Dial Emmy For Murder

Soap Opera Mystery

Book 2
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5
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Alexis Peterson’s days are filled with scheming, backstabbing, adultery, and murder. She is a soap opera star, after all. But a new role has her feeling like she’s in the horror business.
 
Tabloids and fans are stunned when daytime soap opera star, Alexis Peterson, leaves her popular daytime show for another soap. She’s too busy preparing to be a presenter at the Daytime Emmy Awards to even notice. But when her co-presenter loses his life before presenting a winner, Alex realizes she has another murder mystery on her hands.
 
Working behind the scenes to find out how her co-star could have met such an end, she invites the handsome Detective Frank Jakes back in her life--a man she can’t stop imaging having a real love scene with. But first Alex must focus on finding the killer—before she sees another one of Hollywood’s brightest stars burn out.
 
Praise for Death in Daytime:
 
“Sheer fun.”—Carolyn Hart
 
“Had me laughing out loud… keeps you guessing to the very end.”—Ronn Moss (Ridge Forrester on The Bold and the Beautiful)
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About the author

Eileen Davidson starred on several hit soap operas for more than 20 years, including Days of Our Lives, The Young and the Restless, and The Bold and the Beautiful. She also appeared on The Real Housewives of Beverly Hills. Davidson is the author of several books including Death in Daytime, Dial Emmy for Murder, and Diva Las Vegas. She resides in California with her family.
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2.8
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Additional Information

Publisher
Penguin
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Published on
Jun 2, 2009
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Pages
304
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ISBN
9781101133088
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Features
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Language
English
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Genres
Fiction / Mystery & Detective / Cozy / General
Fiction / Mystery & Detective / Women Sleuths
Fiction / Thrillers / Suspense
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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A NEW YORK TIMES 100 NOTABLE BOOKS OF 2019 SELECTION

From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
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