Die Galerie Henning in Saale. Widerstand gegen ein uniformes Kunstverständnis?

GRIN Verlag
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Studienarbeit aus dem Jahr 2013 im Fachbereich Kunst - Kunstgeschichte, Ruhr-Universität Bochum, Sprache: Deutsch, Abstract: Im Rahmen dieser Arbeit soll es um die Galerie Henning gehen, eine kleine Privatgalerie in der Deutschen Demokratischen Republik, genauer gesagt in Halle. Dabei spielt der gesellschaftliche und kulturgeschichtliche Kontext, der zur Zeit der Galerie Henning von der Formalismusdiskussion geprägt war, eine wichtige Rolle. Inwiefern wurde die Galerie, als ein Vertreter der halleschen Kunst von dieser Diskussion beeinflusst und wie kam es dazu, dass sie es schaffte eine sich von der staatlich-propagierten Kunstauffassung unterscheidende Auffassung zu vertreten, sollte so eine Beeinflussung nicht zustande gekommen sein. Um diese These angemessen erläutern zu können ist es daher notwendig am Anfang einen kurzer Abriss über die Malerei im Halle der Nachkriegsjahre, sowie über die seit den 50er Jahren einsetzende Formalismusdiskussion zu präsentieren.
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Additional Information

Publisher
GRIN Verlag
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Published on
May 28, 2015
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Pages
12
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ISBN
9783656969501
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Language
German
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Genres
Art / History / General
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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Studienarbeit aus dem Jahr 2014 im Fachbereich Geschichte Europa - and. Länder - Neueste Geschichte, Europäische Einigung, Ruhr-Universität Bochum, Sprache: Deutsch, Abstract: Social Movements are one of the main forms of collectives that formulate a goal they want to achieve. This occurs under the use of various strategies to show their demands like collective protests and demonstrations. Social Movements are an important vehicle for the public to gain attention and formulate needs. In the society those Movements are standing next to other more institutionalized ways of protests, so they are an actor among others. Today Social Movements represent an important part of the social landscape. They are different movements dealing with a lot of topics like abortion, human and civil rights, environmental protection, women etc. Also the Movements can have a global or a local nature. According to the development of Social Movements the researchers David A. Snow, Sarah A. Soule and Hanspeter Kriesi suggested that the society of the 21st century can be characterized as a movement society. One important step for the development and the proliferation of Social Movements are the 1960s. Even if there is no consensus among the scholars about the exact impact, the 1960s form a remarkable step in the history of Social Movements. In Germany this step was represented by the Student Movement of 1968 that, even if most of the political goals the movement wanted to achieve failed, played an important role. Social movements are fuzzy phenomena and moving targets so it is difficult to give a definition about them. In structural terms a social movement is like a network of individuals, groups and or organizations. A network has no top and no clear center that could steer and control the whole of its activities Also the use of collective public protest is a key strategy of any social movement to pursue their goal. These strategies can also include the use of violence. This homework is going to show the connection of the Social Movement in Germany 1968, their image and their use of violence, together with the most extreme form of violence, the terrorism of the RAF.
