Ares Express

Jabberwocky Literary Agency, Inc.
5
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A Mars of the imagination, like no other, in a colorful, witty SF novel, taking place in the kaleidoscopic future of Ian McDonald's Desolation Road, Ares Express is set on a terraformed Mars where fusion-powered locomotives run along the network of rails that is the planet’s circulatory system and artificial intelligences reconfigure reality billions of times each second. One young woman, Sweetness Octave Glorious-Honeybun Asiim 12th, becomes the person upon whom the future -- or futures -- of Mars depends. Big, picaresque, funny; taking the Mars of Ray Bradbury and the more recent, terraformed Marses of authors such as Kim Stanley Robinson and Greg Bear, Ares Express is a wild and woolly magic-realist SF novel, featuring lots of bizarre philosophies, strange, mind-stretching ideas, and trains as big as city blocks.

REVIEWS
Ares Express is a long, adventure-filled, extravagantly colorful, often funny, quite moving, highly imaginative, excellently written story, set on a glorious Mars built partly of sharp-edged Kim Stanley Robinson-style extrapolation, but mostly of lush, loving, Ray Bradbury-style semi-SF, semi-Fantasy, Martian dreams.... I loved it wholeheartedly.” – SF Site

“Hugo-winner McDonald’s virtues have long been underappreciated by major North American publishers... McDonald’s fantastic Mars is vividly detailed and owes much to Bradbury’s Martian stories. Despite a bit of hand waving around technology that is glibly indistinguishable from magic, this sequel is entirely worthy of its rightly lauded predecessor [Desolation Road].” – Publishers Weekly

“One of the strangest, weirdest, fantastic reads of your life.” – SF Crowsnest

“McDonald is clever, lyrical... snarky, and utterly wondrous. The characters would be completely unbelievable in our world, but in theirs they are inevitable...” – Night Owl Reviews
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About the author

Ian McDonald is the author of many award-winning and critically-acclaimed science fiction novels, including Brasyl, River of Gods, Cyberabad Days, The Dervish House, and the ground-breaking Chaga series. He has won the Philip K. Dick Award, the BSFA Award (five times), LOCUS Award, a Hugo Award, and the Theodore Sturgeon Memorial Award. His work has also been nominated for the Nebula Award, a Quill Book Award, and has several nominations for the Arthur C. Clarke Award. He lives in Belfast, Northern Ireland.

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Additional Information

Publisher
Jabberwocky Literary Agency, Inc.
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Published on
Jan 31, 2014
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Pages
560
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ISBN
9781625670748
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Best For
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Language
English
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Genres
Fiction / Science Fiction / Hard Science Fiction
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Content Protection
This content is DRM free.
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It all began thirty years ago on Mars, with a greenperson. But by the time it all finished, the town of Desolation Road had experienced every conceivable abnormality; from Adam Black’s Wonderful Travelling Chautauqua and Educational ’Stravaganza (complete with its very own captive angel), to the Astounding Tatterdemalion Air Bazaar. Its inhabitants ranged from Dr. Alimantando, the town’s founder and resident genius, to the Babooshka, a barren grandmother who just wants her own child – grown in a fruit jar; from Rajendra Das, mechanical hobo who has a mystical way with machines to the Gallacelli brothers, identical triplets who fell in love with – and married – the same woman.

REVIEWS
“Ian McDonald’s Desolation Road is one of my most personally influential novels. It’s an epic tale of the terraforming of Mars, whose sweep captures the birth and death of mythologies, economics, art, revolution, politics... Desolation Road pays homage to David Byrne’s Catherine Wheel, to Ray Bradbury’s entire canon and to Jack Vance, blending all these disparate creators in a way that surprises, delights, then surprises and delights again.” – Cory Doctorow (Boing Boing)

“McDonald’s first novel, it absolutely bowled me over when it came out, and while I have read everything he’s published since, and admire all of it and like most of it, this remains my favourite... some of the most beautiful prose imaginable... If you ever want to demonstrate how different science fiction can be, what an incredible range and sweep of things are published with a little spaceship on the spine, Desolation Road is a shining datapoint, because it isn’t like anything else and yet it is coming from a knowledge of what the genre can do and can be and making something new out of it.” – Jo Walton (Tor.com)

“This is the kind of novel I long to find yet seldom do. Desolation Road is a rara avis... Extraordinary and more than that!” – Philip José Farmer
The bestselling author of The Martian returns with an irresistible new near-future thriller—a heist story set on the moon.

