This is not a short story collection.
This is Self-Reference ENGINE.
Instructions for Use: Read chapters in order. Contemplate the dreams of twenty-two dead Freuds. Note your position in spacetime at all times (and spaces). Keep an eye out for a talking bobby sock named Bobby Socks. Beware the star-man Alpha Centauri. Remember that the chapter entitled “Japanese” is translated from the Japanese, but should be read in Japanese. Warning: if reading this book on the back of a catfish statue, the text may vanish at any moment, and you may forget that it ever existed.
From the mind of Toh EnJoe comes Self-Reference ENGINE, a textual machine that combines the rigor of Stanislaw Lem with the imagination of Jorge Luis Borges. Do not operate heavy machinery for one hour after reading.-- VIZ Media
Toh EnJoe was born in Hokkaido in 1972. After completing a PhD at the University of Tokyo, he became a researcher in theoretical physics. In 2007 he won the Bungakukai Shinjinshō (Literary World Newcomer’s) Prize with “Of the Baseball.” That same year brought the publication of his book Self-Reference ENGINE, which caused a sensation in SF circles and which was ranked No. 2 on SF Magazine’s list of the best science fiction of the year. Since then, EnJoe has been one of those rare writers comfortable working in both “pure literature” and science fiction. In 2010 his novel U Yu Shi Tan won the Noma Prize for new authors. In 2011 his “This Is a Pen” was nominated for the Akutagawa Prize, and he won Waseda University’s Tsubouchi Shouyou Prize. In January 2012, he won the Akutagawa Prize with “Doukeshi no Cho” (Butterflies of a Harlequin). His other works include Boy’s Surface and About Goto.
A peerless American storyteller, Ray Bradbury brings wonders alive. The Illustrated Man is classic Bradbury— eighteen startling visions of humankind’s destiny, unfolding across a canvas of decorated skin. In this phantasmagoric sideshow, living cities take their vengeance, technology awakens the most primal natural instincts, Martian invasions are foiled by the good life and the glad hand, and dreams are carried aloft in junkyard rockets. Provocative and powerful, Ray Bradbury’s The Illustrated Man is a kaleidoscopic blending of magic, imagination, and truth—as exhilarating as interplanetary travel, as maddening as a walk in a million-year rain, and as comforting as simple, familiar rituals on the last night of the world.
Andrew Harlan is an Eternal, a member of the elite of the future. One of the few who live in Eternity, a location outside of place and time, Harlan's job is to create carefully controlled and enacted Reality Changes. These Changes are small, exactingly calculated shifts in the course of history, made for the benefit of humankind. Though each Change has been made for the greater good, there are also always costs.
During one of his assignments, Harlan meets and falls in love with Noÿs Lambent, a woman who lives in real time and space. Then Harlan learns that Noÿs will cease to exist after the next Change, and he risks everything to sneak her into Eternity.
Unfortunately, they are caught. Harlan's punishment? His next assignment: Kill the woman he loves before the paradox they have created results in the destruction of Eternity.
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First published in 1962, J.G. Ballard’s mesmerizing and ferociously imaginative novel not only gained him widespread critical acclaim but also established his reputation as one of the finest writers of a generation. The Drowned World imagines a terrifying world in which global warming has melted the ice caps and primordial jungles have overrun a tropical London. Set during the year 2145, this novel follows biologist Dr. Robert Kearns and his team of scientists as they confront a cityscape in which nature is on the rampage and giant lizards, dragonflies, and insects fiercely compete for domination. Both an unmatched biological mystery and a brilliant retelling of Heart of Darkness—complete with a mad white hunter and his hordes of native soldiers—this “powerful and beautifully clear” (Brian Aldiss) work becomes a thrilling adventure with “an oppressive power reminiscent of Conrad” (Kingsley Amis).