In Another Country: Selected Stories

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Comma Press
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Pages
183
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English
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David Constantine
David Constantine's Under the Dam was chosen as one of their Books of 2005 by both The Independent and The Guardian. See Press below.

"FLAWLESS AND UNSETTLING" - Boyd Tonkin, Books of the Year 2005, The Independent.

In the middle of a speech a businessman realises his soul has just left his body. In an Athens marketplace, a jealous lover finds himself staggering through a vision of hell. High in the Alps, a young woman’s body re-appears in the glacier, perfectly preserved, where she fell 50 years before.

Entering Constantine’s stories is like stepping out into a wind of words, a swarm of language. His prose is as fluid as the water that surges and swells through all his landscapes. Yet, against this fluidity, his stories are able to stop time, to freeze-frame each protagonist’s life just at the moment when the past breaks the surface, or when the present - like the dam of the title - collapses under its own weight.

“I started reading these stories quietly, and then became obsessed, read them all fast, and started re-reading them again and again. They are gripping tales, but what is startling is the quality of the writing. Every sentence is both unpredictable and exactly what it should be. Reading them is a series of short shocks of (agreeably envious) pleasure...”
– AS Byatt, Book of the Week, The Guardian

“A superb collection”
– Nicholas Royle, The Independent

“This is a haunting collection filled with delicate clarity. Constantine has a sure grasp of the fear and fragility within his characters.”
– A. L. Kennedy

David Constantine
**WINNER of the 2013 Frank O'Connor International Short Story Award**
**WINNER of the BBC National Short Story Prize**

'The excellence of the collection is fractal: the whole book is excellent, and every story is excellent, and every paragraph is excellent, and every sentence is excellent. And, unlike some literary fiction, it's effortless to read.' - The Independent on Sunday

‘Perhaps the finest of contemporary writers in this form.’ – The Reader

To the woman watching they looked like grace itself, the heart and soul of which is freedom. It pleased her particularly that they were attached by invisible strings to colourful curves of rapidly moving air. How clean and clever that was! You throw up something like a handkerchief, you tether it and by its headlong wish to fly away, you are towed along...

Like the kite-surfers in this opening scene, the characters in David Constantine’s fourth collection are often delicately caught in moments of defiance. Disregarding their age, their family, or the prevailing political winds, they show us a way of marking out a space for resistance and taking an honest delight in it. Witness Alphonse – having broken out of an old people’s home, changed his name, and fled the country – now pedalling down the length of the Rhône, despite knowing he has barely six months to live. Or the clergyman who chooses to spend Christmas Eve – and the last few hours in his job – in a frozen, derelict school, dancing a wild jig with a vagrant called Goat. 
Key to these characters’ defiance is the power of fiction, the act of holding real life at arm’s length and simply telling a story – be it of the future they might claim for themselves, or the imagined lives of others. Like them, Constantine’s bewitching, finely-wrought stories give us permission to escape, they allow us to side-step the inexorable traffic of our lives, and beseech us to take possession of the moment.

David Constantine
Named to Kirkus Reviews' Best Story Collections of 2015

Featuring the story adapted into the Academy Award nominated film, 45 YEARS

"I started reading these stories quietly, and then became obsessed, read them all fast, and started re-reading them again and again. They are gripping tales, but what is startling is the quality of the writing. Every sentence is both unpredictable and exactly what it should be."—A.S. Byatt, The Guardian

"Rich and allusive and unashamedly moving."—The Independent

"Spellbinding."—The Irish Times

"An uneasy blend of the exquisite and the everyday . . . the beatific, the ordinary, the rebarbative even, are almost indistinguishable . . . intelligent and well-turned."—The Times Literary Supplement

"Perhaps the finest of contemporary writers in this form."—The Reader

The first American publication by one of the greatest living fiction masters, In Another Country spans David Constantine's remarkable thirty-year career. Known for their pristine emotional clarity, their spare but intensely evocative dialogue, and their fearless exposures of the heart in moments of defiance, change, resistance, flight, isolation, and redemption, these stories demonstrate again and again Constantine's timeless and enduring appeal.

David Constantine is an award-winning short story writer, poet, and translator. His collections of poetry include The Pelt of Wasps, Something for the Ghosts (shortlisted for the Whitbread Poetry Prize), Nine Fathom Deep, and Elder. He is the author of one novel, Davies, and has published four collections of short stories in the United Kingdom, including the winner of the 2013 Frank O'Connor Award, Tea at the Midland and Other Stories. He lives in Oxford, where, until 2012, he edited Modern Poetry in Translation with his wife Helen.

David Constantine
**WINNER of the 2013 Frank O'Connor International Short Story Award**
**WINNER of the BBC National Short Story Prize**

'The excellence of the collection is fractal: the whole book is excellent, and every story is excellent, and every paragraph is excellent, and every sentence is excellent. And, unlike some literary fiction, it's effortless to read.' - The Independent on Sunday

‘Perhaps the finest of contemporary writers in this form.’ – The Reader

To the woman watching they looked like grace itself, the heart and soul of which is freedom. It pleased her particularly that they were attached by invisible strings to colourful curves of rapidly moving air. How clean and clever that was! You throw up something like a handkerchief, you tether it and by its headlong wish to fly away, you are towed along...

Like the kite-surfers in this opening scene, the characters in David Constantine’s fourth collection are often delicately caught in moments of defiance. Disregarding their age, their family, or the prevailing political winds, they show us a way of marking out a space for resistance and taking an honest delight in it. Witness Alphonse – having broken out of an old people’s home, changed his name, and fled the country – now pedalling down the length of the Rhône, despite knowing he has barely six months to live. Or the clergyman who chooses to spend Christmas Eve – and the last few hours in his job – in a frozen, derelict school, dancing a wild jig with a vagrant called Goat. 
Key to these characters’ defiance is the power of fiction, the act of holding real life at arm’s length and simply telling a story – be it of the future they might claim for themselves, or the imagined lives of others. Like them, Constantine’s bewitching, finely-wrought stories give us permission to escape, they allow us to side-step the inexorable traffic of our lives, and beseech us to take possession of the moment.

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