The plot switches the gender roles of Shakespeare's play: the women seek to tame the men. Katherine (the "shrew" of the original) has died, and Petruchio takes a second wife, Maria. Maria denounces her former mildness and vows not to sleep with Petruchio until she "turn him and bend him as [she] list, and mold him into a babe again." After many comedic exchanges and plot twists, Petruchio is finally "tamed" in the eyes of Maria, and the play ends with the two reconciled. The play is seen to reflect how society's views of women, femininity, and "domestic propriety" were beginning to change. It is said that Fletcher wrote this play to attract Shakespeare's attention - the two went on to collaborate on at least three plays together.
This brand new New Mermaid edition offers unique and fresh insight into the critical interpretation of the play. It builds on current critical foundations (the relationship with Taming of the Shrew, gender relations etc) and suggests different areas of interest (popular associations of the shrew, the question of reputation, and a re-examination of the play's structure). as well as examining stage history and recent productions.
Raised by struggling Scottish immigrants in the sparsely inhabited mountains of the Port Phillip District, Matthew Curtis dreams of the vast unexplored spaces of inland Australia.
Defying his stern foster-father, he leaves home — and the warm, grey eyes of Catriona Simmons — at sixteen. His journey takes him first to the brawling life of the goldfields with the beautiful Janice Honeyman, then north into the burning wilderness of the unexplored outback.
An engrossing historical saga in the tradition of Evan Green and Wilbur Smith, The Burning Land bursts with life and the passion and daring of Australia's pioneers.