Stanley Kubrick and Me: Thirty Years at His Side

Skyhorse Publishing, Inc.
13
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This intimate portrait by his former personal assistant and confidante reveals the man behind the legendary filmmaker—for the first time.

Stanley Kubrick, the director of a string of timeless movies from Lolita and Dr. Strangelove to A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket, and others, has always been depicted by the media as the Howard Hughes of filmmakers, a weird artist obsessed with his work and privacy to the point of madness. But who was he really? Emilio D'Alessandro lets us see. A former Formula Ford driver who was a minicab chauffeur in London during the Swinging Sixties, he took a job driving a giant phallus through the city that became his introduction to the director. Honest, reliable, and ready to take on any task, Emilio found his way into Kubrick's neurotic, obsessive heart. He became his personal assistant, his right-hand man and confidant, working for him from A Clockwork Orange until Kubrick's death in 1999.

Emilio was the silent guy in the room when the script for The Shining was discussed. He still has the coat Jack Nicholson used in the movie. He was an extra on the set of Eyes Wide Shut, Kubrick's last movie. He knew all the actors and producers Kubrick worked with; he observed firsthand Kubrick's working methods down to the smallest detail. Making no claim of expertise in cinematography but with plenty of anecdotes, he offers a completely fresh perspective on the artist and a warm, affecting portrait of a generous, kind, caring man who was a perfectionist in work and life.
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About the author

Emilio D'Alessandro left Italy at eighteen to become a racecar driver but turned to driving a minicab after the economic crisis in the late sixties ended his career. He worked closely with Stanley Kubrick for thirty years while raising a family with his wife, Janette. After Kubrick's death, he returned to his native land. He lives in Cassino, Italy.

Filippo Ulivieri was born in 1977. He is a writer and teacher of film theory. The leading expert on Stanley Kubrick in Italy, he has published articles on the director's life and films in several newspapers and magazines, and created the site ArchivioKubrick. He lives in Tuscany and Plymouth, UK.
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3.5
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Additional Information

Publisher
Skyhorse Publishing, Inc.
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Published on
May 17, 2016
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Pages
384
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ISBN
9781628726718
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Language
English
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Genres
Biography & Autobiography / Entertainment & Performing Arts
Performing Arts / Individual Director
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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An entertaining and inspirational memoir by one of the most prominent practitioners and evangelists of independent filmmaking, and the acclaimed writer, director, and actor (Saving Private Ryan, Friends with Kids, Entourage) whose first film—The Brothers McMullen—has become an indie classic.

At the age of twenty-five, Ed Burns directed and produced his first film on a tiny $25,000 budget. The Brothers McMullen went on to win the Grand Jury Prize at the Sundance Film Festival in 1995, and established the working-class Irish American filmmaker as a talent to watch. In the twenty years since, Burns has made ten more films (She’s the One, Sidewalks of New York, and The Fitzgerald Family Christmas), while also acting in big budget Hollywood movies (Saving Private Ryan), hit television shows (Entourage and Mob City), and pioneering a new distribution network for indie filmmakers online and with TV’s On Demand service (“why open a film in twenty art houses when you can open in twenty million homes?”).

Inspired by Burns’s uncompromising success both behind and in front of the camera, students and aspiring filmmakers are always asking Burns for advice. In Independent Ed, Burns shares the story of his two remarkable decades in a fickle business where heat and box office receipts are often all that matter. He recounts stories of the lengths he has gone to to secure financing for his films, starting with The Brothers McMullen (he told his father: “Shooting was the twelve best days of my life”). How he found stars on their way up—including Jennifer Aniston and Cameron Diaz—to work in his films, and how he’s adhered religiously to the dictum of writing what you know, working as if he was just starting out, and always “looking for the next twelve best days of my life.”

Chronicling the struggles and the long hours as well as the heady moments when months of planning and writing come to fruition, Independent Ed is a must-read for movie fans, film students, and everyone who loves a gripping tale about what it takes to forge your own path in work and life.
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