In the winter of 1897, a trio of killers descends upon an isolated farm in upstate New York. Midwife Elspeth Howell returns home to the carnage: her husband, and four of her children, murdered. Before she can discover her remaining son Caleb, alive and hiding in the kitchen pantry, another shot rings out over the snow-covered valley. Twelve-year-old Caleb must tend to his mother until she recovers enough for them to take to the frozen wilderness in search of the men responsible.
A scorching portrait of a merciless world—of guilt and lost innocence, atonement and retribution, resilience and sacrifice, pregnant obsession and primal adolescence—The Kept introduces an old-beyond-his-years protagonist as indelible and heartbreaking as Mattie Ross of True Grit or Jimmy Blevins of All the Pretty Horses, as well as a shape-shifting mother as enigmatic and mysterious as a character drawn by Russell Banks or Marilynne Robinson.
James Scott was born in Boston and grew up in upstate New York. He holds a BA from Middlebury College and an MFA from Emerson College. His fiction has appeared in Ploughshares, One Story, American Short Fiction, and other publications. He lives in western Massachusetts with his wife and dog. The Kept is his first novel.
Set in the 1930s, The Sound of the Trees tells the story of Trude Mason, who, seeking to escape a brutal father and a violent past, sets out with his mother on horseback on a grueling journey through the extreme desert and mountainous terrain of southwestern New Mexico. Their destination is Colorado, a place Trude imagines to be abundantly fertile, wild, and free. But along the way, Trude finds himself in the clutches of a small New Mexican border town, once again a victim of brutality and lawlessness, this time in the form of a pitiless sheriff and his posse. When they arrest and sentence to death a young woman whose life Trude has saved, he must face an explosive collision between conscience and self-preservation.
Affecting yet unsentimental, written in piercing, unadorned prose, Robert Gatewood's The Sound of the Trees marks the arrival of a vital new literary voice.
The Last Kid Left begins when a car smashes into a sculpture of a giant cowgirl. The police find two bodies in the trunk. 19-year-old Nick Toussaint Jr. is arrested for murder, and after details of the crime rip across the internet, his 16-year-old girlfriend, Emily Portis—a sheltered teen who’s been off the grid until now, her first romance coinciding with her first cellphone—is nearly consumed by a public hungry for every lurid detail, accurate or not.
Emily and Nick are not the only ones whose lives come unmoored. A retired police officer latches onto the case. Nick’s alcoholic mother is thrust into an unfamiliar role. A young journalist who left her hometown behind is pulled into the fray. And Emily’s father, the town Sheriff, is finally forced to confront a monstrous secret.
The Last Kid Left is a bold, searching novel about how our relationships operate in a hyper-connected world, an expertly-portrayed account of tragedy turned mercilessly into entertainment. And it’s the suspenseful unwinding of a crime that’s more complex than it initially seems. But mostly it’s the story of two teenagers, dismantled by circumstances and rotten luck, who are desperate to believe that love is enough to save them.
Keen to make his fortune, Jacob Ellstrom, armed with his medical kit and new wife, Nell, lands in The Harbor—a mud-filled, raucous coastal town teeming with rough trade pioneers, sawmill laborers, sailors, and prostitutes. But Jacob is not a doctor, and a botched delivery exposes his ruse, driving him onto the streets in a plunge towards alcoholism. Alone, Nell scrambles to keep herself and their young son, Duncan, safe in this dangerous world. When a tentative reunion between the couple—in the company of Duncan and Jacob’s malicious brother, Matius—results in tragedy, Jacob must flee town to elude being charged with murder.
Years later, the wild and reckless Duncan seems to be yet another of The Harbor’s hoodlums. His only salvation is his overwhelming love for Teresa Boyerton, the daughter of the town’s largest mill owner. But disaster will befall the lovers with heartbreaking consequences.
And across town, Bellhouse, a union boss and criminal rabble-rouser, sits at the helm of The Harbor’s seedy underbelly, perpetuating a cycle of greed and violence. His thug Tartan directs his pack of thieves, pimps, and murderers, and conceals an incendiary secret involving Duncan’s mother. As time passes, a string of calamitous events sends these characters hurtling towards each other in an epic collision that will shake the town to its core.
In Orfeo, composer Peter Els opens the door one evening to find the police on his doorstep. His home microbiology lab—the latest experiment in his lifelong attempt to find music in surprising patterns—has aroused the suspicions of Homeland Security. Panicked by the raid, Els turns fugitive and hatches a plan to transform this disastrous collision with the security state into an unforgettable work of art that will reawaken its audience to the sounds all around it.
She calls herself Lady Justice. And once she has chosen a man as her target, she turns herself into a tall blonde or a curvaceous redhead, makes herself as alluring and seductive as possible to them. Once they are in her grasp, they are powerless.
The first victim is wealthy businessman Nigel McEnroy. His company’s human resources department has already paid out settlements to a couple of his young victims—but they don’t know that his crimes go far beyond workplace harassment. Lady Justice knows. And in one shocking night of brutality, she makes him pay a much steeper price.
Now Eve Dallas and her husband, Roarke, are combing through the evidence of McEnroy’s secret life. His compulsive need to record his misdeeds provides them with a wide range of suspects, but the true identity of Lady Justice remains elusive. It’s a challenging case, made even more difficult by McEnroy’s widow, who reacts to the investigation with fury, denial, and threats. Meanwhile, Lady Justice’s criminal crusade is escalating rapidly, and if Eve can’t stop this vigilante, there’s no telling how much blood may be spilled...