Dale is a crooked cop. It started slow, but grew like a cancer and now he can’t get out from under the thumb of Tat, a would-be kingpin in every vice he can turn a profit with.
And now Dale’s number is up—the top brass knows. But instead of getting busted, Dale gets an offer. The mayor’s daughter is being held by Tat in his fortress built from an abandoned office tower. They want her back but if they storm the gates, Lauren is as good as dead. So they’re sending Dale on what could very likely be a suicide mission: infiltrate Tat’s fortress and bring her out alive.
If the Mayor even really wants her alive…
Floor by floor Dale and Lauren have to fight off an increasingly difficult and dangerous set of obstacles.
Meanwhile, Dale’s wife has her own troubles and some of the drug kingpin’s goons are only adding to an already rough day.
The clock is ticking down along with the floors of the building and escape is looking less and less likely. But to save her, and to save himself, he must make it all the way down.
Praise for ALL THE WAY DOWN:
“Last chances, double crosses, and a cop who has to shoot his way out of a fortified skyscraper—what’s not to love? All The Way Down rips. It’s fast and fierce, like a guitar solo that hits all the sharpest notes.” —Meg Gardiner, author of Into the Black Nowhere
“Eric Beetner’s All the Way Down is everything a reader could want from an action thriller—fast, suspenseful, and the right kind of outrageous. The stakes ratchet up with each harrowing surprise for crooked cop Dale and reporter Lauren, as they work together to escape the urban fortress of the city’s maniacal kingpin. If every suicide mission was this much fun, we’d all sign on.” —Glen Erik Hamilton, author of the Van Shaw thrillers
“Beetner’s Dale Burnett is a dirty cop trying to rescue someone from the clutches of the ruthless criminal he’s been accepting money from...and fifteen floors of non-stop action follows! Beetner is a master at throwing more and more trouble at his heroes, and in All the Way Down, Dale gets hit with everything imaginable. No, check that—you will not have imagined what happens on a couple of these floors. This book is an absolute blast.” —Frank Zafiro, creator and editor of A Grifter’s Song
“Relentless.” —Rob Hart, author of the Ash McKenna series
For the last seventeen years, Lars—a hitman for an East Coast crime family—has been on the hunt for Mitch the Snitch. Mitch, an accountant who turned on Lars’s employer, is living in witness protection and has been evading Lars for almost two decades.
In comes Trent, a young gun who has been sent to replace the aging gun for hire. With his old boss gone, Lars realizes he has lost the desire to kill his long-time target.
When things come to a head with Trent, Lars finds himself on the run with Mitch’s teenage daughter Shaine, trying to stay one step ahead of angry mobsters and the FBI, as they make their way from New Mexico to California.
Praise for THE DEVIL DOESN’T WANT ME:
“The Devil Doesn’t Want Me is a runaway train of violence and mayhem, packed full with a collection of one-of-a-kind characters all speeding toward an explosive and inevitable end. Beetner is a maestro with his action scenes, filling the novel with cinematic set pieces, but the real heart of his story is Lars, an aging hit man forced to confront his own morality as the world goes to hell around him. A great read.” —Owen Laukkanen, author of The Professionals and Criminal Element
“Eric Beetner is quickly becoming one of my favorite new crime writers, and The Devil Doesn’t Want Me is a perfect example of why. If you’re a fan of fast paced, well-written hardboiled crime fiction, you’re going to love this book. Beetner is the real deal, and I can only hope this is just the start of what we can expect from him in the future.” —John Rector, author of The Cold Kiss and Already Gone
“Told with heart, humor, and sizzling cinematic prose, Eric Beetner’s The Devil Doesn’t Want Me is crime fiction at its most entertaining and marks the arrival of a bold new talent.” —Peter Farris, author of Last Call for the Living
“This book is like if you took Lawrence Block’s famous hitman, Keller, and made him the lovechild of Elmore Leonard and Quentin Tarantino.” —Criminal Element
“I found the story awesome, with characters you will love to hate and hate to love.” —Bookloons reviews
“In the wrong hands this story could have been a cliché-ridden minefield. Author Eric Beetner, however, is incredibly adept at crafting characters who defy their expected roles. An incredibly enjoyable story that has more depth than your typical hitman/mob shoot-em-up.” —Book Reviews by Elizabeth A. White
“Read this and you find yourself knee deep in a tightly woven web that shocks with static electricity at touch. I’m ready to read more from Eric Beetner and you should too after you have bought this book.” —Lurid Lit reviews
“Eric Beetner is a writer to watch—and to read. With sharp wit and interesting insight—and a huge dose of skill—Beetner takes you on rare literary trips, introducing you to a world of criminals, lost souls and losers. With The Devil Doesn’t Want Me, he delivers in spades with a fun, fast-paced and action-packed tale of a badass who might be losing his touch. With blossoming characters and a storyline you can’t predict, The Devil Doesn’t Want Me is a true delight.” —Greg Bardsley, author of Cash Out
“Eric Beetner’s The Devil Doesn’t Want Me is a hardboiled thrill ride that is a fantastic addition to the pulp/noir genre. His plot line buzzes along like an electric razor and keeps the reader not only on the edge of their seat, but also guessing at every turn and waiting for the next twist. Each character is well thought out and their behaviors are perfectly executed by Beetner. One often forgets that the protagonist they’re rooting for is a professional killer. Even the antagonist becomes someone you love to hate. The pulp/noir genre should be absolutely thrilled to have such a great voice added to their team. If you’re a fan of the genre, The Devil Doesn’t Want Me is right up your alley.” —Josh K. Stevens, author of Bullets Are My Business
“Hell of a crime novel and highly recommended.” —Spinetingler Magazine
“The Devil Doesn’t Want Me has all the elements that one needs for a great commercial thriller, but it has rare ingredients that make it a work of its own. Unique characters thrown into a nice linear plot that takes plenty of sharp turns and keeps you guessing. I thought I know where this baby was going when it started, but I had no idea.” —Tom Pitts, author of Piggyback
In White Hot Pistol Jacy needs to get out of town and away from her stepfather, Brian. The only one she can turn to is her estranged brother, Nash. But getting away won’t be easy. Throw in a bag of cash, dark family secrets and a town cop who doesn’t want them to leave—who also happens to be the very man they’re trying to escape—and you’ve got a pulpy ride down the dark alleys of Noir. First time in paperback.
In Blood on Their Hands Garret and his friends get more than they bargained for with a teenage prank gone wrong. Now killers are after them and the one man who could help them can never know. Friendships will be tested and these young men will see what they’re really made of and if they’ll even make it out of their teen years alive. It’s a violent coming-of-age story and pulp fiction at its action-packed best. Never before published.
Praise for Eric Beetner:
“If Beetner had been around in the 1950s, he could’ve had a nice career writing for Gold Medal or Dell First Editions, and that’s a high compliment from me.” —Bill Crider, author of the Sheriff Dan Rhodes series
“Eric Beetner is the standard by which all current hardboiled and noir writers should be judged.” —Paul Bishop, author of Lie Catchers
“Beetner is an old school talent, a crime writer’s crime writer like Gil Brewer (although, in my humble opinion, he’s better than Brewer), who writes stuff that is fast and funny and dark all at once.” —Jake Hinkson, author of Hell on Church St. and No Tomorrow
“Few contemporary writers do justice to the noir tradition the way Eric Beetner does. Others try to emulate and mimic; Beetner just takes the form and cuts his own jagged, raw and utterly readable path.” —Gar Anthony Haywood, author of Assume Nothing, Cemetery Road and the Aaron Gunner series