"The Last Flight is thoroughly absorbing—not only because of its tantalizing plot and deft pacing, but also because of its unexpected poignancy and its satisfying, if bittersweet, resolution. The characters get under your skin."—The New York Times Book Review
Two women. Two flights. One last chance to disappear.
Claire Cook has a perfect life. Married to the scion of a political dynasty, with a Manhattan townhouse and a staff of ten, her surroundings are elegant, her days flawlessly choreographed, and her future auspicious. But behind closed doors, nothing is quite as it seems. That perfect husband has a temper that burns as bright as his promising political career, and he's not above using his staff to track Claire's every move, making sure she's living up to his impossible standards. But what he doesn't know is that Claire has worked for months on a plan to vanish.
A chance meeting in an airport bar brings her together with a woman whose circumstances seem equally dire. Together they make a last-minute decision to switch tickets—Claire taking Eva's flight to Oakland, and Eva traveling to Puerto Rico as Claire. They believe the swap will give each of them the head start they need to begin again somewhere far away. But when the flight to Puerto Rico goes down, Claire realizes it's no longer a head start but a new life. Cut off, out of options, with the news of her death about to explode in the media, Claire will assume Eva's identity, and along with it, the secrets Eva fought so hard to keep hidden.
For fans of Lisa Jewell and Liv Constantine, The Last Flight is the story of two women—both alone, both scared—and one agonizing decision that will change the trajectory of both of their lives.
Born and raised in Santa Monica, California, Julie Clark grew up reading books on the beach while everyone else surfed. After attending college at University of the Pacific, she returned home to Santa Monica to teach. She now lives there with her two young sons and a golden doodle with poor impulse control. Her debut novel, The Ones We Choose, was published in 2018, and has been optioned for television by Lionsgate.
Bailey Weggins, the sassy amateur sleuth and true-crime journalist, is in a good place. She’s enjoying her regular gig at Buzz, a leading celebrity magazine, getting freelance work, and hoping her first book will garner attention. In the love department, she’s finally back in the game with her recently-turned-exclusive boyfriend, Beau Regan.
When Beau heads out of town one early December weekend, Bailey accepts an invitation from her office friend Jessie to a music mogul’s house in the country, hoping for a fun, relaxing getaway. But a weird tension settles over the houseguests—a glamorous crowd that includes the famously thin supermodel Devon Barr. An impending snowstorm only adds to the unease. So when Devon’s lifeless body is found in her bed, Bailey immediately suspects foul play: she can’t stop thinking of the day before, when a frightened Devon shivered in the woods and pleaded, “I have to get out of here. . . . It’s not safe for me.”
When Bailey starts to nose around, she finds herself a moving target—running closer to the truth and straight into danger. She’s determined to find out who’s responsible, but her investigation could provoke the killer into striking again…
In her enthralling debut, Gilly Macmillan explores a mother’s search for her missing son, weaving a taut psychological thriller as gripping and skillful as The Girl on the Train and The Guilty One.
In a heartbeat, everything changes…
Rachel Jenner is walking in a Bristol park with her eight-year-old son, Ben, when he asks if he can run ahead. It’s an ordinary request on an ordinary Sunday afternoon, and Rachel has no reason to worry—until Ben vanishes.
Police are called, search parties go out, and Rachel, already insecure after her recent divorce, feels herself coming undone. As hours and then days pass without a sign of Ben, everyone who knew him is called into question, from Rachel’s newly married ex-husband to her mother-of-the-year sister. Inevitably, media attention focuses on Rachel too, and the public’s attitude toward her begins to shift from sympathy to suspicion.
As she desperately pieces together the threadbare clues, Rachel realizes that nothing is quite as she imagined it to be, not even her own judgment. And the greatest dangers may lie not in the anonymous strangers of every parent’s nightmares, but behind the familiar smiles of those she trusts the most.
Where is Ben? The clock is ticking...