MULTIDISCIPLINARY VIEWS ON POPULAR CULTURE: Proceedings of the 5th International SELICUP Conference: VISIONES MULTIDISCIPLINARES SOBRE LA CULTURA POPULAR: Actas del V Congreso Internacional de SELICUP

Universidad de Castilla La Mancha

Reviews

Loading...

Additional Information

Publisher
Universidad de Castilla La Mancha
Read more
Published on
Sep 4, 2014
Read more
Pages
550
Read more
ISBN
9788461704002
Read more
Read more
Best For
Read more
Language
English
Read more
Genres
Social Science / Popular Culture
Read more
Content Protection
This content is DRM free.
Read more

Reading information

Smartphones and Tablets

Install the Google Play Books app for Android and iPad/iPhone. It syncs automatically with your account and allows you to read online or offline wherever you are.

Laptops and Computers

You can read books purchased on Google Play using your computer's web browser.

eReaders and other devices

To read on e-ink devices like the Sony eReader or Barnes & Noble Nook, you'll need to download a file and transfer it to your device. Please follow the detailed Help center instructions to transfer the files to supported eReaders.
Greg Sestero
Now a major motion picture—directed by and starring James Franco

From the actor who somehow lived through it all, a “sharply detailed…funny book about a cinematic comedy of errors” (The New York Times): the making of the cult film phenomenon The Room.

In 2003, an independent film called The Room—starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau—made its disastrous debut in Los Angeles. Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Years later, it’s an international cult phenomenon, whose legions of fans attend screenings featuring costumes, audience rituals, merchandising, and thousands of plastic spoons.

Hailed by The Huffington Post as “possibly the most important piece of literature ever printed,” The Disaster Artist is the hilarious, behind-the-scenes story of a deliciously awful cinematic phenomenon as well as the story of an odd and inspiring Hollywood friendship. Actor Greg Sestero, Tommy’s costar and longtime best friend, recounts the film’s bizarre journey to infamy, unraveling mysteries for fans (like, who is Steven? And what’s with that hospital on Guerrero Street?)—as well as the most important question: how the hell did a movie this awful ever get made? But more than just a riotously funny story about cinematic hubris, “The Disaster Artist is one of the most honest books about friendship I’ve read in years” (Los Angeles Times).
Neil Strauss
If you want to play the Game, you've got to know the Rules.

In his international bestseller The Game, Neil Strauss delved into the secret world of pick-up artists—men who have created a science out of the art of seduction. Not only did he reveal the techniques that they had developed, but he became a master of The Game, and the world's No. 1 PUA, as Style.

Now, in this bestselling companion, Strauss reduces three books of life-changing knowledge into a single-volume set. The first book, The Stylelife Challenge, breaks down the knowledge he learned and techniques he invented into simple step-by-step instructions that anyone can follow to meet and land the women of their dreams.

In the second book, Strauss takes readers into the dark side of The Game. The Style Diaries offers a series of tales of seduction and sexual (mis)adventure. From accidentally getting married during a drunken night in Reykjavik, to luring a famous musician's granddaughter into a threesome; to the stress and frustration of the torturous and highly unorthodox "30 Day Sex Experiment," The Style Diaries takes you further into the seduction underworld than ever before. Finally, in the all-new, updated third volume, Strauss collects the greatest, most powerful, field-tested, word-for-word routines.

You don't need money, looks, or fame to succeed with women. All you need is an understanding of how attraction works—and this thirty-day workout program for your social skills, which has already guided countless men from frustration to fulfillment.

Eduardo de Gregorio-Godeo
 The notion of self has become crucial for contemporary cultural studies in its examination identities. Identities are often conceptualized as an engagement of the individual’s self—their condition of being a person—with broader cul-tural cons tructs. However, in addition to being culturally situated, the constitution of selves may be conceived of through identity-construction phenomena whereby individuals’ subjectivities take up, or resist, the subject posi-tions made available in discursive practices. Selves—the notion of ‘Who and I?’—may only be understood as resulting from power-based discourses and cultural practices.

In this respect, the idea of the self could be best made sense of in the broader context of the circuits of cul-ture where identities are conformed together with other key cultural processes including representation and cul-tural production, consumption and regulation. 

The chapters in this collection explore the relations of selves with a wide range of cultural products (e.g. mass media, poetry, fiction, film, painting, advertising, the Internet, education, the institutional, etc.) across a multiplicity of social, political, geographical and historical contexts. Selves are accordingly approached through the study of the interplay between identity-construction processes and cultural products within particular circuits of culture. It is the conditions of such cultural circuits that have an impact on specific faces of the self. This is indeed the case of gender, race and ethnicity, nation and age, which are dimensions of the self that are drawn attention to throughout the contributions in this volume.

©2017 GoogleSite Terms of ServicePrivacyDevelopersArtistsAbout Google
By purchasing this item, you are transacting with Google Payments and agreeing to the Google Payments Terms of Service and Privacy Notice.