An edgy, bittersweet collection reflecting themes for our time, be it the angst of reaching fifty and a life not quite fully realized, emerging sexuality or sexual experimentation. In other stories, patterns of behaviour across generations or within a lifetime are explored. Other stories look at life from unusual viewpoints, while others still have voices of a generation. Whatever your inclination, Tales by Kindlelight has something for you.
Kate Rigby was born near Liverpool and now lives in Devon. She’s been writing for over thirty years, with a few small successes along the way.
She realized her unhip credentials were mounting so she decided to write about it. Little Guide to Unhip was published in 2010.
However, she’s not completely unhip. Her punk novel, Fall Of The Flamingo Circus was published by Allison & Busby (1990) and by Villard (American hardback 1990). Skrev Press published her novels Seaview Terrace (2003) Sucka!(2004) and Break Point(2006) and other shorter work has appeared in Skrev’s avant garde magazine Texts’ Bones including a version of her satirical novella Lost The Plot.
Thalidomide Kid was published by Bewrite Books (2007).
She has had other short stories published and shortlisted including Hard Workers and Headboards, first published in The Diva Book of Short Stories and as part of the Dancing In The Dark erotic anthology, Pfoxmoor Publishing (2011)
She also received a Southern Arts bursary for her novel Where A Shadow Played (now re-Kindled as Did You Whisper Back?).
She is gradually in the process of re-Kindling her backlist of previously published as well as unpublished work including:
Far Cry From The Turquoise Room
Suckers n Scallies (formerly Sucka!)
Down The Tubes
She Looks Pale
Tales By Kindlelight (a collection of short stories, many of them previously published or shortlisted in short story competitions)
Savage To Savvy – (ABNA Quarter-Finalist 2012)
More information can be found at her website:
Or her occasional blog:
Focusing on the link between the ways disasters are framed by the stories told about them and how people tend to respond to them in practice, Rigby also shows how works of narrative fiction invite ethical reflection on human relations with one another, with our often unruly earthly environs, and with other species in the face of eco-catastrophe. In its investigation of an array of authors from the Romantic period to the present—including Heinrich von Kleist, Mary Shelley, Theodor Storm, Colin Thiele, and Alexis Wright— Dancing with Disaster demonstrates the importance of the environmental humanities in the development of more creative, compassionate, ecologically oriented, and socially just responses to the perils and possibilities of the Anthropocene.
Under the Sign of Nature: Explorations in Ecocriticism