I Have No Mouth and I Must Scream: Stories

Open Road Media
71
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A Grand Master of Science Fiction and the multiple-award-winning author of A Boy and His Dog presents seven stunning stories of speculative fiction.

Hugo Award winner I Have No Mouth and I Must Scream is living legend Harlan Ellison’s masterpiece of future warfare. In a post-apocalyptic world, four men and one woman are all that remain of the human race, brought to near extinction by an artificial intelligence. Programmed to wage war on behalf of its creators, the AI became self-aware and turned against all humanity. The five survivors are prisoners, kept alive and subjected to brutal torture by the hateful and sadistic machine in an endless cycle of violence.
 
Presented here with six more groundbreaking and inventive tales that probe the depths of mortal experience, this collection proves why Ellison has earned the many accolades he’s received and remains one of the most original voices in American literature.
 
I Have No Mouth and I Must Scream also includes “Big Sam Was My Friend,” “Eyes of Dust,” “World of the Myth,” “Lonelyache,” Hugo Award finalist “Delusion for a Dragon Slayer,” and Hugo and Nebula Award finalist “Pretty Maggie Moneyeyes.”
 
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Additional Information

Publisher
Open Road Media
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Published on
Apr 29, 2014
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Pages
162
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ISBN
9781497609617
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Language
English
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Genres
Fiction / Fantasy / Collections & Anthologies
Fiction / Literary
Fiction / Science Fiction / Collections & Anthologies
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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Masterpieces of myth and terror about modern gods from technology to drugs to materialism—“fantasy at its most bizarre and unsettling” (The New York Times).

As Earth approaches Armageddon, a man embarks on a quest to confront God in the Hugo Award–winning novelette, “The Deathbird.”
 
In New York City, a brutal act of violence summons a malevolent spirit and a growing congregation of desensitized worshippers in “The Whimper of Whipped Dogs,” an Edgar Award winner influenced by the real-life murder of Queens resident Kitty Genovese in 1964.
 
In “Paingod,” the deity tasked with inflicting pain and suffering on every living being in the universe questions the purpose of its cruel existence.
 
Deathbird Stories collects these and sixteen more provocative tales exploring the futility of faith in a faithless world. A legendary author of speculative fiction whose best-known works include A Boy and His Dog and I Have No Mouth, and I Must Scream—and whose major awards and nominations number in the dozens, Harlan Ellison strips away convention and hypocrisy and lays bare the human condition in modern society as ancient gods fade and new deities rise to appease the masses—gods of technology, drugs, gambling, materialism—that are as insubstantial as the beliefs of those who venerate them.
 
In addition to his Nebula, Hugo, World Fantasy, Bram Stoker, Edgar, and other awards, Ellison was called “one of the great living American short story writers” by the Washington Post—and this collection makes it clear why he has earned such an extraordinary assortment of accolades.
 
Stories include:
“Introduction: Oblations at Alien Altars”
“The Whimper of Whipped Dogs”
“Along the Scenic Route”
“On the Downhill Side”
“O Ye of Little Faith”
“Neon”
“Basilisk”
“Pretty Maggie Moneyeyes”
“Corpse”
“Shattered Like a Glass Goblin”
“Delusion for a Dragon Slayer”
“The Face of Helene Bournouw”
“Bleeding Stones”
“At the Mouse Circus”
“The Place with No Name”
“Paingod”
“Ernest and the Machine God”
“Rock God”
“Adrift Just Off the Islets of Langerhans: Latitude 38° 54' N, Longitude 77° 00' 13" W”
“The Deathbird”
Winner of the Hugo and Nebula Awards: A science fiction classic about an antiestablishment rebel set on overthrowing the totalitarian society of the future.
 
One of science fiction’s most antiestablishment authors rails against the accepted order while questioning blind obedience to the state in this unique pairing of short story and essay.
 
“‘Repent, Harlequin!’ Said the Ticktockman” is set in a dystopian future society in which time is regulated by a heavy bureaucratic hand known as the Ticktockman. The rebellious Everett C. Marm flouts convention, masquerading as the anarchic Harlequin, disrupting the precise schedule with bullhorns and jellybeans in a world where being late is nothing short of a crime. But when his love, Pretty Alice, betrays Everett out of a desire to return to the punctuality to which she is programmed, he is forced to face the Ticktockman and his gauntlet of consequences.
 
The bonus essay included in this volume, “Stealing Tomorrow,” is a hard-to-find Harlan Ellison masterwork, an exploration of the rebellious nature of the writer’s soul. Waxing poetic on humankind’s intellectual capabilities versus its emotional shortcomings, the author depicts an inner self that guides his words against the established bureaucracies, assuring us that the intent of his soul is to “come lumbering into town on a pink-and-yellow elephant, fast as Pegasus, and throw down on the established order.”
 
Winner of the Prometheus Hall of Fame Award, “‘Repent, Harlequin!’ Said the Ticktockman” has become one of the most reprinted short stories in the English language. Fans of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World will delight in this antiestablishment vision of a Big Brother society and the rebel determined to take it down. The perfect complement, “Stealing Tomorrow” is a hidden gem that reinforces Ellison’s belief in humankind’s inner nobility and the necessity to buck totalitarian forces that hamper our steady evolution.
 
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