Empire Dreams

Jabberwocky Literary Agency, Inc.
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Published simultaneously as Desolation Road, the Empire Dreams collection was intended to exploit the author’s nomination for the John W. Campbell Award for Best New Writer in 1985. It collects the following stories:

Vivaldi Visits to Remarkable Cities
Unfinished Portrait of the King of Pain by Van Gogh
Scenes from a Shadowplay Radio Marrakech
King of Morning, Queen of Day
The Island of the Dead
Empire Dreams (Ground Control to Major Tom)
Christian The Catharine Wheel (Our Lady of Tharsis)

REVIEWS
“One of the most interesting and accomplished science fiction writers of this latter-day era, indeed maybe the most interesting and accomplished, and certainly the most culturally and musically sophisticated, the Frank Herbert, William Gibson, or arguably even Thomas Pynchon of the early 21st century.” – Asimov’s

“I will read anything that man writes — he is the most underappreciated genius working in the field today.” – Cory Doctorow

“McDonald’s power as a storyteller lies in his stylistic versatility and intensity of language as well as in his capacity to create vivid and memorable characters.” – Library Journal
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About the author

Ian McDonald is the author of many award-winning and critically-acclaimed science fiction novels, including Brasyl, River of Gods, Cyberabad Days, The Dervish House, and the ground-breaking Chaga series. He has won the Philip K. Dick Award, the BSFA Award (five times), LOCUS Award, a Hugo Award, and the Theodore Sturgeon Memorial Award. His work has also been nominated for the Nebula Award, a Quill Book Award, and has several nominations for the Arthur C. Clarke Award. He lives in Belfast, Northern Ireland.

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Additional Information

Publisher
Jabberwocky Literary Agency, Inc.
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Published on
Jan 30, 2014
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Pages
227
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ISBN
9781625670755
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Language
English
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Genres
Fiction / Science Fiction / Collections & Anthologies
Fiction / Science Fiction / General
Fiction / Short Stories (single author)
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Content Protection
This content is DRM free.
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Read Aloud
Available on Android devices
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The cultural ubiquity, political prominence and economic significance of contemporary sport present fertile terrain for its critical socio-cultural analysis. From corporate and media dominated mega-events like the Olympic Games, to state programmes for nation-building and health promotion, to the cultural politics of "race", gender, sexuality, age and disability, sport is so profoundly marked by relations of power that it lends itself to critique and deconstruction.

Marxism, Cultural Studies and Sport brings together leading experts on sport to address these issues and to reflect on the continued appeal of sport to people across the globe, as well as on the forms of inequality that sport both produces and highlights. Including a Foreword by Harry Cleaver and Afterword by Michael Bérubé, this book assesses the impact of this work on the fields of ‘mainstream’ Marxism and cultural studies. Marxism, Cultural Studies and Sport is centred on three vital questions:

Is Marxism still relevant for understanding sport in the twenty-first century?

Has Marxism been preserved or transcended by cultural studies?

What is the relationship between theory and intervention in the politics of sport?

The result is a unique and diverse examination of modern sports culture. The first book published on the relationship between sport and Marxism for over twenty years, Marxism, Cultural Studies and Sport is an invaluable resource for students of sport sociology, Marxism, and cultural studies at all levels.

Another day, another tram bomb. It seems everyone is after a piece of Turkey. But the shock waves from this random act of twenty-first-century terrorism will ripple far beyond Necatibey Cadessi.

Welcome to the world of The Dervish House—the great, ancient, paradoxical city of Istanbul, divided like a human brain, in the great, ancient, equally paradoxical nation of Turkey. With a population pushing one hundred million, and Istanbul alone swollen to fifteen million, Turkey is the largest, most populous, and most diverse nation in the new Europe, but also one of the poorest and most socially divided. It's a boom economy, the sweatshop of Europe, the bazaar of central Asia, the key to the immense gas wealth of Russia and central Asia.

The Dervish House is seven days, six characters, and three interconnected story strands all woven around the common core of the old dervish house of Aden Dede. A terror attack, a vision of djinn, a commodities scam, a hunt for half a miniature Koran that holds the key to new technology, and a quest for a creature from Arabic legend—that may not be so legendary after all.

Praise for The Dervish House

“To read McDonald is to fall in love with a place and to become drunk with it....If you've never read him, you're in for a treat. If you're a fan like me, you'll be delighted anew. What a wonderful, wonderful book.”—Boing Boing

"The Dervish House is an audacious look at the shift in the power centers of the world and an intense vision of one possible future." —New York Times

“Hugely adventurous and entertaining, sumptuously inventive and full of heart... it is likely to rank as Ian McDonald’s finest creative achievement.” —Locus
Be seduced, amazed, and shocked by one of the world’s greatest and strangest nations. Past, present, and future Brazil, with all its color, passion, and shifting realities, come together in a novel that is part SF, part history, part mystery, and entirely enthralling.

Three characters, three time periods, three stories that bind together.

Sao Paulo 2031: Edson is a self-made talent impresario one step up from the slums. A chance encounter draws him into the dangerous world of illegal quantum computing, but where can you run in a total surveillance society where every move, face, and centavo is constantly tracked?

Rio 2006: Marcelina is an ambitious Rio TV producer looking for that big reality TV hit to make her name. When her hot idea sets her on the track of a disgraced World Cup soccer goalkeeper, she becomes enmeshed in an ancient conspiracy that threatens not just her life, but her very soul.

The Amazon 1732: Father Luis is a Jesuit missionary sent into the maelstrom of 18th-century Brazil to locate and punish a rogue priest who has strayed beyond the articles of his faith and set up a vast empire in the hinterland. In the company of a French geographer and spy, what he finds in the backwaters of the Amazon tries both his faith and the nature of reality itself to the breaking point.

Three characters, three stories, three Brazils, linked across time, space, and reality in a hugely ambitious story that will challenge the way you think about everything.

Praise for Brasyl

“McDonald’s outstanding SF novel channels the vitality of South America’s largest country into an edgy, post-cyberpunk free-for-all... Chaotic, heartbreaking and joyous [a] must-read...” —Publishers Weekly

“BRASYL is classic McDonald: a deep thinking, high-paced adventure story, exploring the quantum universe, combining sassy, believable characters with a captivating delight in language and storytelling. McDonald inhabits the Brazil – or rather, the Brazils – of this world and sweeps you along as no other writer in the field could manage.” —The Guardian

“A beautiful story, one that cries out to be read again and again. McDonald’s light is still shining brightly, and considering the consistent quality of his titles, we say long may it burn.” —SciFi Now

“Ian McDonald’s BRASYL, with its three storylines, is as close to perfect as any novel in recent memory. It works because of great characterization, but also because McDonald envisions Brazil as a dynamic, living place that is part postmodern trash pile, part trashy reality-TV-driven ethical abyss... and yet also somehow spiritual... McDonald’s novel is always in motion. This movement extends through time and alternate realities in ways both wonderful and wise, as the three storylines interlock for a satisfying and often stunning conclusion. McDonald has found new myths for old places; in doing so, he has cemented his reputation as an amazing storyteller.” —Washington Post
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