In the bestselling tradition of Fannie Flagg and Jenny Colgan comes Felicity Hayes-McCoy’s U.S. debut about a local librarian who must find a way to rebuild her community and her own life in this touching, enchanting novel set on Ireland’s stunning West Coast.
As she drives her mobile library van between villages of Ireland’s West Coast, Hanna Casey tries not to think about a lot of things. Like the sophisticated lifestyle she abandoned after finding her English barrister husband in bed with another woman. Or that she’s back in Lissbeg, the rural Irish town she walked away from in her teens, living in the back bedroom of her overbearing mother’s retirement bungalow. Or, worse yet, her nagging fear that, as the local librarian and a prominent figure in the community, her failed marriage and ignominious return have made her a focus of gossip.
With her teenage daughter, Jazz, off traveling the world and her relationship with her own mother growing increasingly tense, Hanna is determined to reclaim her independence by restoring a derelict cottage left to her by her great-aunt. But when the threatened closure of the Lissbeg Library puts her personal plans in jeopardy, Hanna finds herself leading a battle to restore the heart and soul of the Finfarran Peninsula’s fragmented community. And she’s about to discover that the neighbors she’d always kept at a distance have come to mean more to her than she ever could have imagined.
Told with heart and abundant charm, The Library at the Edge of the World is a joyous story about the meaning of home and the importance of finding a place where you truly belong.
“Heart-warming . . . reminiscent of Maeve Binchy and Roisin Meaney.”—Irish Examiner
Felicity Hayes-McCoy built a successful UK-based career as an actress and writer, working in theatre, music theatre, radio, TV, and digital media. She is the author of two memoirs, The House on an Irish Hillside and A Woven Silence: Memory, History & Remembrance, in addition to an illustrated book Enough Is Plenty: The Year on the Dingle Peninsula. She and her husband divide their time between London and Ireland.
The American classic about a young girl's coming-of-age at the turn of the century. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
From the moment she entered the world, Francie needed to be made of stern stuff, for the often harsh life of Williamsburg demanded fortitude, precocity, and strength of spirit. Often scorned by neighbors for her family’s erratic and eccentric behavior-such as her father Johnny’s taste for alcohol and Aunt Sissy’s habit of marrying serially without the formality of divorce-no one, least of all Francie, could say that the Nolans’ life lacked drama. By turns overwhelming, sublime, heartbreaking, and uplifting, the Nolans’ daily experiences are tenderly threaded with family connectedness and raw with honesty. Betty Smith has, in the pages of A Tree Grows in Brooklyn, captured the joys of humble Williamsburg life-from “junk day” on Saturdays, when the children of Francie’s neighborhood traded their weekly take for pennies, to the special excitement of holidays, bringing cause for celebration and revelry. Betty Smith has artfully caught this sense of exciting life in a novel of childhood, replete with incredibly rich moments of universal experiences--a truly remarkable achievement for any writer.
Weaving together the story of an escaped slave in the pre–Civil War South and a determined junior lawyer, The House Girl follows Lina Sparrow as she looks for an appropriate lead plaintiff in a lawsuit seeking compensation for families of slaves. In her research, she learns about Lu Anne Bell, a renowned prewar artist whose famous works might have actually been painted by her slave, Josephine.
Featuring two remarkable, unforgettable heroines, Tara Conklin's The House Girl is riveting and powerful, literary fiction at its very best.