Summer's Child

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Early on the morning of her eleventh birthday, on the beach beside her North Carolina home, Daria Cato receives an unbelievable gift from the sea—an abandoned newborn baby. When the infant's identity cannot be uncovered, she is adopted by Daria's loving family. But her silent secrets continue to haunt Daria.

Now, twenty years later, Shelly has grown into an unusual, ethereal young woman whom Daria continues to protect. But when Rory Taylor, a friend from Daria's childhood and now a television producer, returns at Shelly's request to do a story about the circumstances surrounding her birth, something precarious shifts in the small town of Kill Devil Hills.

The more questions Rory asks, the more unsettled the tiny community becomes, as closely guarded secrets and the sins of that long-ago summer begin to surface. Piece by piece, the mystery of summer's child is being exposed, a mystery that no one involved—not Shelly, Daria, not even Rory—is prepared to face.
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More by Diane Chamberlain

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Additional Information

Publisher
Harlequin
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Published on
Aug 15, 2012
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Pages
400
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ISBN
9781459248120
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Features
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Language
English
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Genres
Fiction / Literary
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Content Protection
This content is DRM protected.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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Can black males offer useful insights on black women and patriarchy? Many black feminists are doubtful. Their skepticism derives in part from a history of explosive encounters with black men who blamed feminism for stigmatizing black men and undermining racial solidarity and in part from a perception that black male feminists are opportunists capitalizing on the current popularity of black women's writing and criticism. In Breaking the Silence, David Ikard goes boldly to the crux of this debate through a series of provocative readings of key African American texts that demonstrate the possibility and value of a viable black male feminist perspective. Seeking to advance the primary objectives of black feminism, Ikard provides literary models from Chester Himes's If He Hollers Let Him Go, James Baldwin's Go Tell It on the Mountain, Toni Morrison's Paradise, Toni Cade Bambara's The Salt Eaters, and Walter Mosley's Always Outnumbered, Always Outgunned and Walkin' the Dog that consciously wrestle with the concept of victim status for black men and women. He looks at how complicity across gender lines, far from rooting out patriarchy in the black community, has allowed it to thrive. This complicity, Ikard explains, is a process by which victimized groups invest in victim status to the point that they unintentionally concede power to their victimizers and engage in patterns of behavior that are perceived as revolutionary but actually reinforce the status quo. While black feminism has fostered important and necessary discussions regarding the problems of patriarchy within the black community, little attention has been paid to the intersecting dynamics of complicity. By laying bare the nexus between victim status and complicity in oppression, Breaking the Silence charts a new direction for conceptualizing black women's complex humanity and provides the foundations for more expansive feminist approaches to resolving intraracial gender conflicts.
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