James Thomas Harrison was born on December 11, 1937 in Grayling, Michigan. After receiving a B.A. in comparative literature from Michigan State University in 1960 and a M.A. in comparative literature from the same school in 1964, he briefly taught English at the State University of New York at Stony Brook. During his lifetime, he wrote 14 collections of poetry, 21 volumes of fiction, two books of essays, a memoir, and a children's book. His collections of poetry included Plain Song, The Theory and Practice of Rivers, Songs of Unreason, and Dead Man's Float. He received a Guggenheim fellowship for his poetry in 1969. His essays on food, much of which first appeared in Esquire, was collected in the 2001 book, The Raw and the Cooked. His memoir, Off to the Side, was published in 2002. His first novel, Wolf, was published in 1971. His other works of fiction included A Good Day to Die, Farmer, The Road Home, Julip, and The Ancient Minstrel. His novel, Legends of the Fall, was adapted into a feature film starring Anthony Hopkins and Brad Pitt. Harrison wrote the screenplay for the movie. His novel, Dalva, was adapted as a made-for-television movie starring Rod Steiger and Farrah Fawcett. He died on March 26, 2016 at the age of 78.
Aurora del Valle suffers a brutal trauma that erases from her mind all recollection of the first five years of her life. Raised by her ambitious grandmother, the regal and commanding Paulina del Valle, she grows up in a privileged environment, free of the limitations that circumscribe the lives of women at that time, but tormented by horrible nightmares. When she is forced to recognize her betrayal at the hands of the man she loves, and to cope with the resulting solitude, she decides to explore the mystery of her past.
Portrait in Sepia is an extraordinary achievement: richly detailed, epic in scope, intimate in its probing of human character, and thrilling in the way it illuminates the complexity of family ties.
Three unusual men are at the heart of Parallel Stories: Hans von Wolkenstein, whose German mother is linked to secrets of fascist-Nazi collaboration during the 1940s; Ágost Lippay Lehr, whose influential father has served Hungary's different political regimes for decades; and András Rott, who has his own dark record of mysterious activities abroad. The web of extended and interconnected dramas reaches from 1989 back to the spring of 1939, when Europe trembled on the edge of war, and extends to the bestial times of 1944–45, when Budapest was besieged, the Final Solution devastated Hungary's Jews, and the war came to an end, and on to the cataclysmic Hungarian Revolution of October 1956. We follow these men from Berlin and Moscow to Switzerland and Holland, from the Mediterranean to the North Sea, and of course, from village to city in Hungary. The social and political circumstances of their lives may vary greatly, their sexual and spiritual longings may seem to each of them entirely unique, yet Péter Nádas's magnificent tapestry unveils uncanny reverberating parallels that link them across time and space.This is Péter Nádas's masterpiece—eighteen years in the writing, a sensation in Hungary even before it was published, and almost four years in the translating. Parallel Stories is the first foreign translation of this daring, demanding, and momentous novel, and it confirms for an even larger audience what Hungary already knows: that it is the author's greatest work.