“Delicately textured...achingly compassionate....It’s one of George’s best, and that’s saying something.”
The 13th novel in Elizabeth George’s acclaimed, New York Times bestselling Inspector Linley crime fiction series, With No One as Witness is arguably the most riveting, shocking, and emotionally compelling of the lot. The hunt for a serial killer who has been murdering and mutilating young boys in London has Scotland Yard Detective Superintendent Thomas Lynley and his team of investigators racing to stop the slaughter, only to have the investigation nearly derailed by one devastating, truly game changing event. An American author, George has been praised as “a master of the British mystery” by the New York Times, one of only two Yanks whose crime novels have been adapted for the PBS TV series, “Mystery,” and her exceptional police procedurals rank with the best of Ian Rankin, Peter Robinson, and Ruth Rendell.
For two decades after being forced to leave his native Argentina, Detective Chief Inspector Guillermo Downes has sought tranquility in the orderly life of the English Cotswolds. But violence can strike just as suddenly in the countryside as it can in Buenos Aires.
When the body of wealthy landowner Frank Hurst is found with a pitchfork through his neck, it brings back disturbing memories of former mysteries. Hurst's wife drowned in their swimming pool-an official accident, though many villagers have their doubts. And what about the two young girls who were abducted years before, with some possible links to Hurst that were never proven?
''It's something truly terrible to make someone disappear,'' Downes tells his partner. Because the family never know, you see." Years ago he had promised the vanished girls' mothers to find their daughters, and as the ripples from Hurst's death spread through the village, there is fresh hope that he might finally make good on that promise, no matter what it costs the community or himself.
With the kind of insights into life in a seemingly peaceful village that made Broadchurch so powerful, James Marrison's The Drowning Ground introduces a terrific new voice in crime fiction.
"Brilliant! A must for all fans of Frost, but also so much more. Gripping, finely written . . . A classic, period crime thriller." Thus raves Peter James about A Touch of Frost, a prequel to the detective novels of R.D. Wingfield, who died in 2007.
In the tradition of Midsomer Murders, A Touch of Frost is one of England's longest running series of all time, and the gruff, non-conformist cop Jack Frost is as much a part of England's detective tradition as P.D. James's Adam Dalgleish or Colin Dexter's Inspector Morse. Now, by special arrangement with R.D. Wingfield's estate, this smashing new mystery has been written to give new life to this beloved policeman. In James Henry's First Frost, Detective Sergeant Jack Frost is dealing with the disappearance of his mentor. When a twelve-year-old girl goes missing from a department store changing room, Frost is put in charge of the case. Perfect for fans who have devoured A Touch of Frost on Netflix Instant as well as for those who love police procedurals, readers everywhere will applaud the return of detective Jack Frost in this pitch-perfect mystery.
Hardly a day goes by when nine year old Laurent Lepage doesn't cry wolf. From alien invasions, to walking trees, to winged beasts in the woods, to dinosaurs spotted in the village of Three Pines, his tales are so extraordinary no one can possibly believe him. Including Armand and Reine-Marie Gamache, who now live in the little Quebec village.
But when the boy disappears, the villagers are faced with the possibility that one of his tall tales might have been true.
And so begins a frantic search for the boy and the truth. What they uncover deep in the forest sets off a sequence of events that leads to murder, leads to an old crime, leads to an old betrayal. Leads right to the door of an old poet.
And now it is now, writes Ruth Zardo. And the dark thing is here.
A monster once visited Three Pines. And put down deep roots. And now, Ruth knows, it is back.
Armand Gamache, the former head of homicide for the Sûreté du Québec, must face the possibility that, in not believing the boy, he himself played a terrible part in what happens next.
On a fine summer’s day in June, 1914, Ian Rutledge pays little notice to the assassination of an archduke in Sarajevo. An Inspector at Scotland Yard, he is planning to propose to the woman whom he deeply loves, despite intimations from friends and family that she may not be the wisest choice.
To the north on this warm and gentle day, another man in love—a Scottish Highlander—shows his own dear girl the house he will build for her in September. While back in England, a son awaits the undertaker in the wake of his widowed mother’s death. This death will set off a series of murders across England, seemingly unconnected, that Rutledge will race to solve in the weeks before the fateful declaration in August that will forever transform his world.
As the clouds of war gather on the horizon, all of Britain wonders and waits. With every moment at stake, Rutledge sets out to right a wrong—an odyssey that will eventually force him to choose between the Yard and his country, between love and duty, and between honor and truth.