Jane Tesh lives and writes in Mt. Airy, North Carolina. A media specialist/librarian for grades K-6 for 30 years, she retired to write and exercise her creative side. A rehearsal pianist and sometime orchestra conductor for community theater, she also plays the violin, and is a certified kick-boxing instructor.
But Randall is almost sidetracked from the case by a series of what appears to be never-ending favors. When he takes his friend Cam to the Carlyle House to sing for a concert, Cam encounters Delores Carlyle, a troubled spirit trapped inside a huge mirror, who wants to see her daughter, Beverly, one last time. Beverly Carlyle will come to the house on one condition: that Randall find a home for her surly teenage son, Kit, and a band for her obnoxious daughter, Frieda. Kit is welcome at 302 Grace, but to secure a spot for Frieda, Randall has to get a local girl group a gig at a local nightclub. The owner agrees, if Cam will pose as a teenager and spy on a rival club. Cam agrees if Randall will take him to Green Valley to answer some questions about his past. And another ghost is haunting the hot dog restaurant, refusing to talk to Cam.
In addition to the tangle of deals, Randall has to contend with Rufus being hell-bent on revenge, the return of Cam's telekinesis, and growing concern that if the baby-a girl named Mary Rose, as it turns out-is found, Rufus, might not want to keep her.
But where is Mary Rose?
Meanwhile, working the case of the murder of Albert Bennett, Randall's only clue is a notebook filled with odd musical notation. When another client, Melanie Gentry, hires him to prove her great-grandmother was murdered by her lover, composer John Burrows Ashford, over authorship of "Patchwork Melodies," Randall sets out to find a connection to Bennett's murder, as well as to the murder of a Smithsonian director, who was preparing a new PBS documentary on early American music.
Randall's investigations lead him to another notebook, where he finds not only "Two Hearts Singing," Ashford's most famous song, but a valuable early copy of Stephen Foster's "Oh! Susanna," hidden in the cover. But things become more complicated when Ashford's spirit parks itself in Cam...and refuses to leave until Randall proves Ashford's innocence.