Studienarbeit aus dem Jahr 2013 im Fachbereich Archäologie, , Sprache: Deutsch, Abstract: Die minoische Hochkultur auf Kreta ist für Archäologen nach wie vor eines der bedeutendsten und interessantesten Forschungsfelder. Dabei spielen besonders die berühmten minoischen Palastanlagen, wie etwa der berühmte Palast von Knossos, eine wichtige Rolle. Die Überreste dieser Paläste lassen sich auch heute noch bestaunen und liefern uns somit Einblicke in einen der spannendsten Abschnitte in der Geschichte Kretas. Im Rahmen dieser Arbeit soll es um die archäologischen Besonderheitenden des minoischen Palasts und der Stadt von Mallia gehen. Die Arbeit ist dabei in zwei Teile gegliedert. Zu Beginn wird ein kurzer Abriss über Chronologie und allgemeine Informationen stehen, dem dann ein paar Worte zur Forschungsgeschichte folgen. Anschließend werde ich den Palast in einer Art Rundgang vorstellen, indem ich mit den Getreidespeichern im Südwesten beginne. Darauf folgt der Westflügel des Palastes, unterteilt in den Aspekt des Eingangs bzw. der Lagerräume auf der einen und den Aspekt als ein religiöses Zentrum auf der anderen Seite. Dann folgt der zentrale Platz, sowie der südliche Teil der minoischen Palastanlage, bevor ich mich dann letztendlich dem Nordflügel und Nordwestflügel zuwende und dabei auch u. a. auf die sogenannte „Banketthalle“ eingehe. Im zweiten Teil gehe ich dann auf die minoische Stadt Mallia ein, welche den Palast direkt umgab. Es werden die wichtigsten Gebäude und deren Funktionen vorgestellt, jedoch liegt auch ein besonderes Augenmerk auf der Beziehung zwischen Stadt und Palast in Mallia. Der vorgestellte Themenkomplex ist bis heute schon von mehreren Wissenschaftlern untersucht worden. Im Folgenden erwähne ich daher nur einige der wichtigsten Autoren, auf die ich mich im Laufe meiner Arbeit bezogen habe. Für diese Arbeit waren besonders die Arbeiten von J.W. Graham „The Palaces of Crete“ und von G. Cadogan „The Palaces of Minoan Crete“ von Bedeutung, da beide alle möglichen Aspekte des minoischen Palastes von Mallia, aber auch der angrenzenden Stadt behandeln.
Studienarbeit aus dem Jahr 2014 im Fachbereich Geschichte - Amerika, , Sprache: Deutsch, Abstract: Diese Arbeit behandelt die Geschichte des kanadischen Rundfunks von dem Bericht der „Aird Commission“ bis hin zum Zweiten Weltkrieg. Es soll erläutert werden welche Besonderheiten die Radiolandschaft in Kanada prägten und welche Problematiken sich im Laufe der Zeit herausbildeten. Generell ist der Rundfunk in den historischen Wissenschaften erst in den letzten Jahren verstärkt in den Fokus gerückt, vor allem unter kulturgeschichtlicher Perspektive. Aber auch in dieser Forschung wird der Raum Kanada oft vernachlässigt, u.a. bedingt durch die Nähe der USA, dessen Rundfunkgeschichte bei weitem besser erforscht ist. Jedoch bietet auch der kanadische Rundfunk vielversprechende Forschungsansätze bedingt durch einige besondere Faktoren die auch im Verlauf der nächsten Kapitel behandelt werden sollen. Kanada ist ein flächenmäßig großes Land, mit einer relativ geringen Bevölkerungsdichte. Gerade deswegen spielt die Kommunikation eine besondere Rolle. Die ersten Anfänge einer Kommunikation über lange Distanzen begannen mit der ersten kanadischen Telegraphenleitung zwischen den Städten Hamilton und Toronto im Jahr 1846. Das Radio sollte dagegen eine Verstärkung der Telegraphenleitungen sein, besonders dort, wo solche Leitungen nicht verlegt werden konnten, wie etwa auf dem Meer. So wurde das Radio z.B. als Antwort auf die Gefahr durch Eisberge auf hoher See gesehen. Die Kommunikation zwischen den Schiffen an der Küste und dem Festland war der Anfang eines Kommunikationsnetzwerkes und bildete für Kanada den der Anschluss an den Rest der Welt.
