Completely re-edited, re-designed and containing with an impressive collection of archival photos and maps, The Glittering Mountains of Canada is a must-read for anyone interested in mountain literature. The book's position in the pantheon of outdoor writing as a "classic" is only further enhanced and supported by the passionate Foreword by well-known mountain historian and environmental writer Robert William Sandford, who urges the contemporary reader to embrace Thorington's belief in the importance of landscape and the poetry of place. This is a book that deserves to be read and appreciated alongside the work of Wallace Stegner, Henry David Thoreau and Sid Marty.
J. Monroe Thorington (1895-1989) first ventured into the Canadian Rockies in 1914 and became one of the pre-eminent mountaineers and alpine scholars of his time, climbing extensively in the mountain ranges of British Columbia and Alberta, completing 52 first ascents and penning numerous guidebooks and journal articles on the mountains of western Canada. Thorington's finest work as an author can be found in this newly formatted masterpiece of North American mountaineering, along with the autobiography of Conrad Kain, Where the Clouds Can Go, originally published in 1935 and re-issued in a new edition by RMB in 2009.
Bob Sandford is the author or editor of some 20 books on the history and heritage of the Canadian West. He began his work with UN-linked initiatives as chair of the United Nations International Year of Mountains in 2002. He also chaired the United Nations International Year of Fresh Water and Wonder of Water Initiative in Canada in 2003/04. These celebrations focused on the growing importance of water to ecological and cultural heritage in Canada.
Bob is presently chair of the United Nations International Decade Water for Life Partnership in Canada, an initiative that aims to advance long-term water quality and availability issues in response to climate change in this country and abroad. He is also director of the Western Watersheds Climate Research Collaborative, a research and public-policy arm of the University of Lethbridge that promotes understanding of climate impacts on river systems originating in the Rocky Mountains. Bob was the first Canadian to be invited to sit on the advisory committee for the Rosenberg International Forum on Water Policy, a biennial global public-policy forum that examines solutions to our planets water crisis.
Both men have served as chiefs of their bands in the B.C. interior and both have gone on to establish important national and international reputations. But the differences between them are in many ways even more interesting. Arthur Manuel is one of the most forceful advocates for Aboriginal title and rights in Canada and comes from the activist wing of the movement. Grand Chief Ron Derrickson is one of the most successful Indigenous businessmen in the country.
Together the Secwepemc activist intellectual and the Syilx (Okanagan) businessman bring a fresh perspective and new ideas to Canada’s most glaring piece of unfinished business: the place of Indigenous peoples within the country’s political and economic space. The story is told through Arthur’s voice but he traces both of their individual struggles against the colonialist and often racist structures that have been erected to keep Indigenous peoples in their place in Canada.
In the final chapters and in the Grand Chief’s afterword, they not only set out a plan for a new sustainable indigenous economy, but lay out a roadmap for getting there.
While much has been written about the disaster, there is still more to the story, including the investigation of the key figures involved, the histories of the ships that collided and the confluence of circumstances that brought these two vessels together to touch off one of the most tragic man-made disasters of the twentieth century.
The Halifax Explosion is a fresh, revealing account that finally answers questions that have lingered for a century: Was the explosion a disaster triggered by simple human error? Was it caused by the negligence of the ships’ pilots or captains? Was it the result of shortcomings in harbour practices and protocols? Or was the blast—as many people at the time insisted—the result of sabotage carried out by wartime German agents?
December 6, 2017, marks the centennial of the great Halifax explosion. The Halifax Explosion tells the gripping, as-yet untold story of Canada’s worst disaster—a haunting tale of survival, incredible courage and, ultimately, the triumph of the human spirit.
In Just Between You and Me, Goodwyn shares the story of his upbringing, first at home in rural New Brunswick and then in the music business as the lead singer of one of Canada’s most popular bands ever, April Wine.
In this book, Alison K. Brown draws together the multiple narratives that make up this encounter, consulting descendants of the collectors and members of the affected First Nations and reviewing both expedition images and the artifacts themselves. In doing so, she explores the context within which the collection was made as well as the complex relationships between museums, anthropologists, and First Nations.
Accessibly written and vigorously researched, First Nations, Museums, Narrations raises timely questions about the role of collections in the twenty-first century and considers the way forward for indigenous peoples and the museums that house their cultural treasures.