Conversations on Conditioning: The Grooms' Oracle, and Pocket Stable-directory; in which the Management of Horses Generally, as to Heath, Dieting, and Exercise, are Considered, in a Series of Familiar Dialogues, Between Two Grooms Engaged in Training Horses to Their Work. With Notes, and an Appendix, Including Extracts from the Receipt Book

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Dec 31, 1829
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It is a celebration of a remarkable theatrical journey, rather than a confession, by the actor and director who has played a unique role in shaping our theatre. Joyce Morgan, Sydney Morning Herald

a warm and engaging memoir. It is the work of someone with a passion for theatre Leonard Radic, Age

Bell recounts some wonderful stories the recollections of an engaged, committed eyewitness to the opening and closing of countless stage doors, back doors and trapdoors. Graeme Blundell, Weekend Australian

No individual has done more for Australian theatre than John Bell. No-one has played so many of the great roles on our stages. Gerard Windsor, Australian Financial Review

In this stunning memoir, John Bell shares, for the first time, some of the highs and lows of his four decades in theatre. Weaving personal stories with memories, Bell takes a captivating snapshot of the inside world of theatre. He writes fondly of his humble upbringing and his first schoolboy encounter with Shakespeare. He tells of his student days at Sydney University and at the Old Tote Theatre where he met Anna Volska, an actor with the same driving passion for theatre as himself. There are tales of his time in England at the Royal Shakespeare Company, of Kenneth Branagh and Sir John Gielgud, as a teacher at NIDA, of the Old Tote, the irreverent Nimrod Theatre and the extraordinary Bell Shakespeare Company.

Fascinating, funny and passionate, John Bell: The time of my life shines with Bell s belief of theatre as a living tradition, his approach of mutual respect and mentorship, and his desire to pass on the torch in a spirit of affection and dedication to a priceless heritage. With thirty-two pages of stunning photos, this memoir is an ideal gift for anyone who has an interest in the theatre.
The Cambridge Yearbook of European Legal Studies provides a forum for the scrutiny of significant issues in European Union Law, the Law of the Council of Europe, and Comparative Law with a "European" dimension, and particularly those which have come to the fore during the year preceding publication. The contributions appearing in the collection are commissioned by the Centre for European Legal Studies (CELS) Cambridge, which is the research Centre of Cambridge University Law Faculty specialising in European legal issues.

The papers presented are all at the cutting edge of the fields which they address, and reflect the views of recognised experts drawn from the University world, legal practice, and the civil services of both the EU and its Member States. Inclusion of the comparative dimension brings a fresh perspective to the study of European law, and highlights the effects of globalisation of the law more generally, and the resulting cross fertilisation of norms and ideas that has occurred among previously sovereign and separate legal orders.

The Cambridge Yearbook of European Legal Studies is an invaluable resource for those wishing to keep pace with legal developments in the fast moving world of European integration.

Please click on the link below to purchase individual chapters from Volume 6 through Ingenta Connect:

To place an annual online subscription or a print standing order through Hart Publishing please click on the link below. Please note that any customers who have a standing order for the printed volumes will now be entitled to free online access.

Editorial Advisory Board: Albertina Albors-Llorens, Catherine Barnard, John Bell, Alan Dashwood, Simon Deakin, David Feldman, Richard Fentiman, Angus Johnston, Claire Kilpatrick, Joanne Scott, Tony Smith, John Spencer

Founding Editors: Alan Dashwood and Angela Ward
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