Es preocupante saber que hay desperdicio de energía, de papel, de tecnología obsoleta, de talento, de tiempo, de vida, de agua, de alimentos. Esta es la última oportunidad.
DESPERDICIO / WASTE
Recopilación de imágenes capturadas sin ser manipuladas en computadora, sin usar efectos especiales.
Tomadas con iPhone en la Ciudad de México, y Los Ángeles.
Fotolibro digital de auto edición
“World is finishing. Waste not.”
Is worrying to know that there´s a lot of waste of energy, of paper, of obsolete technology, of talent, of time, of life, of water, of food. This the last chance.
Digital, color and not manipulated on computer and not using special effects. Photos taken with iPhone at Mexico City and Los Angeles.
Mexicano y padre de familia (1971). Diseñador de la Comunicación Gráfica egresado de la UAM Azcapotzalco. Artista audiovisual y del Photoshop por convicción y no por autodenominación.
Autor de fotolitos DESPERDICIO / WASTE y ESCAPARATES / SHOWCASES, FREE, S.A. 10 AÑOS (2015), Cinética ni Política (2015), “EL ALMANACO. Radiografía de la estupidez mundial (2014), México al chile 2 (2013) y México al Chile (Aguilar, 2012). Guionista, locutor e imitador de más de 100 voces, le ha dado voz a personajes famosos y de caricaturas hasta políticos de todos partidos y colores. Ha colaborado con humor político en diversos medios como La Crónica de Hoy, emeequis, Milenio Semanal, en la sección QRR, WRadio, ADN Político y en en el programa Trend In Boga en Efekto Noticias, MVS, chilango.com, Revista Escenarios, El Chamuco y Blasting News México.
Creador del @WTFoxChente, la serie de política-ficción RATS WARS, las playeras FREE, S.A., @NosLlevaelDiablo, el “Teatro del Dedazo“, mezcla de teatro guiñol con dedos y dedazos de la política. Director en Chiles Medios y LA MALA: revista, radio y TV, los blogs MACnzaneros Para los amantes de la Manzana, ARTEson sobre arte y tecnología y UNOS TACOS que engloba todas sus filias y fobias sobre cultura, música, cine, deportes, tecnología y espectáculos con un poco de humor y sazón.
Con tantos proyectos ya no sigue con la idea de vender mole los domingos.
Fotografías tomadas con iPhone en Ciudad de México, Los Ángeles, San Diego y Las Vegas.
“Life is like a showcase of bigger stores. A showcase in which (most times) we see life goes by as if we were like mannequins of a shop and couldn´t see what it happens around us and we couldn´t have (to show) feelings ".
Photos taken with iPhone at Mexico City, Los Angeles, San Diego & Las Vegas.
In the first half of The Photographer’s Guide to Posing, Lindsay discusses how the camera sees, and thus how camera angle, lens choice, and perspective all affect the appearance of your subject. Lindsay then covers things that ruin a pose—such as placement of the hands, and your subject’s expression and posture. Next, Lindsay dives into “posing essentials,” outlining her approach to start with a “base pose,” then build on that to create endless posing opportunities. She also discusses posing the face—with specific sections dedicated to the chin, jaw, eyes, and forehead—as well as posing hands.
In the second half of the book, Lindsay dedicates entire chapters to posing specific subject matter: women, men, couples, curvy women, families and small groups, and large groups. In each chapter, Lindsay addresses that subject matter’s specific challenges, provides “go-to poses” you can always use, and covers how to train the eye to determine the best pose for your subject(s). Lindsay also teaches you how to analyze a pose so that you can create endless posing opportunities and continuously improve your work.
Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making—not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself.
Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war.
Addario takes bravery for granted but she is not fearless. She uses her fear and it creates empathy; it is that feeling, that empathy, that is essential to her work. We see this clearly on display as she interviews rape victims in the Congo, or photographs a fallen soldier with whom she had been embedded in Iraq, or documents the tragic lives of starving Somali children. Lynsey takes us there and we begin to understand how getting to the hard truth trumps fear.
As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys’ club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life.
Watching uprisings unfold and people fight to the death for their freedom, Addario understands she is documenting not only news but also the fate of society. It’s What I Do is more than just a snapshot of life on the front lines; it is witness to the human cost of war.
Tired of so much stupidity? This book doesn´t pretend to finish with this kind of liability, but if it is to detect the stupidities that have caused the world to be as it is. Since a junk TV, through the great soccer business, to without sense of plastic music, and all rulers and dictators for misfortunes of many. All of this and even more you could find it in this media, soccer, musical, politic and comic worldwide Almanac.