Who knew magic was real? That there is a whole world out there she’d never heard of, where magic is common?
Amelia’s life is about to take a dramatic change—will she be able to survive all the twists and turns to come? Or will she end up pissing off the wrong man?
Kristine McKinley writes what she wants to read. Often inspired by her crazy dreams or a random sentence that pops into her head. When she's not taking care of her young daughter she's reading or spending too much time watching TV.
Writing has always been a passion, but for years she never believed her work good enough to publish. She's happy to say that so far she's received positive feedback.
She's just finished writing Season One of the Amelia Bennett Chronicles and is looking forward to finishing even more projects.
Shadow dreamed of nothing but leaving prison and starting a new life. But the day before his release, his wife and best friend are killed in an accident. On the plane home to the funeral, he meets Mr. Wednesday—a beguiling stranger who seems to know everything about him. A trickster and rogue, Mr. Wednesday offers Shadow a job as his bodyguard. With nowhere left to go, Shadow accepts, and soon learns that his role in Mr. Wednesday’s schemes will be far more dangerous and dark than he could have ever imagined. For beneath the placid surface of everyday life a war is being fought —and the prize is the very soul of America.
Published in 1997, Neil Gaiman's darkly hypnotic first novel, Neverwhere, heralded the arrival of a major talent and became a touchstone of urban fantasy. Over the years, a number of versions were produced both in the U.S. and the U.K. Now Gaiman's preferred edition of his classic novel reconciles these works and reinstates a number of scenes cut from the original published books.
Neverwhere is the story of Richard Mayhew, a young London businessman with a good heart and an ordinary life, which is changed forever when he discovers a girl bleeding on the sidewalk. He stops to help her—an act of kindness that plunges him into a world he never dreamed existed.
Slipping through the cracks of reality, Richard lands in the Neverwhere—a London of shadows and darkness, monsters and saints, murderers and angels that exists entirely in a subterranean labyrinth. The Neverwhere is home to Door, the mysterious girl Richard helped in the London Above. Door, a noblewoman whose family has been murdered, is on a quest to find the agent that slaughtered her family and thwart the destruction of this underworld kingdom. If Richard is ever to return to his former life, he must join the journey to save Door's world—and find a way to survive.
A hallucinatory fantasia of mystery, mythology, and terror that "draws equally from George Lucas, Monty Python, Doctor Who, and John Milton" (USA Today), Neverwhere is an "Alice in Wonderland with a punk edge" (Poppy Z. Brite), "that is both the stuff of dreams and nightmares" (San Diego Union-Tribune).
In the traditional folktale of "Sleeping Beauty," the spell cast upon the lovely young princess and everyone in her castle can only be broken by the kiss of a Prince. It is an ancient story, one that originally emerged from and still deeply disturbs the mind's unconscious. In the first book of the trilogy, Anne Rice (author of Beauty's Kingdom), writing as A.N. Roquelaure, retells the Beauty story and probes the unspoken implications of this lush, suggestive tale by exploring its undeniable connection to sexual desire. Here the Prince awakens Beauty, not with a kiss, but with sexual initiation. His reward for ending the hundred years of enchantment is Beauty's complete and total enslavement to him . . . as Anne Rice explores the world of erotic yearning and fantasy in a classic that becomes, with her skillful pen, a compelling experience. Readers of Fifty Shades of Grey will indulge in Rice’s deft storytelling and imaginative eroticism, a sure-to-be classic for years to come.
Praise for The Claiming of Sleeping Beauty:
"Articulate, baroque, and fashionably pornographic." —Playboy
"Something very special . . . at once so light and yet so haunting." —The Advocate