The Burrow examines fear-based isolation of a mole-like creature living all alone in his underground burrow. The only connection with others is fear-based taking, taking by claws and teeth. You are either the diner or dinner, never a guest or host. You are alone but not independent because fear eats your life possibilities independence could give. You are your own worst enemy.
Josephine the Singer features love-based giving through art, Kafka's last word on the purpose of art. Like a loving parent giving to her child, the artist mouse Josephine attempts to inspire independent individuality in other mice in the colony through the example of her unique and spontaneous singing. This she gives free of charge. Because of fear of survival stoked by the colony leadership, the rest of the mouse collective hears her singing as a mouse but not as an individual. They remain in fear-based group think with reduced life possibilities.
In both stories, the issue is the effect of fear or love on independent individual identity and life possibilities. For Kafka, this was the uber human issue as he prepared to meet his maker.
This translation is based on Gra version of the Sefer Yetzirah and includes the author's extraordinary commentary on all its mystical aspects including kabbalistic astrology, Ezekiel's vision and the 231 gates. Also included are three alternative versions to make this volume the most complete work on the Sefer Yetzirah available in English.