Sing, Unburied, Sing: A Novel

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WINNER of the NATIONAL BOOK AWARD and A NEW YORK TIMES TOP 10 BEST BOOK OF THE YEAR

A finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two-time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a “tour de force” (O, the Oprah Magazine) and a timeless work of fiction that is destined to become a classic.

Jesmyn Ward’s historic second National Book Award–winner is “perfectly poised for the moment” (The New York Times), an intimate portrait of three generations of a family and an epic tale of hope and struggle. “Ward’s writing throbs with life, grief, and love… this book is the kind that makes you ache to return to it” (Buzzfeed).

Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager.

His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances.

When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.

Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing is a majestic and unforgettable family story and “an odyssey through rural Mississippi’s past and present” (The Philadelphia Inquirer).
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About the author

Jesmyn Ward received her MFA from the University of Michigan and has received the MacArthur Genius Grant, a Stegner Fellowship, a John and Renee Grisham Writers Residency, and the Strauss Living Prize. She is the winner of two National Book Awards for Fiction for Sing, Unburied, Sing (2017) and Salvage the Bones (2011). She is also the author of the novel Where the Line Bleeds and the memoir Men We Reaped, which was a finalist for the National Book Critics Circle Award and won the Chicago Tribune Heartland Prize and the Media for a Just Society Award. She is currently an associate professor of creative writing at Tulane University and lives in Mississippi.

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Additional Information

Publisher
Simon and Schuster
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Published on
Sep 5, 2017
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Pages
304
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ISBN
9781501126093
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Features
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Language
English
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Genres
Fiction / African American / General
Fiction / Fantasy / Paranormal
Fiction / Literary
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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From talented debut author Simone Kelly comes this suspenseful novel that crackles with intrigue, sex, and plenty of surprises—perfect for fans of Eric Jerome Dickey and Carl Weber.

Meet Jacques Berradi. Moroccan-born and Manhattan-raised, his genuine, sexy-smooth allure goes hand in hand with a unique gift. Since Jacques was young, he has had the ability to read peoples’ energies, communicate with spirit guides, and even catch glimpses of people’s futures. Now a professional “intuitive counselor,” Jacques’s clients pay him handsomely for his insight. Unfortunately, Jacques’s psychic abilities don’t come with an off switch to tune out the world’s noise, nor do they always provide him with easy answers; recently Jacques has begun having dark, alarming dreams about his beloved father, a Moroccan immigrant who died when he was a boy.

Meet Kylie Collins, an adventurous, Miami twentysomething who is trying to find her footing after being laid off from a cushy music industry job. When a mishap brings them together, Kylie is instantly mesmerized by Jacques’s cool demeanor and intuitive abilities, and he’s captivated by her outgoing charm and breezy good looks. Seeking to learn more about her family history—including the identity of the father she’s never known—Kylie visits Jacques’s office to gain some insight about her future, and about her free-spirited and headstrong Jamaican mother, True.

But on the night that they meet, a rolling blackout cuts off power throughout Miami. Kylie and Jacques, and a few of his clients, head to the only place in the neighborhood with enough light to see: Like a Fly on the Wall Detective Agency. There, Kylie serendipitously lands herself the perfect new job as an apprentice private eye.

As partners, Jacques and Kylie are an unstoppable duo. Can Jacques’s intuition reveal the scandalous history of Kylie’s mother and father? Will Kylie’s newfound detective skills uncover evidence about the death of Jacques’s father? And will the chemistry that charges their friendship bubble over into something much, much hotter…?

 

 

 

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SLATE • Includes an exclusive conversation between Lev Grossman and Lauren Owen

For fans of Anne Rice, The Historian, and The Night Circus, an astonishing debut, a novel of epic scope and suspense that conjures up all the magic and menace of Victorian London
 
1892: James Norbury, a shy would-be poet newly down from Oxford, finds lodging with a charming young aristocrat. Through this new friendship, he is introduced to the drawing-rooms of high society and finds love in an unexpected quarter. Then, suddenly, he vanishes without a trace. Alarmed, his sister, Charlotte, sets out from their crumbling country estate determined to find him. In the sinister, labyrinthine London that greets her, she uncovers a hidden, supernatural city populated by unforgettable characters: a female rope walker turned vigilante, a street urchin with a deadly secret, and the chilling “Doctor Knife.” But the answer to her brother’s disappearance ultimately lies within the doors of the exclusive, secretive Aegolius Club, whose predatory members include the most ambitious, and most bloodthirsty, men in England.
 
In her first novel, Lauren Owen has created a fantastical world that is both beguiling and terrifying. The Quick will establish her as one of fiction’s most dazzling talents.
 
Look for special features inside. Join the Random House Reader’s Circle for author chats and more.

“A suspenseful, gloriously atmospheric first novel, and a feast of gothic storytelling that is impossible to resist.”—Kate Atkinson

“A cracking good read . . . Owen takes the gothic conventions of the vampire novel in a refreshing new direction.”—Deborah Harkness, author of A Discovery of Witches and The Book of Life
 
“A good old-fashioned vampire novel . . . What fun.”—The New York Times Book Review (Editor’s Choice)
 
“The Quick is that rare book that reviewers and readers live for: both plot- and character-driven, a stay-up-all-night reading romp. . . . This is elegant, witty, force-of-nature writing.”—The Dallas Morning News
 
“The book’s energy, its wide reach and rich detail make it a confident example of the ‘unputdownable’ novel.”—The Economist
 
“A seamless blend of Victorian London and rich imagination.”—Tana French, author of In the Woods
 
“A thrilling tale . . . This book will give you chills even on a hot day.”—Minneapolis Star Tribune
 
“Stylishly sinister . . . will have you sleeping with the lights on.”—O: The Oprah Magazine
 
“A sly and glittering addition to the literature of the macabre.”—Hilary Mantel, author of Wolf Hall
 
“A big, sly bucketful of the most tremendous fun . . . [Owen] weaves what’s here with what’s beyond as easily as J. K. Rowling does.”—Slate
 
“[An author of] prodigious gifts . . . Owen captures Dickens’s London with glee and produces a number of characters Dickens would be happy to call his own.”—Pittsburgh Post-Gazette
The first novel from National Book Award winner and author of Sing, Unburied, Sing Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict—“a lyrical yet clear-eyed portrait of a rural South and an African-American reality that are rarely depicted” (The Boston Globe).

