“When a classy architect joins in a marriage of convenience with a slightly scruffy bartender to hide from a hit man out to kill her, frustration runs high, making both want to CRY UNCLE and get on with the loving. Judith Arnold is a perennial favorite whose keen wit and way with mystery always hits the mark.****½”—RT Book Reviews
Rafael Perez spent his youth as a street gang member, and he’s not proud of his background. He will do whatever it takes to keep the nosy reporter from the Post from revealing who he really is and where he’s come from, even as his second-in-command courts Sandra and tries to get her to publicize the studio’s first big-budget production, which stars a beautiful TV star trying to make the leap to movies.
Rafael can hold things together and keep his secrets buried—until his pretty blond star turns up dead. Now Sandra has a murder story to report. And her investigative skills might destroy Rafael and the life he’s created for himself.
When Levi Holt’s unmarried sister dies unexpectedly, she leaves him with a lot of grief—and custody of her six-month-old son, D.J. An architect with a demanding career, Levi knows nothing about child care—but he’s got to learn fast. He also has to keep D.J. from derailing his career.
Corinne Lanier doesn’t want to derail Levi’s career, but she wants him to come up with a new design for her boss’s vacation home in the hills of western Connecticut. Having grown up in a series of broken homes, Corinne doesn’t have much faith in love or family stability, and she doesn’t have much patience for an architect with a cranky, teething baby on his shoulder. Yet Levi and D.J. somehow erode Corinne’s certainty about what she believes in—and what she wants.
With love, lullabies and a few desperately needed classes at the Daddy School, Levi might figure out how to put the fragmented pieces of his life back together. But will there be room in it for Corinne? And can he be certain Corinne loves him for himself and not for his precious little baby?
“Judith Arnold writes beautifully and poignantly. Highly recommended!” Romance Readers Anonymous
Monica Reinhart is a good girl. A hometown girl. After college, she returned to Brogan’s Point to help run the family business, an oceanfront inn. She’s never done a wild thing in her life. When Ty Cronin sails into town, his wildness intrigues her. When the jukebox plays “Wild Thing,” that wildness infects her, and soon she finds herself doing things she never would have imagined. But Ty could be big trouble. She hardly knows him. She mustn’t trust him. Yet once she’s taken a walk on the wild side with him, how can she go back to being a good hometown girl?
But like Shakespeare’s hero and heroine, Gillian and Owen are star-crossed, forced to deal with historic feuds, meddlesome friends and relatives, and their own irrational longing for each other. From Verona, Italy to Verona, New Jersey, Owen fights for everything Gillian’s family has always fought against, and Gillian tries to defend her beloved father while her heart cries out for Owen’s love. Romeo and Juliet may have brought them together, but the stars alone will determine their fate.
Antiques dealer Diana Simms is engaged to her longtime boyfriend when she finds herself inside the Faulk Street Tavern. The song “Changes” emerges from the jukebox and enchants her. It also captivates Nick Fiore, a local guy who’s arrived at adulthood the hard way, after a tour through the juvenile justice system. Now he’s dedicated his life to helping other troubled kids. He has no business even looking at a beautiful, well-bred woman wearing a diamond engagement ring. But once they’re bewitched by the jukebox, he and Diana must change their lives, their goals, their dreams…and their hearts.
Book One of Judith Arnold’s popular Daddy School series. Jamie McCoy is the ultimate guy: thirty years old, carefree and professionally successful as the writer of a nationally syndicated humor column called “Guy Stuff.” Nine and a half months ago, he spent a week basking on the beach in Eluthera and indulging in a fling with a woman at the resort. Never did he expect to find the unplanned result of that fling—a healthy, wailing baby named Samantha—strapped into a car seat on his back porch, along with a suitcase full of diapers and infant apparel and a note informing Jamie that he’s her father.
Maybe he is and maybe he isn’t. But first things first. He’s never fed a baby or changed a diaper in his life. He doesn’t own a crib or a stroller. In a panic, he phones the nearest hospital, where neonatal nurse Allison Winslow takes his call and tells him about a class she teaches called the Daddy School.
Classes on how to be a dad are exactly what Jamie needs. But when he attends his first class and sees the tall, earnest, amazingly beautiful and even more amazingly competent Allison, he realizes that he might just need more from her than her lectures on how to hold a baby.
