Magic has broken free over the Twelve Kingdoms. The population is beset by shapeshifters and portents, landscapes that migrate, uncanny allies who are not quite human…and enemies eager to take advantage of the chaos.
Dafne Mailloux is no adventurer--she's a librarian. But the High Queen trusts Dafne's ability with languages, her way of winnowing the useful facts from a dusty scroll, and even more important, the subtlety and guile that three decades under the thumb of a tyrant taught her.
Dafne never thought to need those skills again. But she accepts her duty. Until her journey drops her into the arms of a barbarian king. He speaks no tongue she knows but that of power, yet he recognizes his captive as a valuable pawn. Dafne must submit to a wedding of alliance, becoming a prisoner-queen in a court she does not understand. If she is to save herself and her country, she will have to learn to read the heart of a wild stranger. And there are more secrets written there than even Dafne could suspect…
Praise for The Mark of the Tala
"Magnificent…a richly detailed fantasy world." --RT Book Reviews, 4½ stars, Top Pick
"Well written and swooningly romantic." --Library Journal, starred review
The Twelve Kingdoms rest uneasy under their new High Queen, reeling from civil war and unchecked magics. Few remember that other powers once tested their borders—until a troop of foreign warriors emerges with a challenge . . .
Jepp has been the heart of the queen’s elite guard, her Hawks, since long before war split her homeland. But the ease and grace that come to her naturally in fighting leathers disappears when battles turn to politics. When a scouting party arrives from far-away Dasnaria, bearing veiled threats and subtle bluffs, Jepp is happy to let her queen puzzle them out while she samples the pleasures of their prince’s bed.
But the cultural norms allow that a Dasnarian woman may be wife or bed-slave, never her own leader—and Jepp’s light use of Prince Kral has sparked a diplomatic crisis. Banished from court, she soon becomes the only envoy to Kral’s strange and dangerous country, with little to rely on but her wits, her knives—and the smolder of anger and attraction that burns between her and him . . .
Praise for The Mark of the Tala
“Magnificent…a richly detailed fantasy world.” —RT Book Reviews, 4½ stars, Top Pick
“Well written and swooningly romantic.” —Library Journal, starred review
Three daughters were born to High King Uorsin, in place of the son he wanted. The youngest, lovely and sweet. The middle, pretty and subtle, with an air of magic. And the eldest, the Heir. A girl grudgingly honed to leadership, not beauty, to bear the sword and honor of the king.
Ursula’s loyalty is as ingrained as her straight warrior’s spine. She protects the peace of the Twelve Kingdoms with sweat and blood, her sisters from threats far and near. And she protects her father to prove her worth. But she never imagined her loyalty would become an open question on palace grounds. That her father would receive her with a foreign witch at one side and a hireling captain at the other—that soldiers would look on her as a woman, not as a warrior. She also never expected to decide the destiny of her sisters, of her people, of the Twelve Kingdoms and the Thirteenth. Not with her father still on the throne and war in the air. But the choice is before her. And the Heir must lead…
The tales tell of three sisters, daughters of the high king. The eldest, a valiant warrior-woman, heir to the kingdom. The youngest, the sweet beauty with her Prince Charming. No one says much about the middle princess, Andromeda. Andi, the other one.
Andi doesn't mind being invisible. She enjoys the company of her horse more than court, and she has a way of blending into the shadows. Until the day she meets a strange man riding, who keeps company with wolves and ravens, who rules a land of shapeshifters and demons. A country she'd thought was no more than legend--until he claims her as its queen.
In a moment everything changes: Her father, the wise king, becomes a warlord, suspicious and strategic. Whispers call her dead mother a traitor and a witch. Andi doesn't know if her own instincts can be trusted, as visions appear to her and her body begins to rebel.
For Andi, the time to learn her true nature has come. . .
