With his latest play Good People, David Lindsay-Abaire returns to Manhattan Theatre Club where four of his previous works were produced, including his 2007 Pulitzer Prize-winning Rabbit Hole. The play premiered there in winter 2011 in a production directed by Daniel Sullivan (who also directed Rabbit Hole), and featuring Frances McDormand in the role of protagonist Margie Walsh. Good People is set in South Boston, the blue-collar neighborhood where Lindsay-Abaire himself grew up: Margie Walsh, let go from yet another job and facing eviction, decides to appeal to an old flame who has made good and left his Southie past behind. Lindsay-Abaire offers us both his "quiet three-dimensional depth" (Los Angeles Times) and his carefully observed humor in this exploration of life in America when you're on your last dollar.
David Lindsay-Abaire is the author of Fuddy Meers, Kimberly Akimbo, A Devil Inside, Wonder of the World, and Rabbit Hole, in addition to the book for the musicals High Fidelity and Shrek. His plays have been produced throughout the United States and around the world.
“The sting, the speed and marksmanship of the gimcracks his characters fire at each other . . . drips the kind of soulful, energized sarcasm that has long characterized [Letts’] work as an actor and playwright.”–Time Out Chicago
Tracy Letts, who won the 2008 Pulitzer Prize for his epic, caustic Oklahoma family drama August: Osage County, has shifted gears with this entertaining comedy set in a donut shop. A love letter to the city where he has lived for more than twenty years, Letts describes his new work as “an exploration of the Chicago storefront experience.” The play takes place in the north side neighborhood of Uptown, where Arthur Przybyszewski runs the donut shop that has been in his family for sixty years. More content to spend the day smoking weed and reminiscing about his Polish immigrant father, Arthur hires a shop assistant, the young African American Franco Wicks, who has both an unpublished novel and unpaid gambling debt. Superior Donuts premiered at Steppenwolf Theatre Company and recently opened on Broadway—following the same path of success as Letts’ previous work.
Tracy Letts is the author of Killer Joe, Bug, Man from Nebraska (nominated for the 2004 Pulitzer Prize), and August: Osage County (awarded the 2008 Pulitzer Prize for Drama). He is a member of Chicago’s Steppenwolf Theatre Company.
Set in the Bristol Place Assisted Living Facility, this glorious and biting new comedy from David Lindsay-Abaire centers around Abby, who takes pride in her residence in one of the most coveted rooms in the rest home. Things turn sour quickly when she must take in Marilyn, a new roommate to share her precious space. In a satirical conflict of territory and control, Lindsay-Abaire spins a benign, typically mundane setting into an absurdist, colorful battleground. This high-stakes comedy examines our expectations of what it means to grow old in twenty-first century America, and what happens when a sense of possession collides with a mania of obsession.
David Lindsay-Abaire's plays include Good People, Fuddy Meers, Kimberly Akimbo, Wonder of the World, High Fidelity, A Devil Inside, and Rabbit Hole, winner of the 2007 Pulitzer Prize for Drama. Lindsay-Abaire wrote the book for Shrek the Musical, and the screen adaptation of Rabbit Hole starring Nicole Kidman. Lindsay-Abaire is a proud New Dramatists alum, a graduate of Sarah Lawrence College and the Juilliard School, as well as a member of the WGA and the Dramatists Guild Council.
“A tremendous achievement in American playwriting: a tragicomic populist portrait of a tough land and a tougher people.”—Time Out New York
“Tracy Letts’ August: Osage County is what O’Neill would be writing in 2007. Letts has recaptured the nobility of American drama’s mid-century heyday while still creating something entirely original.”—New York magazine
One of the most bracing and critically acclaimed plays in recent Broadway history, August: Osage County is a portrait of the dysfunctional American family at its finest—and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed. After its sold-out Chicago premiere, the play has electrified audiences in New York since its opening in November 2007.
Tracy Letts is the author of Killer Joe, Bug, and Man from Nebraska, which was a finalist for the 2004 Pulitzer Prize for Drama. His plays have been performed throughout the country and internationally. A performer as well as a playwright, Letts is a member of the Steppenwolf Theatre Company, where August: Osage County premiered.
Intimate Apparel: “Thoughtful, affecting new play . . . with seamless elegance.”—Charles Isherwood, Variety
Fabulation: “Robustly entertaining comedy . . . with punchy social insights and the firecracker snap of unexpected humor.”—Ben Brantley, The New York Times
With her two latest plays, “exceptionally gifted playwright” (New York Observer) Lynn Nottage has created companion pieces that span 100 years in the lives of African American women. Intimate Apparel is about the empowerment of Esther, a proud and shy seamstress in 1905 New York who creates exquisite lingerie for both Fifth Avenue boudoirs and Tenderloin bordellos. In Fabulation Nottage re-imagines Esther as Undine, the PR-diva of today, who spirals down from her swanky Manhattan office to her roots back in Brooklyn. Through opposite journeys, Esther and Undine achieve the same satisfying end, one of self-discovery.
Lynn Nottage’s plays include Crumbs from the Table of Joy; Mud, River, Stone; Por’ Knockers; Las Menias; Fabulation and Intimate Apparel, for which she was awarded the Francesca Primus Prize and the American Theatre Critics/Steinberg New Play Award in 2004. Her plays have been produced at theatres throughout the country, with Intimate Apparel slated for 16 productions during the 2005–2006 season.