Manuel and Derrickson show how governments are attempting to reconcile with Indigenous Peoples without touching the basic colonial structures that dominate and distort the relationship. They review the current state of land claims. They tackle the persistence of racism among non-Indigenous people and institutions. They celebrate Indigenous Rights Movements while decrying the role of government-funded organizations like the Assembly of First Nations. They document the federal government's disregard for the substance of the United Nations Declaration on the Rights of Indigenous Peoples while claiming to implement it. These circumstances amount to what they see as a false reconciliation between Indigenous and non-Indigenous Canadians.
Instead, Manuel and Derrickson offer an illuminating vision of what Canada and Canadians need for true reconciliation.
In this book, which Arthur Manuel and Ron Derrickson completed in the months before Manuel's death in January 2017, readers will recognize their profound understanding of the country, of its past, present, and potential future.
Expressed with quiet but firm resolve, humour, and piercing intellect The Reconciliation Manifesto will appeal to both Indigenous and non-Indigenous people who are open and willing to look at the real problems and find real solutions.
After his mother's death, young Bloom boards a train with his bereaved father, Jacob, to travel west across mountains and deserts to California: Mount Terminus, their new home at the desolate end of the world. There, in a villa built atop a rare desert spring, they live apart from society, supported by the income from Jacob's invention, the Rosenbloom Loop, a piece of technology that has revolutionized the nascent art of filmmaking. There, Bloom grows up in the shadow of his father's grief, with only a pair of servants, the house's ghosts, and his own artistic muse for company.
But Jacob can't forever protect his family from his past—the dramatic series of events that has taken him from the Hebrew Orphan Asylum on New York City's Lower East Side and into the graces of beautiful twin girls, and finally to this fragile refuge in pre-Hollywood Los Angeles. And Bloom, now an eccentric dark genius, can't live alone at the top of the mountain forever. Prodded by his newly discovered half brother, in every way his opposite, Bloom will have to come down to meet the world. Otherwise the orange farmers and the vaqueros, the speculators and the developers, the artists and the barons of the silver screen, will surely come up the mountain to meet him.
Triumphant and enthralling, Mount Terminus marks a magnificent return for David Grand; it's the novel he was born to write.