The Terror: A Novel

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"Dan Simmons writes with the salty grace and precision of Patrick O'Brian. But in piling supernatural nightmare upon historical nightmare, layering mystery upon mystery, he has produced a turbocharged vision of popular doom." -Men's Journal

Greeted with excited critical praise, this extraordinary novel-inspired by the true story of two ice ships that disappeared in the Arctic Circle during an 1845 expedition-swells with the heart-stopping suspense and heroic adventure that have won Dan Simmons praise as "a writer who not only makes big promises but keeps them" (Seattle Post-Intelligencer). THE TERROR chills readers to the core.

"Brutal, relentless, yet oddly uplifting, THE TERROR is a masterfully chilling work." -Entertainment Weekly

"In the hands of a lesser writer than Dan Simmons, THE TERROR might well have dissolved into a series of frigid days and three-dog nights. But Simmons is too good a writer to ignore the real gold in his story-its beleaguered cast." -Bookpage

"Guaranteed to have readers pulling their covers up to their noses, THE TERROR will make for a blood-freezing, bedtime read this winter-and any season thereafter." -Pages
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“An excellent collection” of vampire stories, from authors such as Harlan Ellison, Dan Simmons, Gahan Wilson, Tanith Lee, and Fritz Leiber (Publishers Weekly).
 
Renowned editor Ellen Datlow has gathered seventeen variations on vampirism ranging from classically Gothic to postmodern satire, from horrific to erotic. These stories reflect the evolution of vampire literature from Bram Stoker to Anne Rice and beyond, resulting in a deeper exploration of their inner lives. Expanding the concept of vampirism to include the draining of a person’s will or life force, Datlow’s collection transcends the traditional “black capes and teeth marks on the neck” to reinvent an eternally fascinating subgenre of horror.
 
In Harlan Ellison’s “Try a Dull Knife,” an empath stumbles bleeding into a nightclub, on the run from emotional vampires. A Broadway actress steals the emotions of her fellow performers in “. . . To Feel Another’s Woe” by Chet Williamson. And in “The Sea Was Wet as Wet Could Be,” Gahan Wilson offers his own surreal twist on Lewis Carroll’s “The Walrus and the Carpenter,” as two strangers on a beach lure intoxicated picnickers to a different kind of picnic . . .
 
Blood Is Not Enough includes contributions by Dan Simmons, Gahan Wilson, Garry Kilworth, Harlan Ellison, Scott Baker, Leonid Andreyev, Harvey Jacobs, S. N. Dyer, Edward Bryant, Fritz Leiber, Tanith Lee, Susan Casper, Steve Rasnic Tem, Gardner Dozois and Jack Dann, Chet Williamson, Joe Haldeman, and Pat Cadigan.
 
4.4
229 total
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Additional Information

Publisher
Little, Brown
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Published on
Mar 8, 2007
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Pages
784
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ISBN
9780316003889
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Features
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Language
English
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Genres
Fiction / Historical / General
Fiction / Horror
Fiction / Media Tie-In
Fiction / Thrillers / Historical
Fiction / Thrillers / Supernatural
Fiction / Thrillers / Suspense
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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"CARRION COMFORT is one of the three greatest horror novels of the 20th century. Simple as that." --Stephen King

"Epic in scale and scope but intimately disturbing, CARRION COMFORT spans the ages to rewrite history and tug at the very fabric of reality. A nightmarish chronicle of predator and prey that will shatter your world view forever. A true classic." --Guillermo del Toro

"CARRION COMFORT is one of the scariest books ever written. Whenever I get the question asked Who's your favorite author? my answer is always Dan Simmons." --James Rollins
"One of the few major reinventions of the vampire concept, on a par with Jack Finney's Invasion of the Body Snatchers, Richard Matheson's I Am Legend, and Stephen King's Salem's Lot. --David Morrell

THE PAST... Caught behind the lines of Hitler's Final Solution, Saul Laski is one of the multitudes destined to die in the notorious Chelmno extermination camp. Until he rises to meet his fate and finds himself face to face with an evil far older, and far greater, than the Nazi's themselves...

THE PRESENT... Compelled by the encounter to survive at all costs, so begins a journey that for Saul will span decades and cross continents, plunging into the darkest corners of 20th century history to reveal a secret society of beings who may often exist behind the world's most horrible and violent events. Killing from a distance, and by darkly manipulative proxy, they are people with the psychic ability to 'use' humans: read their minds, subjugate them to their wills, experience through their senses, feed off their emotions, force them to acts of unspeakable aggression. Each year, three of the most powerful of this hidden order meet to discuss their ongoing campaign of induced bloodshed and deliberate destruction. But this reunion, something will go terribly wrong. Saul's quest is about to reach its elusive object, drawing hunter and hunted alike into a struggle that will plumb the depths of mankind's attraction to violence, and determine the future of the world itself...

Originally published in 1971, The Exorcist is now a major television series on FOX. It remains one of the most controversial novels ever written and went on to become a literary phenomenon: It spent fifty-seven weeks on the New York Times bestseller list, seventeen consecutively at number one. Inspired by a true story of a child’s demonic possession in the 1940s, William Peter Blatty created an iconic novel that focuses on Regan, the eleven-year-old daughter of a movie actress residing in Washington, D.C. A small group of overwhelmed yet determined individuals must rescue Regan from her unspeakable fate, and the drama that ensues is gripping and unfailingly terrifying.

Two years after its publication, The Exorcist was, of course, turned into a wildly popular motion picture, garnering ten Academy Award nominations. On opening day of the film, lines of the novel’s fans stretched around city blocks. In Chicago, frustrated moviegoers used a battering ram to gain entry through the double side doors of a theater. In Kansas City, police used tear gas to disperse an impatient crowd who tried to force their way into a cinema. The three major television networks carried footage of these events; CBS’s Walter Cronkite devoted almost ten minutes to the story. The Exorcist was, and is, more than just a novel and a film: it is a true landmark.

Purposefully raw and profane, The Exorcist still has the extraordinary ability to disturb readers and cause them to forget that it is “just a story.” Published here in this beautiful fortieth anniversary edition, it remains an unforgettable reading experience and will continue to shock and frighten a new generation of readers.

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