The Hour of Peril: The Secret Plot to Murder Lincoln Before the Civil War

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"It's history that reads like a race-against-the-clock thriller." Harlan Coben
Daniel Stashower, the two-time Edgar award–winning author of The Beautiful Cigar Girl, uncovers the riveting true story of the "Baltimore Plot," an audacious conspiracy to assassinate Abraham Lincoln on the eve of the Civil War in THE HOUR OF PERIL.

In February of 1861, just days before he assumed the presidency, Abraham Lincoln faced a "clear and fully-matured" threat of assassination as he traveled by train from Springfield to Washington for his inauguration. Over a period of thirteen days the legendary detective Allan Pinkerton worked feverishly to detect and thwart the plot, assisted by a captivating young widow named Kate Warne, America's first female private eye.

As Lincoln's train rolled inexorably toward "the seat of danger," Pinkerton struggled to unravel the ever-changing details of the murder plot, even as he contended with the intractability of Lincoln and his advisors, who refused to believe that the danger was real. With time running out Pinkerton took a desperate gamble, staking Lincoln's life—and the future of the nation—on a "perilous feint" that seemed to offer the only chance that Lincoln would survive to become president. Shrouded in secrecy—and, later, mired in controversy—the story of the "Baltimore Plot" is one of the great untold tales of the Civil War era, and Stashower has crafted this spellbinding historical narrative with the pace and urgency of a race-against-the-clock thriller.
A Washington Post Notable Nonfiction Book of 2013
Winner of the 2014 Edgar Award for Best Fact Crime
Winner of the 2013 Agatha Award for Best Nonfiction
Winner of the 2014 Anthony Award for Best Critical or Non-fiction Work
Winner of the 2014 Macavity Award for Best Nonfiction

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About the author

DANIEL STASHOWER is an acclaimed biographer and narrative historian and winner of the Edgar, Agatha, and Anthony awards, and the Raymond Chandler Fulbright Fellowship in Detective Fiction. His work has appeared in The New York Times, The Washington Post, Smithsonian Magazine, AARP: The Magazine, and National Geographic Traveler as well as other publications.
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3.9
12 total
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Additional Information

Publisher
Minotaur Books
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Published on
Jan 29, 2013
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Pages
368
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ISBN
9781250023322
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Features
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Language
English
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Genres
History / United States / Civil War Period (1850-1877)
True Crime / General
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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William J. Mann
New York Times Bestseller

Edgar Award winner for Best Fact Crime

The Day of the Locust meets The Devil in the White City and Midnight in the Garden of Good and Evil in this juicy, untold Hollywood story: an addictive true tale of ambition, scandal, intrigue, murder, and the creation of the modern film industry.

By 1920, the movies had suddenly become America’s new favorite pastime, and one of the nation’s largest industries. Never before had a medium possessed such power to influence. Yet Hollywood’s glittering ascendency was threatened by a string of headline-grabbing tragedies—including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now.

In a fiendishly involving narrative, bestselling Hollywood chronicler William J. Mann draws on a rich host of sources, including recently released FBI files, to unpack the story of the enigmatic Taylor and the diverse cast that surrounded him—including three beautiful, ambitious actresses; a grasping stage mother; a devoted valet; and a gang of two-bit thugs, any of whom might have fired the fatal bullet. And overseeing this entire landscape of intrigue was Adolph Zukor, the brilliant and ruthless founder of Paramount, locked in a struggle for control of the industry and desperate to conceal the truth about the crime. Along the way, Mann brings to life Los Angeles in the Roaring Twenties: a sparkling yet schizophrenic town filled with party girls, drug dealers, religious zealots, newly-minted legends and starlets already past their prime—a dangerous place where the powerful could still run afoul of the desperate.

A true story recreated with the suspense of a novel, Tinseltown is the work of a storyteller at the peak of his powers—and the solution to a crime that has stumped detectives and historians for nearly a century.

Daniel Stashower
The world remembers Edison, Ford, and the Wright Brothers. But what about Philo T. Farnsworth, the inventor of television, an innovation that did as much as any other to shape the twentieth century? That question lies at the heart of The Boy Genius and the Mogul, Daniel Stashower's captivating chronicle of television's true inventor, the battle he faced to capitalize on his breakthrough, and the powerful forces that resulted in the collapse of his dreams.

The son of a Mormon farmer, Farnsworth was born in 1906 in a single-room log cabin on an isolated homestead in Utah. The Farnsworth family farm had no radio, no telephone, and no electricity. Yet, motivated by the stories of scientists and inventors he read about in the science magazines of the day, young Philo set his sights on becoming an inventor. By his early teens, Farnsworth had become an inveterate tinkerer, able to repair broken farm equipment when no one else could. It was inevitable that when he read an article about a new idea -- for the transmission of pictures by radio waves--that he would want to attempt it himself. One day while he was walking through a hay field, Farnsworth took note of the straight, parallel lines of the furrows and envisioned a system of scanning a visual image line by line and transmitting it to a remote screen. He soon sketched a diagram for an early television camera tube. It was 1921 and Farnsworth was only fourteen years old.

Farnsworth went on to college to pursue his studies of electrical engineering but was forced to quit after two years due to the death of his father. Even so, he soon managed to persuade a group of California investors to set him up in his own research lab where, in 1927, he produced the first all-electronic television image and later patented his invention. While Farnsworth's invention was a landmark, it was also the beginning of a struggle against an immense corporate power that would consume much of his life. That corporate power was embodied by a legendary media mogul, RCA President and NBC founder David Sarnoff, who claimed that his chief scientist had invented a mechanism for television prior to Farnsworth's. Thus the boy genius and the mogul were locked in a confrontation over who would control the future of television technology and the vast fortune it represented. Farnsworth was enormously outmatched by the media baron and his army of lawyers and public relations people, and, by the 1940s, Farnsworth would be virtually forgotten as television's actual inventor, while Sarnoff and his chief scientist would receive the credit.

Restoring Farnsworth to his rightful place in history, The Boy Genius and the Mogul presents a vivid portrait of a self-taught scientist whose brilliance allowed him to "capture light in a bottle." A rich and dramatic story of one man’s perseverance and the remarkable events leading up to the launch of television as we know it, The Boy Genius and the Mogul shines new light on a major turning point in American history.


From the Hardcover edition.
Daniel Stashower
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