Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture at Amherst College. He has written, edited, and translated many books, including Spanglish: The Making of a New American Language, The Poetry of Pablo Neruda, and The Norton Anthology of Latino Literature.
Jorge J. E. Gracia is Samuel P. Capen Chair and SUNY Distinguished Professor of Philosophy and Comparative Literature at the State University of New York at Buffalo. His many books include Painting Borges: Philosophy Interpreting Art Interpreting Literature, Images of Thought: Philosophical Interpretations of Carlos Estévez's Art, and Latinos in America: Philosophy and Social Identity.
With the same linguistic verve and insight that has made him one of the most distinguished voices in American literature today, Ilan Stavans invites readers along for a personal journey that is not only his own, but that of an entire culture. In Return to Centro Histórico he makes it possible to understand the intimate role that Jews have played in the development of Hispanic civilization.
Highlighting many of the pivotal questions that have haunted the art world since the NEA debacle of 1988, the contributors to Our Lady of Controversy present diverse perspectives, ranging from definitions of art to the artist's intention, feminism, queer theory, colonialism, and Chicano nationalism. Contributors include the exhibition curator, Tey Marianna Nunn; award-winning novelist and Chicana historian Emma Pérez; and Deena González (recognized as one of the fifty most important living women historians in America).
Accompanied by a bonus DVD of Alma López's I Love Lupe video that looks at the Chicana artistic tradition of reimagining la Virgen de Guadalupe, featuring a historic conversation between Yolanda López, Ester Hernández, and Alma López, Our Lady of Controversy promises to ignite important new dialogues.
The essays explore the quinceañera and the coming-of-age ritual from various angles. Prior to 2007, the quinceañera received no formal ritual through the Catholic Church, which has since issued one. As such, the role of religion and the Catholic Church in the quinceañera celebration is given extensive consideration. Gender, family status, class, race, as well as the aspects of performance are all discussed as central themes of the celebration. Delving through myriad perspectives, Quinceañeras illuminates the festivities' form and function in creating social and personal identity within the family and the larger Latino community.
The Mission, home to Chileans, Cubans, Guatemalans, Mexican Americans, Nicaraguans, Puerto Ricans, and Salvadorans never represented a single Latino identity. In tracing the experiences of a diverse group of Latino artists from the 1940s to the turn of the century, Cordova connects wide-ranging aesthetics to a variety of social movements and activist interventions. The book begins with the history of the Latin Quarter in the 1940s and the subsequent cultivation of the Beat counterculture in the 1950s, demonstrating how these decades laid the groundwork for the artistic and political renaissance that followed. Using oral histories, visual culture, and archival research, she analyzes the Latin jazz scene of the 1940s, Latino involvement in the avant-garde of the 1950s, the Chicano movement and Third World movements of the 1960s, the community mural movement of the 1970s, the transnational liberation movements in Nicaragua and El Salvador, and the AIDS activism of the 1980s. Through these different historical frames, Cordova links the creation of Latino art with a flowering of Latino politics.
Backed by research using quantitative methods and other techniques, Health Care's seven chapters cover topics ranging from infant care to teenage dating and sexual mores to prescription medication use by older adults. Much of the coverage focuses on problems of access and the ways in which Latinos move between mainstream health care, and the world of traditional remedies provided by botánicas (shops specializing in herbs and other healing items) and curanderos (folk healers).