enjoyment perspective, there are few that rival Damien’s style. I will not be the first to talk of how lyrical her prose can be, but I haven’t heard many mention how unobtrusively so it is. It flows easy, like a song, but dammit if she doesn’t manage to pull of the trick of not allowing the wording to distract us from the tale. The images are strong and memorable and the stories are tight and there is even a second person perspective tale in here that doesn’t come across as snobbish and self-conscious."
--Eviscerating Pen, Anton Cancre
Table of Contents
Part I: Here
Sing Me Your Scars
All the Pieces We Leave Behind
Girl, With Coin
Paskutinis Iliuzija (The Last Illusion)
Glass Boxes and Clockwork Gods
Sugar, Sin, and Nonsuch Henry
Part II: And The Now
Running Empty in a Land of Decay
The Taste of Tears in a Raindrop
Always, They Whisper
Dysphonia in D Minor
Shall I Whisper to You of Moonlight, of Sorrow, of Pieces of Us?
Immolation: A Love Story
Part III: And Away
Melancholia in Bloom
Iron and Wood, Nail and Bone
And All the World Says Hush
They Make of You a Monster
Paper Thin Roses of Maybe
Grey in the Gauge of His Storm (Apex Magazine issue 53)
Like Origami in Water
A genius of unrivaled aptitude, Stephen can learn any new skill, vocation, or art in a matter of hours. However, to contain all of this, his mind creates hallucinatory people—Stephen calls them aspects—to hold and manifest the information. Wherever he goes, he is joined by a team of imaginary experts to give advice, interpretation, and explanation. He uses them to solve problems . . . for a price.
His brain is getting a little crowded and the aspects have a tendency of taking on lives of their own. When a company hires him to recover stolen property—a camera that can allegedly take pictures of the past—Stephen finds himself in an adventure crossing oceans and fighting terrorists. What he discovers may upend the foundation of three major world religions—and, perhaps, give him a vital clue into the true nature of his aspects.
Legion: The Many Lives of Stephen Leeds includes Legion, Legion: Skin Deep and the brand new, shocking finale to Leeds' story, Lies of the Beholder.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The Martian Chronicles
Ray Bradbury is a storyteller without peer, a poet of the possible, and, indisputably, one of America's most beloved authors. In a much celebrated literary career that has spanned six decades, he has produced an astonishing body of work: unforgettable novels, including Fahrenheit 451 and Something Wicked This Way Comes; essays, theatrical works, screenplays and teleplays; The Illustrated Mein, Dandelion Wine, The October Country, and numerous other superb short story collections. But of all the dazzling stars in the vast Bradbury universe, none shines more luminous than these masterful chronicles of Earth's settlement of the fourth world from the sun.
Bradbury's Mars is a place of hope, dreams and metaphor-of crystal pillars and fossil seas-where a fine dust settles on the great, empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn -first a trickle, then a torrent, rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars ... and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race.
Ray Bradbury's The Martian Chronicles is a classic work of twentieth-century literature whose extraordinary power and imagination remain undimmed by time's passage. In connected, chronological stories, a true grandmaster once again enthralls, delights and challenges us with his vision and his heart-starkly and stunningly exposing in brilliant spacelight our strength, our weakness, our folly, and our poignant humanity on a strange and breathtaking world where humanity does not belong.