Ten years after the Seventh Cavalry massacred more than two hundred Lakota men, women, and children at Wounded Knee, J.B. Bennett, a white rancher, and Star, a young Native American woman, are murdered in a remote meadow on J.B.’s land. The deaths bring together the scattered members of the Bennett family: J.B.’s cunning and hard father, Drum; his estranged wife, Dulcinea; and his teenage sons, Cullen and Hayward. As the mystery of these twin deaths unfolds, the history of the dysfunctional Bennetts and their damning secrets is revealed, exposing the conflicted heart of a nation caught between past and future.
At the center of The Bones of Paradise are two remarkable women. Dulcinea, returned after bitter years of self-exile, yearns for redemption and the courage to mend her broken family and reclaim the land that is rightfully hers. Rose, scarred by the terrible slaughters that have decimated and dislocated her people, struggles to accept the death of her sister, Star, and refuses to rest until she is avenged.
A kaleidoscopic portrait of misfits, schemers, chancers, and dreamers, Jonis Agee’s bold novel is a panorama of America at the dawn of a new century. A beautiful evocation of this magnificent, blood-soaked land—its sweeping prairies, seas of golden grass, and sandy hills, all at the mercy of two unpredictable and terrifying forces, weather and lawlessness—and the durable men and women who dared to tame it. Intimate and epic, The Bones of Paradise is a remarkable achievement: a mystery, a tragedy, a romance, and an unflagging exploration of the beauty and brutality, tenderness and cruelty that defined the settling of the American West.
Jonis Agee has been praised by the New York Times Book Review as “a gifted poet of that dark lushness in the heart of the American landscape.” She is the award-winning author of twelve books, including the New York Times Notable Books of the Year Sweet Eyes and Strange Angels. Her awards include the John Gardner Fiction Award, the George Garrett Award, a National Endowment for the Arts grant in fiction, a Loft-McKnight Award, a Loft-McKnight Award of Distinction, and two Nebraska Book Awards. A native of Nebraska, Agee teaches at the University of Nebraska–Lincoln.
Keen to make his fortune, Jacob Ellstrom, armed with his medical kit and new wife, Nell, lands in The Harbor—a mud-filled, raucous coastal town teeming with rough trade pioneers, sawmill laborers, sailors, and prostitutes. But Jacob is not a doctor, and a botched delivery exposes his ruse, driving him onto the streets in a plunge towards alcoholism. Alone, Nell scrambles to keep herself and their young son, Duncan, safe in this dangerous world. When a tentative reunion between the couple—in the company of Duncan and Jacob’s malicious brother, Matius—results in tragedy, Jacob must flee town to elude being charged with murder.
Years later, the wild and reckless Duncan seems to be yet another of The Harbor’s hoodlums. His only salvation is his overwhelming love for Teresa Boyerton, the daughter of the town’s largest mill owner. But disaster will befall the lovers with heartbreaking consequences.
And across town, Bellhouse, a union boss and criminal rabble-rouser, sits at the helm of The Harbor’s seedy underbelly, perpetuating a cycle of greed and violence. His thug Tartan directs his pack of thieves, pimps, and murderers, and conceals an incendiary secret involving Duncan’s mother. As time passes, a string of calamitous events sends these characters hurtling towards each other in an epic collision that will shake the town to its core.
In her stunningly original and haunting debut novel, Amanda Coplin evokes a powerful sense of place, mixing tenderness and violence as she spins an engrossing tale of a solitary orchardist who provides shelter to two runaway teenage girls in the untamed American West, and the dramatic consequences of his actions.
Part epic of Texas, part classic coming-of-age story, part unflinching examination of the bloody price of power, The Son is a gripping and utterly transporting novel that maps the legacy of violence in the American west with rare emotional acuity, even as it presents an intimate portrait of one family across two centuries.
Eli McCullough is just twelve-years-old when a marauding band of Comanche storm his Texas homestead and brutally murder his mother and sister, taking him as a captive. Despite their torture and cruelty, Eli--against all odds--adapts to life with the Comanche, learning their ways, their language, taking on a new name, finding a place as the adopted son of the chief of the band, and fighting their wars against not only other Indians, but white men, too-complicating his sense of loyalty, his promised vengeance, and his very understanding of self. But when disease, starvation, and westward expansion finally decimate the Comanche, Eli is left alone in a world in which he belongs nowhere, neither white nor Indian, civilized or fully wild.
Deftly interweaving Eli’s story with those of his son, Peter, and his great-granddaughter, JA, The Son deftly explores the legacy of Eli’s ruthlessness, his drive to power, and his life-long status as an outsider, even as the McCullough family rises to become one of the richest in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege.