Where the Line Bleeds is Jesmyn Ward’s gorgeous first novel and the first of three novels set in Bois Sauvage—followed by Salvage the Bones and Sing, Unburied, Sing—comprising a loose trilogy about small town sourthern family life. Described as “starkly beautiful” (Publishers Weekly, starred review), “fearless” (Essence), and “emotionally honest” (The Dallas Morning News), it was a finalist for the Hurston/Wright Legacy Award and the Virginia Commonwealth University Cabell First Novelist Award.

Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in rural Bois Sauvage, on Mississippi’s Gulf Coast. They’ve just finished high school and need to find jobs, but after Katrina, it’s not easy. Joshua gets work on the docks, but Christophe’s not so lucky and starts to sell drugs. Christophe’s downward spiral is accelerated first by crack, then by the reappearance of the twins’ parents: Cille, who left for a better job, and Sandman, a dangerous addict. Sandman taunts Christophe, eventually provoking a shocking confrontation that will ultimately damn or save both twins.

Where the Line Bleeds takes place over the course of a single, life-changing summer. It is a delicate and closely observed portrait of fraternal love and strife, of the relentless grind of poverty, of the toll of addiction on a family, and of the bonds that can sustain or torment us. Bois Sauvage, based on Ward’s own hometown, is a character in its own right, as stiflingly hot and as rich with history as it is bereft of opportunity. Ward’s “lushly descriptive prose…and her prodigious talent and fearless portrayal of a world too often overlooked” (Essence) make this novel an essential addition to her incredible body of work.
Named one of the Best Books of the Century by New York Magazine

Two-time National Book Award winner Jesmyn Ward (Salvage the Bones, Sing, Unburied, Sing) contends with the deaths of five young men dear to her, and the risk of being a black man in the rural South.

“We saw the lightning and that was the guns; and then we heard the thunder and that was the big guns; and then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped.” -Harriet Tubman

In five years, Jesmyn Ward lost five young men in her life-to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write about the experience of living through all the dying, she realized the truth-and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own.

Jesmyn grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue higher education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity. A brutal world rendered beautifully, Jesmyn Ward's memoir will sit comfortably alongside Edwidge Danticat's Brother, I'm Dying, Tobias Wolff's This Boy's Life, and Maya Angelou's I Know Why the Caged Bird Sings.
Soon to be a Hulu limited series, starring Reese Witherspoon and Kerry Washington

eBook includes special materials for book clubs: a Q&A with Celeste Ng and John Green, a letter from Celeste Ng, and book club discussion questions. 

Named a Best Book of the Year by: 
People, The Washington Post, Bustle, Esquire, Southern Living, The Daily Beast, GQ, Entertainment Weekly, NPR, Amazon, Barnes & Noble, iBooks, Audible, Goodreads, Library Reads, Book of the Month, Paste, Kirkus Reviews, St. Louis Post-Dispatch, and many more!
 
"I read Little Fires Everywhere in a single, breathless sitting." –Jodi Picoult

“To say I love this book is an understatement. It’s a deep psychological mystery about the power of motherhood, the intensity of teenage love, and the danger of perfection. It moved me to tears.” - Reese Witherspoon

“I am loving Little Fires Everywhere. Maybe my favorite novel I've read this year.”—John Green

"Witty, wise, and tender. It's a marvel." – Paula Hawkins

From the bestselling author of Everything I Never Told You, a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives.

In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned – from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.

Enter Mia Warren – an enigmatic artist and single mother – who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past and a disregard for the status quo that threatens to upend this carefully ordered community.

When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town--and puts Mia and Elena on opposing sides.  Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia's past. But her obsession will come at unexpected and devastating costs.

Little Fires Everywhere explores the weight of secrets, the nature of art and identity, and the ferocious pull of motherhood – and the danger of believing that following the rules can avert disaster.

Perfect for book clubs! Visit celesteng.com for discussion guides and more.
A surprise New York Times bestseller, these groundbreaking essays and poems about race—collected by National Book Award winner Jesmyn Ward and written by the most important voices of her generation—are “thoughtful, searing, and at times, hopeful. The Fire This Time is vivid proof that words are important, because of their power to both cleanse and to clarify” (USA TODAY).

In this bestselling, widely lauded collection, Jesmyn Ward gathers our most original thinkers and writers to speak on contemporary racism and race, including Carol Anderson, Jericho Brown, Edwidge Danticat, Kevin Young, Claudia Rankine, and Honoree Jeffers. “An absolutely indispensable anthology” (Booklist, starred review), The Fire This Time shines a light on the darkest corners of our history, wrestles with our current predicament, and imagines a better future.

Envisioned as a response to The Fire Next Time, James Baldwin’s groundbreaking 1963 essay collection, these contemporary writers reflect on the past, present, and future of race in America. We’ve made significant progress in the fifty-odd years since Baldwin’s essays were published, but America is a long and painful distance away from a “post-racial society”—a truth we must confront if we are to continue to work towards change. Baldwin’s “fire next time” is now upon us, and it needs to be talked about; The Fire This Time “seeks to place the shock of our own times into historical context and, most importantly, to move these times forward” (Vogue).
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