Seminar paper from the year 2015 in the subject Film Science, , language: English, abstract: In this text the role of the alien in the 2014 movie “Under the Skin” by Jonathan Glazer shall be examined and analyzed. The alien will be categorized and characterized as a hybrid form and embodies three different types of monstrosity which intermingle. In order to support this thesis various film scenes and motifs will be analyzed. At the beginning, I will perform a general introduction of the alien as figure in cultural history. Following this, I am going to introduce Tzvetan Todorov’s concept of the Fantastic as the type of genre that can be related heavily to the film Under the Skin. The main part will be occupied by an analysis of several forms of monstrosity in the film which is divided into three parts, the alien as monstrous serial killer, the alien as monster because of its alien nature and at last the alien as a symbol for female monstrosity. Within the literature that is going to be used, especially Kristeva ́s concept of abjection and Judith Butler ́s theory regarding performance and performativity shall be applied as two of the most important concept of the recent research. Regarding monstrosity the work of Cohen with its seven theses about monstrosity is used to provide a foundation for the analysis The film Under the Skin was directed by Jonathan Glazer and bases on the novel of the same name by Michel Faber. It was not a big box office hit but received intense praise by critics and was described as one of the best films in 2014, not only because of its mix of different genres. The movie was released on the 14th of March and deals with a female Alien, played by Scarlett Johansson, who is killing men in Scottish towns. Many of the roles in the film were played by non-professional actors and other scenes were unscripted and filmed with hidden cameras to produce authentic scenes.
Seminar paper from the year 2015 in the subject Sociology - Culture, Technology, Peoples / Nations, grade: 1,0, , language: English, abstract: Museums are cultural, educational and civic centers of communities. In the past museums served only a small group of people. Furthermore a lot of the museums in the past saw their mission in lecturing and educating their visitors with the exhibition of objects. But the role of museums has changed in the last years. Due to demographic changes in the societies the museums serve, they are now in a situation where they have to compete with other institutions like zoos or cinemas. Potential visitors can choose nowadays how to spend their leisure time. In order to further guarantee financial income a lot of museums have adapted strategies of the areas of business and economy. The developed marketing strategies and frameworks to measure success and accountability. But even more important are the changes museums made and are still making regarding to their mission and their interaction with the surrounding community. Museums nowadays are moving away from the old habit of teaching their visitor in a static and lecturing way. Instead they focus on aspects like participation and the involvement of their visitors. Additionally they began to outreach for other institutions like schools or universities to provide a worthy educational experience for both sides. The present museums must reflect the voices, needs and interests of the communities they serve, in order to survive. Therefore museums are evolving away from being isolated islands of teaching to places of gathering and exchange. They become forums that not just display objects but also invite discussions, evoke concerns and foster ideas like critical thinking within their community. It is obvious that the way how museums interact with their community has become broader and not necessarily easier to articulate. But what are communities? Usually a community is a group of people that shares a physical space like a room, a city or a country. Furthermore a community can also share certain traits, characteristics or ideals. Communities can interact which each other and establish a certain social identity. It becomes visible that communities are not closed entities, they are open constructs that are connected with other communities in various ways.
Seminar paper from the year 2015 in the subject Museum Studies, grade: 1,0, , language: English, abstract: This paper will show how the Toonseum interacts with its community in Pittsburgh. It will become clear that it uses a lot of different approaches in order to reach out to its surrounding community and to offer a beneficial and also entertaining educational program. Furthermore, it will be shown that, in order to interact in the best possible way, the Toonseum itself moves away from being a classical type of an art museum and transforms itself into a more hybrid version of museum that combines different cultural institutions in order to fulfill its mission in the best way. The Toonseum is part of the rich museum landscape in Pittsburgh, Pennsylvania. It is an independent art museum located in the Downtown of Pittsburgh, which is dedicated to the pop culture of comics and cartoons. Established in 2007 it is one of only a handful of museums which deal with comics and cartoons in the whole United States, together with the Cartoon Art Museum in San Francisco, the Museum of Comic and Cartoon Art in New York and the Schulz Museum. It is an independent non-profit organization that is mainly volunteer run. In comparison to other museums the Toonseum is of a smaller nature. Nevertheless on average there are 100 pieces exhibited all the time. The exhibitions rotate every month in order to provide a variety of content for visitors. At the beginning the Toonseum was designed to be a partner institution of the Pittsburgh Children ́s museum before it became an independent institution and moved to Pittsburgh ́s Cultural District in 2009. It was founded by Joe Woe, a cartoonist and storyteller who also worked for the Children ́s museum and who provided a lot of the objects for the museum from his own private collection in the first months.
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