The present collection of papers focuses on the underpinnings of the creative workings of the human strategies of reason.
Anna-Teresa Tymieniecka, Zaiga Ikere, Daniela Verducci, Klymet Selvi, Andrina Tonkli-Komel, Jan Szmyd, Brian Grassom, Alon Segev, Mara Rubene, Dean Komel, Patricia Trutty-Coohill, Carmen Cozma, Piotr Mroz, Clara Mandolini, Mobeen Shahid, Semiha Akinci, Oliver W. Holmes, Khawaja Muhammad Saeed, Angela Ales Bello, Virpi Yliraudanjoki, Brian Hughes, Ella Buceniece, Halil Turan, Fabio Petrelli, Roberto Verolini, Bronislaw Bombala, Osvaldo Rossi, Joanna Handerek, Rimma Kurenkova, M. Chkeneva, Maija Kule, Nikolay Kozhevnikov
Based on his intimate knowledge of Husserl’s published writings and unpublished manuscripts and on the many conversations and discussions he had with Husserl and Fink during his stay in Freiburg i. Br. in 1931-1932 Cairns’s dissertation is a comprehensive exposition of the methodological foundations and the concrete phenomenological analyses of Husserl’s transcendental phenomenology.The lucidity and precision of Cairns’s presentation is remarkable and demonstrates the secure grasp he had of Husserl’s philosophical intentions and phenomenological distinctions. Starting from the phenomenological reduction and Husserl’s Idea of Philosophy, Cairns proceeds with a detailed analysis of intentionality and the intentional structures of consciousness. In its scope and in the depth and nuance of its understanding, Cairns’s dissertation belongs beside the writings on Husserl by Levinas and Fink from the same period.
against the threats of dogmatism and relativism.
(1918–1991) was one of the most important Italian philosophers to emerge after
World War II and stands shoulder to shoulder with fellow hermeneutic thinkers
Hans-Georg Gadamer and Paul Ricoeur. The product of a well-developed theory of
interpretation that stretches back to the late 1940s, his 1971 masterpiece
Truth and Interpretation provides the historical impetus and theoretical
framework for the questions of existence, art, and politics that would motivate
his most famous students, Umberto Eco and Gianni Vattimo. In a time when the
meaning of truth as an interpretation is challenged by the chaotic din of media
on the one side and the violent force of absolute claims from science, religion,
and political economy on the other, Pareyson’s meditation on the value of
thinking that is shaped by the traditions of philosophy and yet responds to
contemporary demands remains timely and pressing more than forty years after its