Edith Stein is one of the most significant German-Jewish women of the 20th century. At the age of twenty-five she became the first assistant to Edmund Husserl, the founder of Phenomenology. She was much in demand as a writer and lecturer after her conversion from atheism to Catholicism. Later, as a Discalced Carmelite nun, she maintained her intellectual pursuits until she, like so many others, became a victim of the Nazi persecution that raged across Eastern Europe.
By making this landmark work available in English, the Institute of Carmelite Studies provides an eye-witness account of persons and activities on the scene at the time when psychology and philosophy became separate disciplines.
In addition to photographs and a map, this volume is enhanced with a preface, the foreword and afterword, notes, and a list of places associated with Edith Stein’s life. It is our aim that these, together with Edith Stein’s text, may help bring into relief the many background details of the rich autobiographical work she has left us.
**Chosen "Best Spirituality Book of 1986" by the Catholic Press Association**
More Information: "Do I have to?" is the most human of all questions. Children ask it when told to go to sleep. Adults ponder it when faced with the demands of the workplace, the family, or their own emotions and addictions. We find ourselves always poised between freedom and necessity.
In this volume, her most profound and carefully argued phenomenology of human creativity, Edith Stein explores the interplay of causal constraints and motivated choices. She demonstrates that physical events and physiological processes do not entirely determine behavior; the energy deployed for living and creativity exceeds what comes to us through physical means. The human body is a complex interface between the material world and an equally real world of personal value.
The body opens as well to community. Stein shows that, strictly speaking, there is no such thing as a solitary human being. Communities are reservoirs of the meaning and value that fuel both our everyday choices and our once-in-a-lifetime accomplishments. This basic fact, she argues, is the starting point for any viable political or social theory.
The two treatises in this book comprise her post-doctoral dissertation that Stein wrote to qualify for a teaching job at a German university just after the First World War. They ring with the joy, hope, and confidence of a brilliant young scholar. Today they continue to challenge the major schools of twentieth-century psychology and cultural studies, particularly psychoanalytic theory and behaviorism. Here, too, is the intellectual manifesto of a woman who would go on to become a Christian and a Carmelite nun, only to be killed at Auschwitz like so many others of Jewish ancestry.
“Had I stumbled on the hallelujah truth, or just gone mad—or, that is, had I gone mad again?”
No one was more surprised than Andrew Klavan when, at the age of fifty, he found himself about to be baptized. Best known for his hard-boiled, white-knuckle thrillers and for the movies made from them—among them True Crime (directed by Clint Eastwood) and Don’t Say a Word (starring Michael Douglas)—Klavan was born in a suburban Jewish enclave outside New York City. He left the faith of his childhood behind to live most of his life as an agnostic in the secular, sophisticated atmosphere of New York, London, and Los Angeles. But his lifelong quest for truth—in his life and in his work—was leading him to a place he never expected.
In The Great Good Thing, Klavan tells how his troubled childhood caused him to live inside the stories in his head and grow up to become an alienated young writer whose disconnection and rage devolved into depression and suicidal breakdown. But he also stumbled into a genuine romance, a passionate and committed marriage whose uncommon and enduring devotion convinced him of the reality of love.
In those years, Klavan fought to ignore the insistent call of God, a call glimpsed in a childhood Christmas at the home of a beloved babysitter, in a transcendent moment at his daughter’s birth, and in a snippet of a baseball game broadcast that moved him from the brink of suicide. But more than anything, the call of God existed in stories—the stories Klavan loved to read and the stories he loved to write.
The Great Good Thing is the dramatic, soul-searching story of a man born into an age of disbelief who had to abandon everything he thought he knew in order to find his way to the truth.
Written not as a complete life story but as a series of vignettes, Wolterstorff’s memoir moves from his humble beginnings in a tiny Minnesota village to his education at Calvin College and Harvard University, to his career of teaching philosophy and writing books, to the experiences that prompted some of his writing—particularly his witnessing South African apartheid and Palestinian oppression firsthand.
In This World of Wonders is the story of a thoughtful and grateful Christian whose life has been shaped by many loves—love of philosophy, love of family, love of art and architecture, love of nature and gardening, and more. It’s a lovely, wonderful story.
The darkly intense Irish-American family drama come alive like never before in this "virtuosic meta-memoir" (Publishers Weekly, starred review).“The blood-red of Manhattan, the brilliant green of an Irish-American wake, the blue-rinsed divas of the opera and the bathhouse alike” (Michael Gorra) are hypnotically rendered in this “astoundingly smart book” (John Waters). With some of the most lyrical cadences in recent literature, the legendary James McCourt animates twentieth-century New York through a “kaleidoscope of sharp-edged, brilliantly colored memories” (J. D. McClatchy) and with “dynamic prose and high-brow erudition that has gone the way of the dodo” (Publishers Weekly). Braiding a nostalgic portrait of the eternal city with a boy’s funny, guttersnipe precocity and outrageous coming-of-age in the 1940s and 1950s, McCourt revisits the fantasy city of his youth with Proustian memories of steam calliopes in Central Park, Hiroshima “obliterated in a flash of light,” and closing his mother’s eyes for the last time. As sensational as it is satisfying, Lasting City, a profoundly American work, identifies the spot where genius and madness meet.
He loves AA so much that other members laugh when they hear him sing his favorite jingle: I am stuck on AA, cause AAs stuck on me!
Today, Iam lives in southwest Florida with his wonderful Al Anon wife and their happy seven-year-old daughter and delightful eight-month-old baby boy, Iam Junior.
Drawn from nearly five thousand hours of Osho’s recorded talks, this is the story of his youth and education, his life as a professor of philosophy and years of travel teaching the importance of meditation, and the true legacy he sought to leave behind: a religion-less religion centered on individual awareness and responsibility and the teaching of “Zorba the Buddha,” a celebration of the whole human being.
Osho challenges readers to examine and break free of the conditioned belief systems and prejudices that limit their capacity to enjoy life in all its richness. He has been described by the Sunday Times of London as one of the “1000 Makers of the 20th Century” and by Sunday Mid-Day (India) as one of the ten people—along with Gandhi, Nehru, and Buddha—who have changed the destiny of India. Since his death in 1990, the influence of his teachings continues to expand, reaching seekers of all ages in virtually every country of the world.