In their introduction to this reprint, historians Jerome M. Clubb and Howard W. Allen argue that Parry's novel and others like it display the opinions, feelings, and reactions of different sects of society at the turn of the century. Rapid changes in the United States caused mixed emotions about the future of the country. Many novels like The Scarlet Empire were used to criticize current measures, investigate proposed reform, and show these proposals in either a negative or a positive light.
One of the most popular utopian novels of the time, Edward Bellamy's Looking Backward, was written with the intention of promoting the reconciliation of equality and liberty. Bellamy's novel advocated a socialist government, a perfect utopian society with equality for men, women, and children, consolidated businesses, and strict government control. Clubb and Allen observe that these changes directly reflect reforms that were being proposed by the younger generation at the turn of the century.
The Scarlet Empire is said to be a direct response to Looking Backward. It is intended as a supplemental text in American history, American studies, and popular culture courses. Eight original illustrations by Hermann C. Wall enhance the text.
Successful Indiana manufacturer David M. Parry (1852?1915) owned the Parry Manufacturing Company and the Parry Auto Company and was a leader in the National Association of Manufacturers.
Jerome M. Clubb is a professor of history and senior research scientist, emeritus, at the University of Michigan.
Howard W. Allen is a professor of history, emeritus, at Southern Illinois University Carbondale.
One Sunday, eight people gather at a school to record a television programme. But the show is never made, because the end of the world has arrived. The authorities order all windows, doors and curtains to be closed. And stay closed. They hear nothing more for days, then weeks.
Through the eyes of TV editor Merel, a young woman, we see the group trying to survive in a new world, a world of darkness and isolation, of sleeping on gym mats and living on ten grains of rice a day. The survivors play cards, talk about their past, sleep together: anything to pass the time until their rescue. As food supplies dwindle, tensions mount. And when will the authorities arrive?
At once arresting, original and richly entertaining, Everything There Was is a gripping and disorientating novel that will enthrall readers of The Road or Station Eleven.
Hanna Bervoets writes novels, columns and scripts. Her columns for Volkskrant Magazine, collected in That’s Nice, Bye, are hugely popular in the Netherlands. Bervoets won the 2009 Debutant of the Year Award for her first novel Or, How, Why. Its follow-up, Dear Céline, was awarded the 2012 Opzij Literature Prize.Praise for Everything There Was
‘An eye-opening novel that takes a fresh look at everything we’re taking for granted’ Opzij
‘This book grabs you by the throat’ nu.nl
‘One truly clever novel’ De Groene Amsterdammer
Liberation is a speculation on life in near-future America after the country suffers an economic cataclysm that leads to the resurgence of ghosts of its past such as the human slave trade. Our heroes are the Slick Six, a group of international criminals who set out to alleviate the worst of these conditions and put America on the road to recovery. Liberation is a story about living down the past, personally and nationally; about being able to laugh at the punch line to the long, dark joke of American history.
Slattery's prose moves seamlessly between present and past, action and memory. With Liberation, he celebrates the resilience and ingenuity of the American spirit.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Over the course of a single night in 2052, a homeless man named Cuthbert Handley sets out on an astonishing quest: to release the animals of the London Zoo. When he was a young boy, Cuthbert’s grandmother had told him he inherited a magical ability to communicate with the animal world—a gift she called the Wonderments. Ever since his older brother’s death in childhood, Cuthbert has heard voices. These maddening whispers must be the Wonderments, he believes, and recently they have promised to reunite him with his lost brother and bring about the coming of a Lord of Animals . . . if he fulfills this curious request.
Cuthbert flickers in and out of awareness throughout his desperate pursuit. But his grand plan is not the only thing that threatens to disturb the collective unease of the city. Around him is greater turmoil, as the rest of the world anxiously anticipates the rise of a suicide cult set on destroying the world’s animals along with themselves.
Meanwhile, Cuthbert doggedly roams the zoo, cutting open the enclosures, while pressing the animals for information about his brother. Just as this unlikely yet loveable hero begins to release the animals, the cult’s members flood the city’s streets. Has Cuthbert succeeded in harnessing the power of the Wonderments, or has he only added to the chaos—and sealed these innocent animals’ fates?
Night of the Animals is an enchanting and inventive tale that explores the boundaries of reality, the ghosts of love and trauma, and the power of redemption.
Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.