The Essential Goethe

Princeton University Press
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The Essential Goethe is the most comprehensive and representative one-volume collection of Goethe's writings ever published in English. It provides English-language readers easier access than ever before to the widest range of work by one of the greatest writers in world history. Goethe’s work as playwright, poet, novelist, and autobiographer is fully represented. In addition to the works for which he is most famous, including Faust Part I and the lyric poems, the volume features important literary works that are rarely published in English—including the dramas Egmont, Iphigenia in Tauris, and Torquato Tasso and the bildungsroman Wilhelm Meister’s Apprenticeship, a foundational work in the history of the novel. The volume also offers a selection of Goethe’s essays on the arts, philosophy, and science, which give access to the thought of a polymath unrivalled in the modern world. Primarily drawn from Princeton’s authoritative twelve-volume Goethe edition, the translations are highly readable and reliable modern versions by scholars of Goethe. The volume also features an extensive introduction to Goethe’s life and works by volume editor Matthew Bell.

Includes:

  • Selected poems
  • Four complete dramas: Faust Part I, Egmont, Iphigenia in Tauris, and Torquato Tasso
  • The complete novel Wilhelm Meister’s Apprenticeship
  • A selection from the travel journal Italian Journey
  • Selected essays on art and literature
  • Selected essays on philosophy and science
  • An extensive introduction to Goethe’s life and works
  • A chronology of Goethe’s life and times
  • A note on the texts and translations

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More by Johann Wolfgang von Goethe

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Additional Information

Publisher
Princeton University Press
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Published on
Jan 12, 2016
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Pages
1056
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ISBN
9781400874255
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Language
English
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Genres
Biography & Autobiography / Literary
Literary Collections / Essays
Literary Collections / European / German
Literary Collections / General
Literary Criticism / Renaissance
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Content Protection
This content is DRM protected.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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The play was late in breaking up: old Barbara went more than once to the window, and listened for the sound of carriages. She was waiting for Mariana, her pretty mistress, who had that night, in the afterpiece, been acting the part of a young officer, to the no small delight of the public. Barbara's impatience was greater than it used to be, when she had nothing but a frugal supper to present: on this occasion Mariana was to be surprised with a packet, which Norberg, a young and wealthy merchant, had sent by the post, to show that in absence he still thought of his love.
As an old servant, as confidant, counsellor, manager, and housekeeper, Barbara assumed the privilege of opening seals; and this evening she had the less been able to restrain her curiosity, as the favor of the open-handed gallant was more a matter of anxiety with herself than with her mistress. On breaking up the packet, she had found, with unfeigned satisfaction, that it held a piece of fine muslin and some ribbons of the newest fashion, for Mariana; with a quantity of calico, two or three neckerchiefs, and a moderate rouleau of money, for herself. Her esteem for the absent Norberg was of course unbounded: she meditated only how she might best present him to the mind of Mariana, best bring to her recollection what she owed him, and what he had a right to expect from her fidelity and thankfulness.
The muslin, with the ribbons half unrolled, to set it off by their colors, lay like a Christmas present on the small table; the position of the lights increased the glitter of the gilt; all was in order, when the old woman heard Mariana's step on the stairs, and hastened to meet her. But what was her disappointment, when the little female officer, without deigning to regard her caresses, rushed past her with unusual speed and agitation, threw her hat and sword upon the table, and walked hastily up and down, bestowing not a look on the lights, or any portion of the apparatus.
When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö.

From "The Frog King" to "The Golden Key," wondrous worlds unfold—heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique—they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.

A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers.

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