In the early 1970s, Olsen embedded himself in the bars and strip clubs of San Francisco's North Beach neighborhood, spending months among the hustlers, pimps, strippers, waitresses, bartenders, bouncers, junkies, cops, and club owners who inhabited this shadow economy. He listened to their stories. He asked how they got there, how they survived, and what they wanted from lives that most of polite society preferred not to acknowledge.
What emerged is a vivid, compassionate, and often startling piece of oral history journalism, a book that gives voice to people rarely given the chance to speak for themselves. Their stories range from darkly comic to genuinely heartbreaking. Beneath the neon and the noise, Olsen found a fully formed social world with its own hierarchy, its own code of conduct, and its own version of the American Dream.
Sweet Street is not a book of judgment. It is a book of listening. And in the tradition of the great oral historians, it captures a world and a moment in time that no longer exist quite the way they did then.
New York Times bestselling author Jack Olsen, known for his psychological depth and journalistic precision, turns those same gifts toward a world most writers of his stature never bothered to enter.
Jack Olsen is the author of thirty-three books, published in fifteen countries. Olsen’s journalism earned the National Headliners Award, Chicago Newspaper Guild’s Page One Award, commendations from Columbia and Indiana Universities, the Washington State Governor’s Award, the Scripps-Howard Award as well as other honors. Olsen was described as “the dean of true crime authors” by the Washington Post and the New York Daily News and “the master of true crime” by the Detroit Free Press and Newsday. Publishers Weekly called him “the best true crime writer around.” His studies of crime are required reading in university criminology courses. In a page-one review, the New York Times described his work as “a genuine contribution to criminology and journalism alike.” Olsen is a two-time winner in the Best Fact Crime category of the Mystery Writer’s of America, Edgar award.