The movement of history and the developments of culture and knowledge seem to have outstripped the capacity of traditional forms of reflection upon ethical life to understand how we might answer these questions. Ranging from existentialism to deconstruction, phenomenology to psychoanalytic theory, and hermeneutics to post-structuralism, the twelve essays in this volume take up a wide but clearly connected set of issues relevant to living ethically: race, responsibility, religion, terror, torture, technology, deception, and even the very possibility of an ethical life. Some of the questions addressed are specific to our times; others are ancient questions but with quite contemporary twists. In each case, they concern the philosophical significance of ongoing historical, cultural, and political transformations for ethical living and thinking.
Revealing Whiteness explores how white privilege operates as an unseen, invisible, and unquestioned norm in society today. In this personal and selfsearching book, Shannon Sullivan interrogates her own whiteness and how being white has affected her. By looking closely at the subtleties of white domination, she issues a call for other white people to own up to their unspoken privilege and confront environments that condone or perpetuate it. Sullivan's theorizing about race and privilege draws on American pragmatism, psychology, race theory, and feminist thought. As it articulates a way to live beyond the barriers that white privilege has created, this book offers readers a clear and honest confrontation with a trenchant and vexing concern.
Dennis J. Schmidt
What Greek tragedy and German philosophy reveal about the meaning of art for ethical life.
"Schmidt's investigation of tragedy is a highly significant, powerful work, one with far-reaching consequences. It bears on our understanding of the role of the arts and of philosophical thinking in our culture."
-- Rodolphe GaschÃ©
In this illuminating work, Dennis J. Schmidt examines tragedy as one of the highest forms of human expression for both the ancients and the moderns. While uncovering the specifically Greek nature of tragedy as an exploration of how to live an ethical life, Schmidt's elegant and penetrating readings of Greek texts show that it was the beauty of Greek tragic art that led Kant and other German thinkers to appreciate the relationship between tragedy and ethics. The Germans, however, gave this relationship a distinctly German interpretation. Through the Greeks, the Germans reflected on the enigmas of ethical life and asked innovative questions about how to live an ethical life outside of the typical assumptions and restrictions of traditional Western metaphysics. Schmidt's engagements with Schelling, Hegel, HÃ¶lderlin, Nietzsche, and Heidegger show how German philosophical appropriations of Greek tragedy conceived of ethics as moving beyond the struggle between good and evil toward the discovery of community truths. Enlisting a wide range of literary and philosophical texts, some translated into English for the first time, Schmidt reveals that contemporary notions of tragedy, art, ethics, and truth are intimately linked to the Greeks.
Dennis J. Schmidt is Professor of Philosophy at Villanova University. He is author of The Ubiquity of the Finite and translator of Ernst Bloch's Natural Law and Human Dignity.
Studies in Continental Thought -- John Sallis, general editor May 2001
432 pages, 6 1/8 x 9 1/4, bibl., index
cloth 0-253-33868-9 $49.95 L / £38.00
paper 0-253-21443-2 $24.95 s / £18.95
Feminist Interpretations of William James lays out the elements of James’s philosophy that are particularly problematic for feminism, offers a novel feminist approach to James’s ethical philosophy, and takes up epistemic contestations in and with James’s pragmatism. The results are surprising. In short, James’s philosophy can prove useful for feminist efforts to challenge sexism and male privilege, in spite of James himself.
In this latest installment of the Re-Reading the Canon series, contributors appeal to William James’s controversial texts not simply as an exercise in feminist critique but in the service of feminism.
Along with the editors, the contributors are Jeremy Carrette, Lorraine Code, Megan Craig, Susan Dieleman, Jacob L. Goodson, Maurice Hamington, Erin McKenna, José Medina, and Charlene Haddock Seigfried.