Jamie’s efforts to be a father to this precious baby touch Allison. His sense of humor amuses her. His striking good looks turn her on. But how can she trust the sort of guy who’d sleep with a stranger on vacation, without giving a thought to the consequences? How can she give her heart to such a reckless man?
When she finds herself homeless after breaking up with her boyfriend, artist Emma Glendon accepts her best friend’s invitation to share a rental house in Brogan’s Point. But their absentee landlord, Max Tarloff, has come to town from his home in San Francisco to sell the house, which will mean evicting his tenants. Max is a high-tech brainiac and a self-made millionaire. Emma is a painter and a free spirit. They have nothing in common—except the jukebox, which plays “True Colors” and forces them to recognize their own true colors, colors that can match and blend magnificently, if the magic of the jukebox has its way.
In Wyoming Wildflowers: The Beginning, discover how it all started in this much-anticipated prequel novella to the bestselling and award-winning Wyoming Wildflowers series by USA Today bestselling author Patricia McLinn. Ed’s and Donna’s worlds couldn’t have been any more different – a rancher from Wyoming and an up-and-coming Broadway musical actress on a national tour. What could have been a momentary encounter sparks desire . . . and more. But can there be anything but heartbreak ahead when they have only days before their dreams pull them apart?
In Almost An Angel, Conor Malone manages to hold things together for his daughter Amy after his wife’s death, until someone tells her Santa will bring her mother back for Christmas. How can Conor force Amy to accept reality without ruining her holiday? With help from Eliza Powell, the alluring new school psychologist—and the Daddy School.
In Flashover, Nick Evans, a captain in the Hidden Cove fire department, believes he committed the worst of crimes, even if it was to protect his little sister. He's not ready for a relationship with Stacey Sterling, a firefighter’s widow who’s determined to help him heal. But on Christmas, Nick learns the meaning of redemption and love.
Josh Kaplan has no interest in getting married, either, although maybe he ought to. He’s been with his girlfriend Melanie for years, but for some reason he just hasn’t felt the urge to pop the question. He’s busy fighting for tenants’ rights and playing chess with his elderly friend Solly, who’s got women problems of his own. Melanie is busy, too, although what she’s busy with, Josh isn’t sure.
When Loretta’s job suddenly hinges on her being hooked up with a blind date on the show, Josh is the ideal foil. He has no more interest in a romance than she does. He’s got Melanie. And if Loretta pretends he’s her boyfriend, her family will get off her case.
What could possibly go wrong?
And then there’s Vermont transplant Ned Donovan, whose smart, scrappy son longs to attend Libby’s school. Ned’s a widower, a carpenter, sexy as sin—and wild about the fireplace in Libby’s living room. Ned wants to fix up her apartment. Libby believes he could fix up her life…if only she could be sure that his love isn’t simply the biggest, most dangerous bribe she’s ever received.
Winner of the RT Reviewers Choice Award for best contemporary romance of the year.
Gail Saunders is a lawyer in the public defender’s office. When her former client, a Russian immigrant who’s had a few scrapes with the law in the past, implores her to sue the city’s newspaper for libel after his name appears in a front page article in connection with a series of thefts, she agrees to represent him, even if it means going up against Murphy and his prestigious, wealthy law firm, and even if it means she has to deal with his wild children once their nanny goes AWOL. Gail isn’t the sort to become all warm and fuzzy around children—especially imps like Sean and Erin Murphy. She’s missing the maternal gene, and the romantic gene as well. Just because Murphy is smart and funny and sexy as hell doesn’t mean she’s going to fall for him. She knows his seductive charms are merely tactics in his effort to win the libel suit.
Being the sister of one of the founders of the Daddy School, Gail believes Murphy could use a few lessons in how to be a better father. But she’s got a few things to learn, too, and Dennis Murphy might just be the man to teach her.
A babysitter? Brett hates children. He had to raise his younger siblings when he was just a child himself, and he never wants to deal with children again. He’s always been honest with women about this, and the reason he’s still single is that most of the women he meets want to become mothers.
Sharon is already a mother. Widowed while pregnant, she has raised two-year-old Max alone. She devotes herself to her son while also running her photography studio—and also competing for a commission to do the photographs for her town’s 300th birthday celebration.
A power player in town, Brett happens to know one of the birthday celebration committee members. He could get the commission for Sharon. But he wants more than her gratitude. He wants her. Without her son. But they’re a package deal, and perhaps with the help of the Daddy School, he can learn to love Max.