Harrowing, panoramic, and deeply evocative, The Son is a fully realized masterwork in the greatest tradition of the American canon-an unforgettable novel that combines the narrative prowess of Larry McMurtry with the knife edge sharpness of Cormac McCarthy.
National Book Award Finalist—Fiction
In the aftermath of the Civil War, an aging itinerant news reader agrees to transport a young captive of the Kiowa back to her people in this exquisitely rendered, morally complex, multilayered novel of historical fiction from the author of Enemy Women that explores the boundaries of family, responsibility, honor, and trust.
In the wake of the Civil War, Captain Jefferson Kyle Kidd travels through northern Texas, giving live readings from newspapers to paying audiences hungry for news of the world. An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence.
In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna’s parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows.
Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act “civilized.” Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land.
Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember—strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become—in the eyes of the law—a kidnapper himself.
At the foot of a tree shattered by shelling and gunfire, stretcher-bearers find an exhausted officer, shivering with cold and a loss of blood from several wounds. The soldier is brought to battlefield nurse Bess Crawford’s aid station, where she stabilizes him and treats his injuries before he is sent to a rear hospital. The odd thing is, the officer isn’t British—he’s French. But in a moment of anger and stress, he shouts at Bess in German.
When Bess reports the incident to Matron, her superior offers a ready explanation. The soldier is from Alsace-Lorraine, a province in the west where the tenuous border between France and Germany has continually shifted through history, most recently in the Franco-Prussian War of 1870, won by the Germans. But is the wounded man Alsatian? And if he is, on which side of the war do his sympathies really lie?
Of course, Matron could be right, but Bess remains uneasy—and unconvinced. If he was a French soldier, what was he doing so far from his own lines . . . and so close to where the Germans are putting up a fierce, last-ditch fight?When the French officer disappears in Paris, it’s up to Bess—a soldier’s daughter as well as a nurse—to find out why, even at the risk of her own life.
The acclaimed, bestselling author—winner of the PEN/Faulkner Award and the Orange Prize—tells the enthralling story of how an unexpected romantic encounter irrevocably changes two families’ lives.
One Sunday afternoon in Southern California, Bert Cousins shows up at Franny Keating’s christening party uninvited. Before evening falls, he has kissed Franny’s mother, Beverly—thus setting in motion the dissolution of their marriages and the joining of two families.
Spanning five decades, Commonwealth explores how this chance encounter reverberates through the lives of the four parents and six children involved. Spending summers together in Virginia, the Keating and Cousins children forge a lasting bond that is based on a shared disillusionment with their parents and the strange and genuine affection that grows up between them.
When, in her twenties, Franny begins an affair with the legendary author Leon Posen and tells him about her family, the story of her siblings is no longer hers to control. Their childhood becomes the basis for his wildly successful book, ultimately forcing them to come to terms with their losses, their guilt, and the deeply loyal connection they feel for one another.
Told with equal measures of humor and heartbreak, Commonwealth is a meditation on inspiration, interpretation, and the ownership of stories. It is a brilliant and tender tale of the far-reaching ties of love and responsibility that bind us together.
For two decades, Zeba was a loving wife, a patient mother, and a peaceful villager. But her quiet life is shattered when her husband, Kamal, is found brutally murdered with a hatchet in the courtyard of their home. Nearly catatonic with shock, Zeba is unable to account for her whereabouts at the time of his death. Her children swear their mother could not have committed such a heinous act. Kamal’s family is sure she did, and demands justice.
Barely escaping a vengeful mob, Zeba is arrested and jailed. As Zeba awaits trial, she meets a group of women whose own misfortunes have also led them to these bleak cells: thirty-year-old Nafisa, imprisoned to protect her from an honor killing; twenty-five-year-old Latifa, who ran away from home with her teenage sister but now stays in the prison because it is safe shelter; and nineteen-year-old Mezhgan, pregnant and unmarried, waiting for her lover’s family to ask for her hand in marriage. Is Zeba a cold-blooded killer, these young women wonder, or has she been imprisoned, as they have been, for breaking some social rule? For these women, the prison is both a haven and a punishment. Removed from the harsh and unforgiving world outside, they form a lively and indelible sisterhood.
Into this closed world comes Yusuf, Zeba’s Afghan-born, American-raised lawyer, whose commitment to human rights and desire to help his motherland have brought him back. With the fate of this seemingly ordinary housewife in his hands, Yusuf discovers that, like Afghanistan itself, his client may not be at all what he imagines.
A moving look at the lives of modern Afghan women, A House Without Windows is astonishing, frightening, and triumphant.