Sublimated Relations

Centretruths Digital Media
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A young writer of radically religious tendency is invited to spend the first weekend of the New Year at a country house in the company of other creative or talented individuals who have been earmarked, unbeknownst to themselves, for participation in a unique experiment in connection with a certain revolutionary museum,whose contents are even more sublimated than the relationships that artificially develop between guests and patrons both before and after their enlightenment. A deeply philosophical novel by John O'Loughlin.
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About the author

 John O'Loughlin was born in Salthill, Galway City, the Republic of Ireland in 1952 of mixed Irish- and British-born parents of Irish descent. Following a parental split while still a child, he was taken to England by his mother and maternal grandmother (who had initially returned to Ireland after a lengthy absence with intent to stay) in the mid-50s and subsequently attended schools in Aldershot, Oakham, and, upon the death and repatriation of his Galway-born grandmother, Carshalton Beeches, Surrey, where, despite an enforced change of denomination from Catholic to Protestant in consequence of having been put into care by his mother, he attended a state school. Upon leaving Carshalton High School for Boys in 1970 with an assortment of CSEs (Certificate of Secondary Education) and GCEs (General Certificate of Education), including history and music, he moved the comparatively short distance up to London and went on to work at the Associated Board of the Royal Schools of Music in Bedford Square, where, after a lengthy period as a general clerk, he was promoted to clerical officer grade one with responsibility for booking examination venues throughout the UK. After a brief flirtation with further education at Redhill Technical College back in Surrey, where he had enrolled as a history student, he returned to his former job in the West End but retired from the ABRSM in 1976 due to a combination of factors, including ill-health, and proceeded to dedicate himself to a literary vocation which, despite a brief spell as a computer tutor at Hornsey YMCA in the late 1980s and early '90s, he has effectively continued with ever since. His novels include Changing Worlds (1976), Cross-Purposes (1979), Thwarted Ambitions (1980), Sublimated Relations (1981), False Pretences (1981) and Deceptive Motives (1982). Since the mid-80s Mr O'Loughlin has exclusively dedicated himself to philosophy, his true literary vocation, and has penned more than sixty titles of a philosophical nature, including Devil and God - The Omega Book (1985-6), Towards the Supernoumenon (1987), Elemental Spectra (1988-9), Philosophical Truth (1991-2), Maximum Truth (1993), and, more recently, The Centre of Truth (2009), and Musings of a Superfluous Man (2011).

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Additional Information

Centretruths Digital Media
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Published on
Feb 25, 2013
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Fiction / General
Fiction / Romance / General
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Content Protection
This content is DRM free.
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Available on Android devices
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Eligible for Family Library

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 Unlike anything else every written, and not only one ventures to guess by John O'Loughlin, this title endeavours to 'burn the candle', as it were, at both ends, coming 'down to earth' in the first part and going 'up to heaven' in the second, replicating the text of the former while diverging from it in terms of an approach to structure which is less prosaic than philosophic, in the sense of combining, and not for the first time in his oeuvre, aphorisms with maxims in relation to a metaphysical mean and intent. The aphoristic material, with him, is more loosely structured than the maxims, which are not maxims in the accepted sense of pithy sayings or apophthegms in which wisdom or knowledge is condensed but, rather, are numbered items that follow, in each sequence, a uniform structure which is simply thematically modified to suit the needs of the occasion or, in this instance, particular maxim. That, of course, does not obtain in the 'down to earth' part which begins this book, in which the author took the aphoristic/maximistic material at a less developed stage of its structuring and simply endeavoured, with the help of '....', or omission marks used in a relatively unorthodox way, to separate one train of thought from another, to turn it into something approaching prose, in which a massive if not massed approach to text signifies that which is corporeal as opposed, like the aphoristic structure, to being comparatively ethereal, and thus intended (without irony) for mass consumption – something one could not associate with any text conceived with due philosophic regard to space and, especially, time.
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