Ami met her Prince Charming and went away to his castle on the stormy sea-cliffs—and that should have been her happily ever after. Instead, her husband lies dead and a war rages. Her middle sister has been taken into a demon land, turned into a stranger. The priests and her father are revealing secrets and telling lies. And a power is rising in Ami, too, a power she hardly recognizes, to wield her beauty as a weapon, and her charm as a tool to deceive. . .
Amelia has never had to be anything but good and sweet and kind and lovely. But the chess game for the Twelve Kingdoms has swept her up in it, and she must make a gambit of her own. Can the prettiest princess become a pawn—or a queen?
Praise for The Twelve Kingdoms
"Well-written and swooningly romantic." —Library Journal, starred review
"Will captivate you from beginning to end with a richly detailed fantasy world."
—RT Book Reviews
Haunted by nightmares of a black dog, sick to death of my mind-numbing career and heart-numbing fiancé, I impulsively walked out of my life—and fell into Faerie. Terrified, fascinated, I discover I possess a power I can't control: my wishes come true. After an all-too-real attack by the animal from my dreams, I wake to find myself the captive of the seductive and ruthless fae lord Rogue. In return for my rescue, he demands an extravagant price—my firstborn child, which he intends to sire himself…
With no hope of escaping this world, I must learn to harness my magic and build a new life despite the perils—including my own inexplicable and debilitating desire for Rogue. I swear I will never submit to his demands, no matter what erotic torment he subjects me to…
Fresh out of college, Christine Davis is thrilled to begin a summer internship at the prestigious Sante Fe Opera House. But on her first day, she discovers that her dream job has a dark side. Beneath the theater, a sprawling maze of passageways are rumored to be haunted. Ghostly music echoes through the halls at night. And Christy's predecessor has mysteriously disappeared. Luckily, Christy finds a friend and admirer in Roman Sanclaro, the theater's wealthy and handsome patron. He convinces her there's nothing to fear--until she hears the phantom's voice for herself. Echoing in the labrynths. Singing of a lost love. Whispering her name: Christine.
At first, Christy thinks she's hearing things. But when a tall masked man steps out of the shadows--and into her arms--she knows he's not a phantom of her imagination. He is the master of her desire. . .
A human trapped in the world of Faerie, in possession of magic I could not control, I made a bargain for my life: to let the dangerously sensual fae noble known as Rogue sire my firstborn. And one does not break an oath with a fae. But no matter how greatly I desire him, I will not succumb. Not until I know what will happen to the child.
Though unable—or unwilling—to reveal the fate of human-fae offspring himself, Rogue accompanies me on my quest for answers. Along the way he agrees to teach me to harness my power, in exchange for a single kiss each day and sleeping by my side each night. Just as I am about to yield to temptation, I find myself in a deadly game of cat and mouse with an insane goddess. Now my search for the truth will lead me to the darkest of all Faerie secrets.
Sequel to Rogue's Pawn, available now!
"With cheeky wisdom, Jeffe Kennedy explores the extraordinary moments that transform ordinary lives. No revelation--from the meaning of the death of a parent to being a blonde--is too big or small for this Colorado-born biologist to dissect. Her insights tell us a lot about the way lives enhanced by real convictions are formed."--Vicki Lindner, author of Outlaw Games
"[Kennedy] writes vividly and with great clarity. Her sensitivity and empathy for other people enhances an unusually authentic ability to establish three-dimensional characterization."--Lee Gutkind, editor, Creative Nonfiction
With each passing day of her internship at the Sante Fe Opera House, Christine Davis discovers something new, something exciting—and something frightening. Hidden in the twisting labyrinths beneath the theater is a mysterious man in a mask who, Christy's convinced, is as real as the rose he left on her desk—and as passionate as the kiss that burns on her lips. He tells her to call him "Master," and Christy can't deny him. But when her predecessor—a missing intern—is found dead, Christy wonders if she's playing with fire. . .
If her phantom lover is actually a killer, how can she continue to submit to his dark, erotic games? And if he is innocent, how can she resist—or refuse—when he demands nothing less than her body and soul?