Just After Sunset: Stories

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A stunning collection from international bestseller Stephen King that displays his phenomenally broad readership (stories published in The New Yorker, Playboy, and McSweeney’s and including the 25,000 word story “Gingerbread Girl” published in Esquire).

Stephen King—who has written more than fifty books, dozens of number one New York Times bestsellers, and many unforgettable movies—delivers an astonishing collection of short stories, his first since Everything’s Eventual six years ago. As guest editor of the bestselling Best American Short Stories 2007, King spent over a year reading hundreds of stories. His renewed passion for the form is evident on every page of Just After Sunset. The stories in this collection have appeared in The New Yorker, Playboy, McSweeney’s, The Paris Review, Esquire, and other publications.

Who but Stephen King would turn a Port-O-San into a slimy birth canal, or a roadside honky-tonk into a place for endless love? A book salesman with a grievance might pick up a mute hitchhiker, not knowing the silent man in the passenger seat listens altogether too well. Or an exercise routine on a stationary bicycle, begun to reduce bad cholesterol, might take its rider on a captivating—and then terrifying—journey. Set on a remote key in Florida, “The Gingerbread Girl” is a riveting tale featuring a young woman as vulnerable—and resourceful—as Audrey Hepburn’s character in Wait Until Dark. In “Ayana,” a blind girl works a miracle with a kiss and the touch of her hand. For King, the line between the living and the dead is often blurry, and the seams that hold our reality intact might tear apart at any moment. In one of the longer stories here, “N.,” which recently broke new ground when it was adapted as a graphic digital entertainment, a psychiatric patient’s irrational thinking might create an apocalyptic threat in the Maine countryside...or keep the world from falling victim to it.

Just After Sunset—call it dusk, call it twilight, it’s a time when human intercourse takes on an unnatural cast, when nothing is quite as it appears, when the imagination begins to reach for shadows as they dissipate to darkness and living daylight can be scared right out of you. It’s the perfect time for Stephen King.
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From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It—publishing just as the second part of It, the movie, lands in theaters.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
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Additional Information

Publisher
Simon and Schuster
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Published on
Nov 11, 2008
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Pages
384
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ISBN
9781439125489
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Language
English
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Genres
Fiction / General
Fiction / Literary
Fiction / Short Stories (single author)
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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A Best Book of the Year: NPR, Vogue, The Huffington Post, The Chicago Review of Books, The National Post, Electric Literature, Kirkus

“Wields such a subtle and alien power . . . Wonderfully spooky.” —Jia Tolentino, The New Yorker

"A feminist manifesto threaded through imaginative fiction; it’s the most evocative, impressive collection I’ve read this year." —Daniel Johnson, The Paris Review

From the acclaimed author of Mr. Splitfoot, Samantha Hunt's first collection of stories, The Dark Dark, blends the literary and the fantastic and brings us characters on the verge—girls turning into women, women turning into deer, people doubling or becoming ghosts, and more

Step into The Dark Dark, where an award-winning, acclaimed novelist debuts her first collection of short stories and conjures entire universes in just a few pages—conjures, splits in half, mines for humor, destroys with absurdity, and regenerates. In prose that sparkles and haunts, Samantha Hunt playfully pushes the bounds of the expected and fills every corner with vibrant life, imagining numerous ways in which the weird might poke its way through the mundane. Each of these ten haunting, inventive tales brings us to the brink—of creation, mortality and immortality, infidelity and transformation, technological innovation and historical revision, loneliness and communion, and every kind of love.

Laced with lyricism, hope, Hunt’s characteristic sly wit, and her unflinching gaze into the ordinary horrors of human existence, The Dark Dark celebrates the mysteries and connections that swirl around us. It’s never all the same, Hunt tells us. It changes a tiny bit every time. See for yourself.

Includes the story “The Man in the Black Suit”—set in the fictional town of Castle Rock, Maine

From #1 New York Times bestselling author Stephen King, the iconic, spine-tingling story collection that includes winners of an O. Henry Prize and other awards, and “Riding the Bullet,” which attracted over half a million online readers and became the most famous short story of the decade, as well as stories first published in The New Yorker, “1408,” made into a movie starring John Cusack.

“Riding the Bullet” is the story of Alan Parker, who’s hitchhiking to see his dying mother but takes the wrong ride, farther than he ever intended. In “Lunch at the Gotham Café,” a sparring couple’s contentious lunch turns very, very bloody when the maître d’ gets out of sorts. “1408,” the audio story in print for the first time, is about a successful writer whose specialty is “Ten Nights in Ten Haunted Graveyards,” or “Ten Nights in Ten Haunted Houses,” and though Room 1408 at the Dolphin Hotel doesn’t kill him, he won’t be writing about ghosts anymore. And in “That Feeling, You Can Only Say What It Is in French,” terror is déjà vu at 16,000 feet.

Whether writing about encounters with the dead, the near dead, or about the mundane dreads of life, from quitting smoking to yard sales, Stephen King is at the top of his form in the fourteen “brilliantly creepy” (USA TODAY) tales assembled in Everything’s Eventual. Intense, eerie, and instantly compelling, they announce the stunningly fertile imagination of perhaps the greatest storyteller of our time.

Stories include:
-Autopsy Room Four
-The Man in the Black Suit
-All That You Love Will Be Carried Away
-The Death of Jack Hamilton
-In the Deathroom
-The Little Sisters of Eluria
-Everything's Eventual
-L.T.'s Theory of Pets
-The Road Virus Heads North
-Lunch at the Gotham Café
-That Feeling, You Can Only Say What It Is in French
-1408
-Riding the Bullet
-Luckey Quarter
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