A CHRISTIAN SCIENCE MONITOR BEST BOOK OF 2009
A BOOKLIST BEST BOOK OF 2009
A GLOBE AND MAIL BEST BOOK OF 2009
WINNER OF THE PEN USA AWARD FOR FICTION
A fiercely funny and touching debut novel about a young girl trying to find out the truth behind her sister's death
I have a sister who died. Did I tell you this already? I did but you don't remember, you didn't understand the code . . . She died a year ago, but in my mind sometimes it's five minutes. In the morning sometimes it hasn't even happened yet. For a second I'm confused, but then it all comes back. It happens again.
Fear doesn't come naturally to Mathilda Savitch. She prefers to look right at the things nobody else can bring themselves to mention: for example, the fact that her beloved older sister is dead, pushed in front of a train by a man still on the loose. Her grief-stricken parents have basically been sleepwalking ever since, and it is Mathilda's sworn mission to shock them back to life. Her strategy? Being bad.
Mathilda decides she's going to figure out what lies behind the catastrophe. She starts sleuthing through her sister's most secret possessions—e-mails, clothes, notebooks, whatever her determination and craftiness can ferret out. More troubling, she begins to apply some of her older sister's magical charisma and powers of seduction to the unraveling situations around her. In a storyline that thrums with hints of ancient myth, Mathilda has to risk a great deal—in fact, has to leave behind everything she loves—in order to discover the truth.
Mathilda Savitch bursts with unforgettably imagined details: impossible crushes, devastating humiliations, the way you can hate and love your family at the same moment, the times when you and your best friend are so weak with laughter that you can't breathe. Startling, funny, touching, odd, truthful, page-turning, and, in the end, heartbreaking, Mathilda Savitch is an extraordinary debut. Once you make the acquaintance of Mathilda Savitch, you will never forget her.
So when Silver learns that he requires emergency life-saving heart surgery, he makes the radical decision to refuse the operation, choosing instead to spend what time he has left to repair his relationship with Casey, become a better man, and live in the moment—even if that moment isn’t going to last very long. As his exasperated family looks on, Silver grapples with the ultimate question of whether or not his own life is worth saving.
There's Rob, Bob, Tom, Paul, Ralph, and Noah; Nick, Dennis, Bertram, Russell, and Virgil. The doctor, the documentary filmmaker, and the sculptor in burning steal; the eldest, the youngest, and the celebrated "perfect" brother, Benedict. In Donald Antrim's mordantly funny novel The Hundred Brothers, our narrator and his colossal fraternity of ninety-eight brothers (one couldn't make it) have assembled in the crumbling library of their family's estate for a little sinister fun. Executed with the invention and intelligence of Barthelme and Pynchon, Antrim's taxonomy of male specimens is in equal proportions disturbing and absurdly hilarious.
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JJ Ferguson has returned home to Pinewood, North Carolina, to build his dream house and to pursue his high school sweetheart, Ava. But as he reenters his former world, where factories are in decline and the legacy of Jim Crow is still felt, he’s startled to find that the people he once knew and loved have changed just as much as he has. Ava is now married and desperate for a baby, though she can’t seem to carry one to term. Her husband, Henry, has grown distant, frustrated by the demise of the furniture industry, which has outsourced to China and stripped the area of jobs. Ava’s mother, Sylvia, caters to and meddles with the lives of those around her, trying to fill the void left by her absent son. And Don, Sylvia’s unworthy but charming husband, just won’t stop hanging around.
JJ’s return—and his plans to build a huge mansion overlooking Pinewood and woo Ava—not only unsettles their family, but stirs up the entire town. The ostentatious wealth that JJ has attained forces everyone to consider the cards they’ve been dealt, what more they want and deserve, and how they might go about getting it. Can they reorient their lives to align with their wishes rather than their current realities? Or are they all already resigned to the rhythms of the particular lives they lead?
No One Is Coming to Save Us is a revelatory debut from an insightful voice: with echoes of The Great Gatsby it is an arresting and powerful novel about an extended African American family and their colliding visions of the American Dream. In evocative prose, Stephanie Powell Watts has crafted a full and stunning portrait that combines a universally resonant story with an intimate glimpse into the hearts of one family.