Death at SeaWorld centers on the battle with the multimillion-dollar marine park industry over the controversial and even lethal ramifications of keeping killer whales in captivity. Following the story of marine biologist and animal advocate at the Humane Society of the US, Naomi Rose, Kirby tells the gripping story of the two-decade fight against PR-savvy SeaWorld, which came to a head with the tragic death of trainer Dawn Brancheau in 2010. Kirby puts that horrific animal-on-human attack in context. Brancheau's death was the most publicized among several brutal attacks that have occurred at Sea World and other marine mammal theme parks.
Death at SeaWorld introduces real people taking part in this debate, from former trainers turned animal rights activists to the men and women that champion SeaWorld and the captivity of whales. In section two the orcas act out. And as the story progresses and orca attacks on trainers become increasingly violent, the warnings of Naomi Rose and other scientists fall on deaf ears, only to be realized with the death of Dawn Brancheau. Finally he covers the media backlash, the eyewitnesses who come forward to challenge SeaWorld's glossy image, and the groundbreaking OSHA case that
challenges the very idea of keeping killer whales in captivity and may spell the end of having trainers in the water with the ocean's top predators.
"Kirby is exuberant, irrepressible, maniacal and remarkably entertaining.... Okay, let me just say it: he is a wonderful poet." -- Steve Kowit, San Diego Union-Tribune
"Kirby's voice and matter (teaching, literature, traveling, rock 'n' roll, everyday bozohood) are utterly personal and, despite all the laughter, ultimately moving." -- Ray Olson, Booklist
"[Kirby] is a poet who peels away the layers of our skin to show us who we are: our weaknesses, our strengths, and our hilarious obsessions." -- Micah Zevin, New Pages
"The world that Kirby takes into his imagination and the one that arises from it merge to become a creation like no other, something like the world we inhabit but funnier and more full of wonder and terror." -- Philip Levine, Ploughshares
"These poems may be too cool for words." -- Carol Muske-Dukes, New York Times Book Review
Inspired by the carpenter's biscuit joint -- a seamless, undetectable fit between pieces of wood -- David Kirby's latest collection dramatizes the artistic mind as a hidden connection that links the mundane with the remarkable. Even in our most ordinary actions, Kirby shows, there lies a wealth of creative inspiration: "the poem that is written every day if we're there / to read it."
Well known for his garrulous and comic musings, Kirby follows a wandering yet calculated path. In "What's the Plan, Artists?" a girl's yawning in a picture gallery leads him to meditations on subjects as diverse as musical composition, the less-than-beautiful human figure, and "the simple pleasures / of living." The Biscuit Joint traverses seemingly random thoughts so methodically that the journey from beginning to end always proves satisfying and surprising.