Collection complète des lois, décrets, ordonnances, réglemens, avis du Conseil-d'Etat: Volume 26

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Published on
Dec 31, 1853
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Pages
324
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Best For
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Language
French
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This content is DRM free.
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Claire France Smith
A concise, superbly illustrated textbook that brings together a reliable, clear and up to date guide to surface anatomy and its underlying gross anatomy, combined with a practical application of ultrasound and other imaging modalities.

A thorough understanding of surface anatomy remains a critical part of clinical practice, but with improved imaging technology, portable ultrasound is also fast becoming integral to routine clinical examination and effective diagnosis.

This unique new text combines these two essential approaches to effectively understanding clinical anatomy and reflects latest approaches within modern medical curricula. It is tailored specifically to the needs of medical students and doctors in training and will also prove invaluable to the wide range of allied health students and professionals who need a clear understanding of visible and palpable anatomy combined with anatomy as seen on ultrasound.

Concise text and high quality illustrations, photographs, CT, MRI and ultrasound scans provide a clear, integrated understanding of the anatomical basis for modern clinical practice

Highly accessible and at a level appropriate for medical students and a wide range of allied health students and professionals

Reflects current curriculum trend of heavily utilizing living anatomy and ultrasound to learn anatomy

An international advisory panel appointed to add expertise and ensure relevance to the variety of medical and allied health markets

Inclusion of latest ultrasound image modalities

Designed to complement and enhance the highly successful Gray’s family of texts/atlases although also effective as a stand-alone or alongside other established anatomy resources

Book 10



CHAPTER I. "I NEED LOVE"

She gave a glance at the armchairs placed before the chimney, at the tea-table, which shone in the shade, and at the tall, pale stems of flowers ascending above Chinese vases. She thrust her hand among the flowery branches of the guelder roses to make their silvery balls quiver. Then she looked at herself in a mirror with serious attention. She held herself sidewise, her neck turned over her shoulder, to follow with her eyes the spring of her fine form in its sheath-like black satin gown, around which floated a light tunic studded with pearls wherein sombre lights scintillated. She went nearer, curious to know her face of that day. The mirror returned her look with tranquillity, as if this amiable woman whom she examined, and who was not unpleasing to her, lived without either acute joy or profound sadness.

On the walls of the large drawing-room, empty and silent, the figures of the tapestries, vague as shadows, showed pallid among their antique games and dying graces. Like them, the terra-cotta statuettes on slender columns, the groups of old Saxony, and the paintings of Sevres, spoke of past glories. On a pedestal ornamented with precious bronzes, the marble bust of some princess royal disguised as Diana appeared about to fly out of her turbulent drapery, while on the ceiling a figure of Night, powdered like a marquise and surrounded by cupids, sowed flowers. Everything was asleep, and only the crackling of the logs and the light rattle of Therese's pearls could be heard.
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