Jasmine Bashara never signed up to be a hero. She just wanted to get rich.
 
Not crazy, eccentric-billionaire rich, like many of the visitors to her hometown of Artemis, humanity’s first and only lunar colony. Just rich enough to move out of her coffin-sized apartment and eat something better than flavored algae. Rich enough to pay off a debt she’s owed for a long time.
 
So when a chance at a huge score finally comes her way, Jazz can’t say no. Sure, it requires her to graduate from small-time smuggler to full-on criminal mastermind. And it calls for a particular combination of cunning, technical skills, and large explosions—not to mention sheer brazen swagger. But Jazz has never run into a challenge her intellect can’t handle, and she figures she’s got the ‘swagger’ part down.
 
The trouble is, engineering the perfect crime is just the start of Jazz’s problems. Because her little heist is about to land her in the middle of a conspiracy for control of Artemis itself.
 
Trapped between competing forces, pursued by a killer and the law alike, even Jazz has to admit she’s in way over her head. She’ll have to hatch a truly spectacular scheme to have a chance at staying alive and saving her city.
 
Jazz is no hero, but she is a very good criminal.
 
That’ll have to do.
 
Propelled by its heroine’s wisecracking voice, set in a city that’s at once stunningly imagined and intimately familiar, and brimming over with clever problem-solving and heist-y fun, Artemis is another irresistible brew of science, suspense, and humor from #1 bestselling author Andy Weir.
NOW AN EXCITING NEW SERIES FROM NETFLIX • The shell that blew a hole in his chest was only the beginning in this “tour de force of genre-bending, a brilliantly realized exercise in science fiction.”—The New York Times Book Review

In the twenty-fifth century, humankind has spread throughout the galaxy, monitored by the watchful eye of the U.N. While divisions in race, religion, and class still exist, advances in technology have redefined life itself. Now, assuming one can afford the expensive procedure, a person’s consciousness can be stored in a cortical stack at the base of the brain and easily downloaded into a new body (or “sleeve”) making death nothing more than a minor blip on a screen.

Ex-U.N. envoy Takeshi Kovacs has been killed before, but his last death was particularly painful. Dispatched one hundred eighty light-years from home, re-sleeved into a body in Bay City (formerly San Francisco, now with a rusted, dilapidated Golden Gate Bridge), Kovacs is thrown into the dark heart of a shady, far-reaching conspiracy that is vicious even by the standards of a society that treats “existence” as something that can be bought and sold.

Praise for Altered Carbon

“Compelling . . . immensely entertaining . . . [Richard] Morgan’s writing is vivid and his plotting inventive.”—The Philadelphia Inquirer
 
“A fascinating trip . . . Pure high-octane science fiction mixes with the classic noir private-eye tale.”—Orlando Sentinel
 
“Gritty and vivid . . . looks as if we have another interstellar hero on our hands.”—USA Today
The cultural ubiquity, political prominence and economic significance of contemporary sport present fertile terrain for its critical socio-cultural analysis. From corporate and media dominated mega-events like the Olympic Games, to state programmes for nation-building and health promotion, to the cultural politics of "race", gender, sexuality, age and disability, sport is so profoundly marked by relations of power that it lends itself to critique and deconstruction.

Marxism, Cultural Studies and Sport brings together leading experts on sport to address these issues and to reflect on the continued appeal of sport to people across the globe, as well as on the forms of inequality that sport both produces and highlights. Including a Foreword by Harry Cleaver and Afterword by Michael Bérubé, this book assesses the impact of this work on the fields of ‘mainstream’ Marxism and cultural studies. Marxism, Cultural Studies and Sport is centred on three vital questions:

Is Marxism still relevant for understanding sport in the twenty-first century?

Has Marxism been preserved or transcended by cultural studies?

What is the relationship between theory and intervention in the politics of sport?

