She meets a beautiful young Mereling—a mortal man like her captors, but alluringly different—and for the first time in her very long life begins to understand the difference between lust and love. Her newfound ability to love Merelings gives her the capacity to feel grief and awakens not only her own compassion, but that of her abductors.
How will she deal with the inevitable? She is immortal, and they must each die? What happens when she follows them to the Underworld? And how does she get to where she lives today, shining her light on all lovers?
“Oh, Mister Moon, moon, bright and shining moon, won’t you please shine down on me?” In my childhood, the moon was always presented as “he.” In college, I discovered that the moon is more often associated with profoundly feminine qualities and powers. In either case, something about the moon’s dominance of the night sky has always been very reassuring to me. Like many, I noticed as a child how the moon always seemed to follow along when I went for a walk or ride at night. When my own children travelled half way around the world, one to study in Africa, another to explore Asia, I took comfort in knowing wherever they were, they saw the same moon I saw (albeit a few hours earlier or later).
In its Grimm way, the brothers’ story of The Moon—which inspired my tale of Moon Love—paints the moon as victim, and rather passive. I loved making her instead a survivor, robust and unapologetic in her sexuality, made wiser and more compassionate by all she experiences. And I love looking up at night to see her in all her phases keeping an eye on all of us here on the earth, but especially on lovers.
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When Raffaele Notte pulls a barely dressed, disoriented woman from the ocean, the last thing he expects is for her to utter that word. The immortal has come to the island resort to help his cousin, but now, it seems, there are rogue vampires dining on unsuspecting tourists. And he soon realizes that not only is Jess a target, she’s also the life mate he’s been waiting for…
Vampires are real. Jess would’ve never believed it until she saw them with her own eyes. She knows she has to get off the island, and her gallant rescuer has offered to help. There’s something about Raffaele that’s unlike any man she has ever met, and his touch sends pleasure through her that is beyond all imagining. But when Jess discovers who he really is, will she risk life as she knows it for a chance of forever by his side?
Born before man recorded time, I lived for thousands of years believing myself to be something I’m not.
Someone I’m not.
Lied to and betrayed by gods, Daimons and Dark-Hunters, I’ve struggled to find my way in a world where I’ve been cursed since the moment I was prematurely ripped from my mother and planted into the womb of an innocent woman who thought me her son.
Trained as a slayer and predator, I learned to fit in and stay low. To become a tool for evil. Until I was sent to kill the one woman I couldn’t. My hesitation cost her her life.
Or so I thought. In an act of betrayal that makes all the others pale in comparison, I’ve learned that this world is an illusion and that my Phoebe still lives.
Now I will have to travel into the very pits of Hades to try and save her, even as everyone around me attempts to steal what little soul I have left. There’s only one person at my back and I’m not sure I can trust her either, for she was born of an enemy race. Yet sometimes the road to redemption is one that singes us to our very core. And if I fail to find the answers I need to save Phoebe, more than just my wife will die.
We will lose the world. Both human and Daimon.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.
A storm is coming . . .
Locked behind bars for three years, Shadow did his time, quietly waiting for the magic day when he could return to Eagle Point, Indiana. A man no longer scared of what tomorrow might bring, all he wanted was to be with Laura, the wife he deeply loved, and start a new life.
But just days before his release, Laura and Shadow’s best friend are killed in an accident. With his life in pieces and nothing to keep him tethered, Shadow accepts a job from a beguiling stranger he meets on the way home, an enigmatic man who calls himself Mr. Wednesday. A trickster and rogue, Wednesday seems to know more about Shadow than Shadow does himself.
Life as Wednesday’s bodyguard, driver, and errand boy is far more interesting and dangerous than Shadow ever imagined—it is a job that takes him on a dark and strange road trip and introduces him to a host of eccentric characters whose fates are mysteriously intertwined with his own. Along the way Shadow will learn that the past never dies; that everyone, including his beloved Laura, harbors secrets; and that dreams, totems, legends, and myths are more real than we know. Ultimately, he will discover that beneath the placid surface of everyday life a storm is brewing—an epic war for the very soul of America—and that he is standing squarely in its path.
Relevant and prescient, American Gods has been lauded for its brilliant synthesis of “mystery, satire, sex, horror, and poetic prose” (Michael Dirda, Washington Post Book World) and as a modern phantasmagoria that “distills the essence of America” (Seattle Post-Intelligencer). It is, quite simply, an outstanding work of literary imagination that will endure for generations.