Jacqueline Winspear is the author of the New York Times bestselling Maisie Dobbs series, which includes In This Grave Hour, Journey to Munich, A Dangerous Place, Leaving Everything Most Loved, Elegy for Eddie, and eight other novels. Her standalone novel, The Care and Management of Lies, was also a New York Times bestseller and a Dayton Literary Peace Prize finalist. Originally from the United Kingdom, she now lives in California.
London, 1931. The night before an exhibition of his artwork opens at a famed Mayfair gallery, the controversial artist Nick Bassington-Hope falls to his death. The police rule it an accident, but Nick's twin sister, Georgina, a wartime journalist and a infamous figure in her own right, isn't convinced.
When the authorities refuse to consider her theory that Nick was murdered, Georgina seeks out a fellow graduate from Girton College, Maisie Dobbs, psychologist and investigator, for help. Nick was a veteran of World War I, and before long the case leads Maisie to the desolate beaches of Dungeness in Kent, and into the sinister underbelly of the city's art world.
In Messenger of Truth, Maisie once again uncovers the perilous legacy of the Great War in a society struggling to recollect itself. But to solve the mystery of Nick's death, Maisie will have to keep her head as the forces behind the artist's fall come out of the shadows to silence her.
Following on the bestselling Pardonable Lies, Jacqueline Winspear delivers another vivid, thrilling, and utterly unique episode in the life of Maisie Dobbs.
“Readers who can’t get enough of Maisie Dobbs, the intrepid World War I battlefield nurse in Jacqueline Winspear’s novels…are bound to be caught up in the adventures of Bess Crawford.”
—New York Times Book Review
Charles Todd, author of the resoundingly acclaimed Ian Rutledge crime novels (“One of the best historical series being written today” —Washington Post Book World) debuts an exceptional new protagonist, World War I nurse Bess Crawford, in A Duty to the Dead. A gripping tale of perilous obligations and dark family secrets in the shadows of a nightmarish time of global conflict, A Duty to the Dead is rich in suspense, surprise, and the impeccable period atmosphere that has become a Charles Todd trademark.
It’s early 1938, and Maisie Dobbs is back in England. On a fine yet chilly morning, as she walks towards Fitzroy Square—a place of many memories—she is intercepted by Brian Huntley and Robert MacFarlane of the Secret Service. The German government has agreed to release a British subject from prison, but only if he is handed over to a family member. Because the man’s wife is bedridden and his daughter has been killed in an accident, the Secret Service wants Maisie—who bears a striking resemblance to the daughter—to retrieve the man from Dachau, on the outskirts of Munich.
The British government is not alone in its interest in Maisie’s travel plans. Her nemesis—the man she holds responsible for her husband’s death—has learned of her journey, and is also desperate for her help.
Traveling into the heart of Nazi Germany, Maisie encounters unexpected dangers—and finds herself questioning whether it’s time to return to the work she loved. But the Secret Service may have other ideas. . . .
Sunday September 3rd 1939. At the moment Prime Minister Neville Chamberlain broadcasts to the nation Britain’s declaration of war with Germany, a senior Secret Service agent breaks into Maisie Dobbs' flat to await her return. Dr. Francesca Thomas has an urgent assignment for Maisie: to find the killer of a man who escaped occupied Belgium as a boy, some twenty-three years earlier during the Great War.
In a London shadowed by barrage balloons, bomb shelters and the threat of invasion, within days another former Belgian refugee is found murdered. And as Maisie delves deeper into the killings of the dispossessed from the “last war," a new kind of refugee — an evacuee from London — appears in Maisie's life. The little girl billeted at Maisie’s home in Kent does not, or cannot, speak, and the authorities do not know who the child belongs to or who might have put her on the “Operation Pied Piper” evacuee train. They know only that her name is Anna.
As Maisie’s search for the killer escalates, the country braces for what is to come. Britain is approaching its gravest hour — and Maisie could be nearing a crossroads of her own.
By July 1914, the ties between Kezia Marchant and Thea Brissenden, friends since girlhood, have become strained—by Thea’s passionate embrace of women’s suffrage, and by the imminent marriage of Kezia to Thea’s brother, Tom, who runs the family farm. When Kezia and Tom wed just a month before war is declared between Britain and Germany, Thea’s gift to Kezia is a book on household management—a veiled criticism of the bride’s prosaic life to come. Yet when Tom enlists to fight for his country and Thea is drawn reluctantly onto the battlefield, the farm becomes Kezia’s responsibility. Each must find a way to endure the ensuing cataclysm and turmoil.
As Tom marches to the front lines, and Kezia battles to keep her ordered life from unraveling, they hide their despair in letters and cards filled with stories woven to bring comfort. Even Tom’s fellow soldiers in the trenches enter and find solace in the dream world of Kezia’s mouth-watering, albeit imaginary meals. But will well-intended lies and self-deception be of use when they come face to face with the enemy?
Published to coincide with the centennial of the Great War, The Care and Management of Lies paints a poignant picture of love and friendship strained by the pain of separation and the brutal chaos of battle. Ultimately, it raises profound questions about conflict, belief, and love that echo in our own time.
August 1914. Michael Clifton is mapping the land he has just purchased in California's beautiful Santa Ynez Valley, certain that oil lies beneath its surface. But as the young cartographer prepares to return home to Boston, war is declared in Europe. Michael—the youngest son of an expatriate Englishman—puts duty first and sails for his father's native country to serve in the British army. Three years later, he is listed among those missing in action.
April 1932. London psychologist and investigator Maisie Dobbs is retained by Michael's parents, who have recently learned that their son's remains have been unearthed in France. They want Maisie to find the unnamed nurse whose love letters were among Michael's belongings—a quest that takes Maisie back to her own bittersweet wartime love. Her inquiries, and the stunning discovery that Michael Clifton was murdered in his trench, unleash a web of intrigue and violence that threatens to engulf the soldier's family and even Maisie herself. Over the course of her investigation, Maisie must cope with the approaching loss of her mentor, Maurice Blanche, and her growing awareness that she is once again falling in love.
Following the critically acclaimed bestseller Among the Mad, The Mapping of Love and Death delivers the most gripping and satisfying chapter yet in the life of Maisie Dobbs.
With the country in the grip of economic malaise, and worried about her business, Maisie Dobbs is relieved to accept an apparently straightforward assignment from an old friend to investigate certain matters concerning a potential land purchase. Her inquiries take her to a picturesque village in Kent during the hop-picking season, but beneath its pastoral surface she finds evidence that something is amiss. Mysterious fires erupt in the village with alarming regularity, and a series of petty crimes suggests a darker criminal element at work. As Maisie discovers, the villagers are bitterly prejudiced against outsiders who flock to Kent at harvest time—even more troubling, they seem possessed by the legacy of a wartime Zeppelin raid. Maisie grows increasingly suspicious of a peculiar secrecy that shrouds the village, and ultimately she must draw on all her finely honed skills of detection to solve one of her most intriguing cases.
Rich with Jacqueline Winspear's trademark period detail, this installment of the bestselling series, An Incomplete Revenge, is gripping, atmospheric, and utterly enthralling.