Gone

Grove Press
32
Free sample

Detective Jack Caffery hunts a twisted carjacker in this Edgar Award–winning thriller from the “maestro of the sinister” and author of Birdman (New York Daily News).
 
Jack Caffery’s new case seems like a routine carjacking until he realizes the sickening truth: The thief wasn’t after the car, but the eleven-year-old girl in the back seat. And she’s not the only young girl who’s been taken.
 
Meanwhile, police diver Sgt. Flea Marley is pursuing her own theory of the case, and what she finds in an abandoned, half-submerged tunnel could put her in grave danger. The carjacker is always one step ahead of the Major Crime Investigation Unit, and as the chances for the victims’ survival grow slimmer, Caffery and Marley race to fit the pieces together.
 
With this award-winning entry in her acclaimed series set first in London, and now in Bristol, England, “Hayder, again, proves expert at ratcheting up the tension” (The Independent).
 
“It’s a tribute to Hayder’s powers as a suspense writer that she completely turns the over-familiar premise of this novel inside out and upside down.” —The Washington Post
 
“Compelling . . . First-rate mystery that takes full advantage of the wintry, moonlit West Country and the unusual skills of its lady diver.” —Kirkus Reviews
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About the author

Mo Hayder has worked as a filmmaker, Tokyo nightclub hostess, and English language teacher in Asia. She is also the author of Birdman; The Treatment; The Devil of Nanking, winner of the Elle Magazine crime fiction prize; Pig Island, shortlisted for the Barry Award for Best British Crime Novel; Ritual, shortlisted both for the CWA Ian Fleming Steel Dagger award and for the coveted Theakstons Old Peculier Crime Novel of the Year Award; Skin; and Gone; as well as the winner of the 2011 Crime Writers' Association Dagger in the Library award for outstanding body of work. She lives in England.
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4.0
32 total
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Additional Information

Publisher
Grove Press
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Published on
Feb 1, 2011
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Pages
416
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ISBN
9780802195982
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Language
English
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Genres
Fiction / Mystery & Detective / Police Procedural
Fiction / Thrillers / Crime
Fiction / Thrillers / Suspense
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Content Protection
This content is DRM protected.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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A murder leads detective Jack Caffery into England’s drug underground in this “brilliant, dense, scary” crime thriller in the Edgar Award–winning series (The Globe and Mail, Toronto).
 
Nine feet under water, police diver Flea Marley closes her gloved fingers around a human hand. The fact that there’s no body attached is disturbing enough—until the discovery of the matching appendage a day later. Both hands have been freshly amputated, and there are indications that the victim was still alive when they were removed.
 
Newly seconded to the Major Crime Investigation Unit in Bristol, DI Jack Caffery soon establishes that the hands belong to a young man who has recently disappeared. As Caffery and Marley search for the rest of the victim—and for his abductor—they journey into the darkest recesses of Bristol’s underworld, where drug addiction is rife, street kids sell themselves for a hit, and a disturbing occult ritual may be making an unexpected appearance.
 
“Hayder . . . moves to another level in this spellbinder. With characters so complex, so fascinating that they could populate a dozen novels . . . Definitely one of the best crime novels of [the year].” —The Globe and Mail
 
“Ritual moves from the eerie and dangerous to the downright ferocious as steadily as an oncoming train . . . You’re going to love the ride.” —Jack Ketchum, author of The Lost and The Girl Next Door
 
“Superb . . . Hayder vividly evokes torture and drug abuse, but the violence is never gratuitous. Readers looking for visceral thrills need look no further than this gritty English series.” —Publishers Weekly, starred review
 
“Hayder . . . outdoes herself, flip-flopping the supernatural and the explainable like a cycle of poison and antidote that will remain with the reader long after the final page.” —Booklist, starred review
The New York Times hails David Mark's work as "in the honorable tradition of Joseph Wambaugh and Ed McBain"; in Taking Pity, Detective Sergeant Aector McAvoy returns for another darkly enthralling installment of this internationally acclaimed series.

It’s been three months since Detective Sergeant Aector McAvoy returned home, or what was left of it after a horrific tragedy. All that remained was charred masonry, broken timbers, and dried blood—a crude reminder of the home invasion and explosion that tore his house and family apart. McAvoy’s wife and daughter are safe, he’s been assured; he just wishes he knew where they were.

            As McAvoy wrestles with his guilt, self-hatred, and helplessness, trouble persists in stormy Hull. Organized crime emerges as the city’s latest threat, with two warring factions leaving plenty of bodies for Detective Superintendent Trish Pharaoh and her unit to clean up. Now more than ever, Pharaoh needs her sergeant to return to work and be a policeman again. She gives McAvoy a case that’s supposed to ease him back into the game: a re-investigation of  a rural  quadruple murder that was put to bed fifty years ago. But what was supposed to be a cut-and-dry job quickly unravels as McAvoy digs up new evidence and witness testimonies, steering him closer to some of the most notorious criminals in northern England.

            Fast-paced, noir-ish and fresh off the heels of Sorrow Bound’s violent finale, Taking Pity is the latest page-turning installment in the gripping Detective McAvoy series. Hailed by The New York Times as being “in the honorable tradition of Joseph Wambaugh and Ed McBain,” David Mark’s police procedurals are smart, dark, and above all, wholly captivating.

A “profoundly creepy and creepily convincing thriller” of religious fanatics and hoax debunkers from the Edgar Award–winning author of Hanging Hill (Publishers Weekly, starred review)
 
Journalist Joe Oakes makes a living exposing supernatural hoaxes, but when he visits a secretive religious community on a remote Scottish island, everything he thought he knew is overturned.
 
Following the trail of a strange creature caught briefly on film, so deformed it can hardly be human, Oakes crosses a border of electrical fencing, toxin-filled oil drums, and pig skulls to infiltrate the territory of the groups’ isolated founder, Malachi Dove. Their confrontation, and its violent aftermath, is so catastrophic that it forces Oakes to question the nature of evil—and whether he might be responsible for the heinous crime about to unfold . . .
 
This latest entry from the acclaimed British author of the Jack Caffery novels “taps into the current fascination with all things supernatural and questions our assumptions about a number of subjects, from faith healing to cultish religious groups and society’s definition of evil” (Marilyn Stasio, The New York Times Book Review).
 
“[Hayder] remains one of our most adventurous, unpredictable and ambitious writers.” —The Guardian
 
“Hayder offers both a riveting story and a nuanced, distinctly modern look at secrecy and publicity, belief and skepticism, normal and taboo, (in)sight and blindness.” —Publishers Weekly, starred review
 
“An adventurous, edgy, literate writer.” —Kirkus Reviews
A NEW YORK TIMES 100 NOTABLE BOOKS OF 2019 SELECTION

From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
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