Rescuing Regina: The Battle to Save a Friend from Deportation and Death

Chicago Review Press
1
Free sample

What is it like to be a young mother threatened with deportation to the country whose government has imprisoned you and whose soldiers have raped and tortured you? You don't want to leave your children behind, but how can you take them with you, knowing that your homeland, ruled by chaos and violence, is notorious for murdering failed asylum seekers? Regina Bakala found herself in just this situation ten years after escaping the Congo and settling in the United States. Upon arrival, Regina had worked with an immigration lawyer, then joyfully reunited with her husband, also a Congolese torture survivor, and had two children. Life was challenging but full of hope until the night there was a knock at the door and immigration agents burst in. They forced Regina from her home as her family watched, then locked her in prison to await deportation to certain death. In Rescuing Regina , author Josephe Marie Flynn tells Regina's powerful story-and how her husband, a pit-bull lawyer, a group of volunteers, and a feisty nun set aside political differences to galvanize a movement to save her. Revealing what she uncovered about US immigration policies and the dangers faced by those escaping war crimes, Flynn exposes an America most never see: a vast underbelly of injustice, a harsh detention and deportation system, and a frighteningly arbitrary asylum process. In their battle for justice, Regina and Josephe not only confronted dangerous obstacles but also reawakened emotions and traumas from the past. A compelling story of a quest for justice, Rescuing Regina is also a tale of friendship, faith, hope, and the transformative journey of two friends.--Book jacket.
Read more

About the author

Sister Helen Prejean is a prison minister and the author of the "New York Times" bestseller "Dead Man Walking: An Eyewitness Account of the Death Penalty in the United State." and lives in New Orleans, Louisiana.

Read more
5.0
1 total
Loading...

Additional Information

Publisher
Chicago Review Press
Read more
Published on
Jul 31, 2011
Read more
Pages
352
Read more
ISBN
9781569769126
Read more
Language
English
Read more
Genres
Biography & Autobiography / General
Biography & Autobiography / Personal Memoirs
Biography & Autobiography / Women
History / Africa / Central
History / Africa / General
Law / Emigration & Immigration
Law / International
Political Science / Civil Rights
Political Science / Human Rights
Political Science / Public Policy / Immigration
Religion / Christianity / Catholic
Social Science / Emigration & Immigration
Social Science / Women's Studies
Read more
Content Protection
This content is DRM protected.
Read more
Read Aloud
Available on Android devices
Read more

Reading information

Smartphones and Tablets

Install the Google Play Books app for Android and iPad/iPhone. It syncs automatically with your account and allows you to read online or offline wherever you are.

Laptops and Computers

You can read books purchased on Google Play using your computer's web browser.

eReaders and other devices

To read on e-ink devices like the Sony eReader or Barnes & Noble Nook, you'll need to download a file and transfer it to your device. Please follow the detailed Help center instructions to transfer the files to supported eReaders.
An unforgettable firsthand account of a people's response to genocide and what it tells us about humanity.

This remarkable debut book chronicles what has happened in Rwanda and neighboring states since 1994, when the Rwandan government called on everyone in the Hutu majority to murder everyone in the Tutsi minority. Though the killing was low-tech--largely by machete--it was carried out at shocking speed: some 800,000 people were exterminated in a hundred days. A Tutsi pastor, in a letter to his church president, a Hutu, used the chilling phrase that gives Philip Gourevitch his title.

With keen dramatic intensity, Gourevitch frames the genesis and horror of Rwanda's "genocidal logic" in the anguish of its aftermath: the mass displacements, the temptations of revenge and the quest for justice, the impossibly crowded prisons and refugee camps. Through intimate portraits of Rwandans in all walks of life, he focuses on the psychological and political challenges of survival and on how the new leaders of postcolonial Africa went to war in the Congo when resurgent genocidal forces threatened to overrun central Africa.

Can a country composed largely of perpetrators and victims create a cohesive national society? This moving contribution to the literature of witness tells us much about the struggle everywhere to forge sane, habitable political orders, and about the stubbornness of the human spirit in a world of extremity.

We Wish to Inform You That Tomorrow We Will Be Killed with Our Families is the winner of the National Book Critics Circle Award for Nonfiction.

In April-May 1994, 800,000 Rwandan Tutsis were massacred by their Hutu fellow citizens--about 10,000 a day, mostly being hacked to death by machete. In Machete Season, the veteran foreign correspondent Jean Hatzfeld reports on the results of his interviews with nine of the Hutu killers. They were all friends who came from a single region where they helped to kill 50,000 out of their 59,000 Tutsi neighbors, and all of them are now in prison, some awaiting execution. It is usually presumed that killers will not tell the truth about their brutal actions, but Hatzfeld elicited extraordinary testimony from these men about the genocide they had perpetrated. He rightly sees that their account raises as many questions as it answers.

Adabert, Alphonse, Ignace, and the others (most of them farmers) told Hatzfeld how the work was given to them, what they thought about it, how they did it, and what their responses were to the bloodbath. "Killing is easier than farming," one says. "I got into it, no problem," says another. Each describes what it was like the first time he killed someone, what he felt like when he killed a mother and child, how he reacted when he killed a cordial acquaintance, how 'cutting' a person with a machete differed from 'cutting' a calf or a sugarcane. And they had plenty of time to tell Hatzfeld, too, about whether and why they had reconsidered their motives, their moral responsibility, their guilt, remorse, or indifference to the crimes.

Hatzfeld's meditation on the banal, horrific testimony of the genocidaires and what it means is lucid, humane, and wise: he relates the Rwanda horror to war crimes and to other genocidal episodes in human history. Especially since the Holocaust, it has been conventional to presume that only depraved and monstrous evil incarnate could perpetrate such crimes, but it may be, he suggests, that such actions are within the realm of ordinary human conduct. To read this disturbing, enlightening and very brave book is to consider in a new light the foundation of human morality and ethics.

Winner of the 2009 Pulitzer Prize for Drama

“A powerhouse drama. . . . Lynn Nottage’s beautiful, hideous and unpretentiously important play [is] a shattering, intimate journey into faraway news reports.”—Linda Winer, Newsday

“An intense and gripping new drama . . . the kind of new play we desperately need: well-informed and unafraid of the world’s brutalities. Nottage is one of our finest playwrights, a smart, empathetic and daring storyteller who tells a story an audience won’t expect.”—David Cote, Time Out New York

A rain forest bar and brothel in the brutally war-torn Congo is the setting for Lynn Nottage’s extraordinary new play. The establishment’s shrewd matriarch, Mama Nadi, keeps peace between customers from both sides of the civil war, as government soldiers and rebel forces alike choose from her inventory of women, many already “ruined” by rape and torture when they were pressed into prostitution. Inspired by interviews she conducted in Africa with Congo refugees, Nottage has crafted an engrossing and uncommonly human story with humor and song served alongside its postcolonial and feminist politics in the rich theatrical tradition of Bertolt Brecht’s Mother Courage.

Lynn Nottage’s plays include Crumbs from the Table of Joy, Fabulation, and Intimate Apparel, winner of the American Theatre Critics’ Steinberg New Play Award and the Francesca Primus Prize. Her plays have been widely produced, with Intimate Apparel receiving more productions than any other play in America during the 2005-2006 season.

©2018 GoogleSite Terms of ServicePrivacyDevelopersArtistsAbout Google|Location: United StatesLanguage: English (United States)
By purchasing this item, you are transacting with Google Payments and agreeing to the Google Payments Terms of Service and Privacy Notice.