The result is a unique and diverse examination of modern sports culture. The first book published on the relationship between sport and Marxism for over twenty years, Marxism, Cultural Studies and Sport is an invaluable resource for students of sport sociology, Marxism, and cultural studies at all levels.

Another day, another tram bomb. It seems everyone is after a piece of Turkey. But the shock waves from this random act of twenty-first-century terrorism will ripple far beyond Necatibey Cadessi.

Welcome to the world of The Dervish House—the great, ancient, paradoxical city of Istanbul, divided like a human brain, in the great, ancient, equally paradoxical nation of Turkey. With a population pushing one hundred million, and Istanbul alone swollen to fifteen million, Turkey is the largest, most populous, and most diverse nation in the new Europe, but also one of the poorest and most socially divided. It's a boom economy, the sweatshop of Europe, the bazaar of central Asia, the key to the immense gas wealth of Russia and central Asia.

The Dervish House is seven days, six characters, and three interconnected story strands all woven around the common core of the old dervish house of Aden Dede. A terror attack, a vision of djinn, a commodities scam, a hunt for half a miniature Koran that holds the key to new technology, and a quest for a creature from Arabic legend—that may not be so legendary after all.

Praise for The Dervish House

“To read McDonald is to fall in love with a place and to become drunk with it....If you've never read him, you're in for a treat. If you're a fan like me, you'll be delighted anew. What a wonderful, wonderful book.”—Boing Boing

"The Dervish House is an audacious look at the shift in the power centers of the world and an intense vision of one possible future." —New York Times

“Hugely adventurous and entertaining, sumptuously inventive and full of heart... it is likely to rank as Ian McDonald’s finest creative achievement.” —Locus
Be seduced, amazed, and shocked by one of the world’s greatest and strangest nations. Past, present, and future Brazil, with all its color, passion, and shifting realities, come together in a novel that is part SF, part history, part mystery, and entirely enthralling.

Three characters, three time periods, three stories that bind together.

Sao Paulo 2031: Edson is a self-made talent impresario one step up from the slums. A chance encounter draws him into the dangerous world of illegal quantum computing, but where can you run in a total surveillance society where every move, face, and centavo is constantly tracked?

Rio 2006: Marcelina is an ambitious Rio TV producer looking for that big reality TV hit to make her name. When her hot idea sets her on the track of a disgraced World Cup soccer goalkeeper, she becomes enmeshed in an ancient conspiracy that threatens not just her life, but her very soul.

The Amazon 1732: Father Luis is a Jesuit missionary sent into the maelstrom of 18th-century Brazil to locate and punish a rogue priest who has strayed beyond the articles of his faith and set up a vast empire in the hinterland. In the company of a French geographer and spy, what he finds in the backwaters of the Amazon tries both his faith and the nature of reality itself to the breaking point.

Three characters, three stories, three Brazils, linked across time, space, and reality in a hugely ambitious story that will challenge the way you think about everything.

Praise for Brasyl

“McDonald’s outstanding SF novel channels the vitality of South America’s largest country into an edgy, post-cyberpunk free-for-all... Chaotic, heartbreaking and joyous [a] must-read...” —Publishers Weekly

“BRASYL is classic McDonald: a deep thinking, high-paced adventure story, exploring the quantum universe, combining sassy, believable characters with a captivating delight in language and storytelling. McDonald inhabits the Brazil – or rather, the Brazils – of this world and sweeps you along as no other writer in the field could manage.” —The Guardian

“A beautiful story, one that cries out to be read again and again. McDonald’s light is still shining brightly, and considering the consistent quality of his titles, we say long may it burn.” —SciFi Now

“Ian McDonald’s BRASYL, with its three storylines, is as close to perfect as any novel in recent memory. It works because of great characterization, but also because McDonald envisions Brazil as a dynamic, living place that is part postmodern trash pile, part trashy reality-TV-driven ethical abyss... and yet also somehow spiritual... McDonald’s novel is always in motion. This movement extends through time and alternate realities in ways both wonderful and wise, as the three storylines interlock for a satisfying and often stunning conclusion. McDonald has found new myths for old places; in doing so, he has cemented his reputation as an amazing storyteller.” —Washington Post
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