Dead Is Dead

The Jack Bertolino Series

Book 3
Sold by Simon and Schuster
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From the “pulse pounding” (Kirkus Reviews) writer of TV hit Walker, Texas Ranger comes a riveting Hollywood thriller that will keep you captivated until the shocking conclusion.

Retired Inspector Jack Bertolino gets his first taste of the erratic nature of Hollywood when A-list producer, George Litton, options one of Jack’s recent cases for a film.

Jack is engaged as the film’s technical advisor, which stars It Girl Susan Blake. But more importantly, he’s on hand to keep a protective eye on Susan, who’s being harassed by a disturbing cyber-stalker.

But that’s not all that starts to turn Jack’s world upside-down. When a five-year-old girl is shot dead in her family’s living room, just blocks from where the movie is being filmed, Jack realizes there are threads connecting the movie, the murder, a brutal gang of brothers, and a terrifying body count.

Will Jack be able to find justice for the young girl and keep Susan safe? Or will this be his last and fatal trip to Hollywood?
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About the author

John Lansing is the author of four thrillers featuring Jack Bertolino—The Devil’s Necktie, Blond Cargo, Dead Is Dead, and The Fourth Gunman—as well as the true-crime non-fiction book Good Cop Bad Money, written with former NYPD Inspector Glen Morisano. He has been a writer and producer on Walker, Texas Ranger, and the co-executive producer of the ABC series Scoundrels. A native of Long Island, John now resides in Los Angeles. Find out more on JohnLansing.net and follow him on Twitter @jelansing.

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Additional Information

Publisher
Simon and Schuster
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Published on
May 30, 2016
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Pages
352
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ISBN
9781501143564
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Features
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Language
English
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Genres
Fiction / Mystery & Detective / Private Investigators
Fiction / Thrillers / Crime
Fiction / Thrillers / Suspense
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It—publishing just as the second part of It, the movie, lands in theaters.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
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